1 00:00:01,523 --> 00:00:21,499 [PROJECTOR CLICKING, ♪...] 2 00:00:21,499 --> 00:00:24,589 [HORNS HONKING...] 3 00:00:24,589 --> 00:00:27,723 [HORNS HONKING...] [♪...] 4 00:00:27,723 --> 00:00:33,946 [♪...] 5 00:00:33,946 --> 00:00:38,386 [♪...] [BIRDS CHIRPING...] 6 00:00:38,386 --> 00:00:44,479 [BIRDS CHIRPING...] 7 00:00:44,479 --> 00:00:49,136 [BIRDS CHIRPING...] [ALARM BEEPING...] 8 00:00:49,136 --> 00:00:52,052 [ALARM BEEPING...] 9 00:00:52,052 --> 00:00:55,664 >> [GRUNTS SOFTLY] 10 00:00:55,664 --> 00:00:59,450 >> [GRUNTS SOFTLY] [SIGHS] 11 00:00:59,450 --> 00:01:01,496 [SIGHS] 12 00:01:01,496 --> 00:01:04,716 [SIGHS] [GROANS SOFTLY, KISSES] 13 00:01:04,716 --> 00:01:07,632 [GROANS SOFTLY, KISSES] 14 00:01:07,632 --> 00:01:08,720 >> HONEY, NO... 15 00:01:08,720 --> 00:01:09,678 UH-UH, NO, I HAVE 16 00:01:09,678 --> 00:01:10,722 A REALLY BUSY MORNING. 17 00:01:10,722 --> 00:01:12,898 >> [LAUGHING]: COME ON... 18 00:01:12,898 --> 00:01:15,162 COME BACK TO BED. 19 00:01:15,162 --> 00:01:17,599 >> REALLY, I CAN'T. 20 00:01:17,599 --> 00:01:19,514 >> PLEASE? 21 00:01:19,514 --> 00:01:21,211 >> PLEASE? >> [SIGHS] 22 00:01:21,211 --> 00:01:22,125 >> [SIGHS] 23 00:01:22,125 --> 00:01:23,822 >> O.K., FINE, JUST REALLY 24 00:01:23,822 --> 00:01:24,823 QUICK THOUGH, O.K.? 25 00:01:24,823 --> 00:01:25,955 >> WHAT? NO, NO, NO, 26 00:01:25,955 --> 00:01:28,305 IT'S NOT WHAT... NO. 27 00:01:28,305 --> 00:01:29,089 >> [SIGHS] 28 00:01:29,089 --> 00:01:31,700 >> FORGET IT. 29 00:01:31,700 --> 00:01:33,093 [SIGHS] 30 00:01:33,093 --> 00:01:34,964 >> O.K.. 31 00:01:34,964 --> 00:01:36,661 >> [SIGHS] 32 00:01:36,661 --> 00:01:43,277 [♪...] 33 00:01:43,277 --> 00:01:46,367 I LOVE YOU. 34 00:01:46,367 --> 00:01:49,587 >> I LOVE YOU TOO. 35 00:01:49,587 --> 00:01:51,937 [♪...] 36 00:01:51,937 --> 00:01:54,375 [♪...] [TRAFFIC PASSING...] 37 00:01:54,375 --> 00:02:08,737 [TRAFFIC PASSING...] 38 00:02:08,737 --> 00:02:12,697 [TRAFFIC PASSING...] [♪...] 39 00:02:12,697 --> 00:02:17,528 [♪...] 40 00:02:17,528 --> 00:02:21,097 [TRAFFIC, CONSTRUCTION NOISE...] 41 00:02:21,097 --> 00:02:25,319 [TRAFFIC, CONSTRUCTION NOISE...] [♪...] 42 00:02:25,319 --> 00:02:28,104 [♪...] 43 00:02:28,104 --> 00:02:29,671 >> Man 2: GOTTA GET BACK TO HIM 44 00:02:29,671 --> 00:02:30,715 THIS MORNING... 45 00:02:30,715 --> 00:02:32,413 THE SMARMY LITTLE BASTARD. 46 00:02:32,413 --> 00:02:34,154 50 BUCKS FOR A BAG OF SOIL. 47 00:02:34,154 --> 00:02:35,938 IT'S DIRT, FOR CHRIST SAKES. 48 00:02:35,938 --> 00:02:39,420 IT'S DIRT, FOR CHRIST SAKES. GO OUT AND DIG IT MYSELF. 49 00:02:39,420 --> 00:02:42,684 GO OUT AND DIG IT MYSELF. 50 00:02:42,684 --> 00:02:44,033 >> MORNING. 51 00:02:44,033 --> 00:02:45,121 >> MORNING. 52 00:02:45,121 --> 00:02:46,427 >> NEED A COUPLE MORE MINUTES? 53 00:02:46,427 --> 00:02:47,254 >> I'M O.K. 54 00:02:47,254 --> 00:02:47,993 WHAT DO YOU GOT? 55 00:02:47,993 --> 00:02:49,343 >> HERE IS THE ZONING PACKAGE, 56 00:02:49,343 --> 00:02:50,431 MINUS THE FINAL ADJUSTMENTS 57 00:02:50,431 --> 00:02:51,910 TO THE RETAIL ALLOCATIONS. 58 00:02:51,910 --> 00:02:52,998 OH, AND HERE'S THE FOLDER 59 00:02:52,998 --> 00:02:54,391 YOU WANTED ON THAT WATERFRONT 60 00:02:54,391 --> 00:02:55,697 PROJECT OUT IN JERSEY, 61 00:02:55,697 --> 00:02:56,698 McKEAN AND McKEAN. 62 00:02:56,698 --> 00:02:58,047 >> THANK YOU AND THANK YOU. 63 00:02:58,047 --> 00:02:59,222 >> OH, AND JOSH CALLED AGAIN. 64 00:02:59,222 --> 00:03:00,397 HE WANTS YOU TO CALL HIM 65 00:03:00,397 --> 00:03:01,050 THIS MORNING. 66 00:03:01,050 --> 00:03:01,877 >> [SIGHS] ALL RIGHT. 67 00:03:01,877 --> 00:03:02,617 THANKS, MEG. 68 00:03:02,617 --> 00:03:03,574 >> NEED ANYTHING ELSE? 69 00:03:03,574 --> 00:03:05,272 COFFEE, BAGEL? 70 00:03:05,272 --> 00:03:06,447 DELIVERY OF SEVERAL TONS 71 00:03:06,447 --> 00:03:09,058 OF DIRT PERHAPS? 72 00:03:09,058 --> 00:03:11,191 >> I'M O.K., THANKS. 73 00:03:11,191 --> 00:03:13,802 >> [LAUGHS] ALL RIGHT. 74 00:03:13,802 --> 00:03:17,153 >> [SIGHS] 75 00:03:17,153 --> 00:03:17,719 [♪...] 76 00:03:17,719 --> 00:03:19,068 >> Man 1: FINE, JUST PUSH THE 77 00:03:19,068 --> 00:03:20,287 SIGNING ON THE 27th TO THE 78 00:03:20,287 --> 00:03:21,462 AFTERNOON SO I CAN MAKE IT 79 00:03:21,462 --> 00:03:22,637 TO NATE'S SCIENCE FAIR. 80 00:03:22,637 --> 00:03:25,248 I REALLY DON'T WANT TO MISS IT. 81 00:03:25,248 --> 00:03:27,729 I REALLY DON'T WANT TO MISS IT. [♪...] 82 00:03:27,729 --> 00:03:30,210 [♪...] 83 00:03:30,210 --> 00:03:31,036 O.K.. 84 00:03:31,036 --> 00:03:31,994 ALL RIGHT, I'M HERE 85 00:03:31,994 --> 00:03:33,909 AT McKEAN AND McKEAN. 86 00:03:33,909 --> 00:03:35,954 CAN YOU GIVE ME THE, UH, NAMES 87 00:03:35,954 --> 00:03:39,523 OF THESE TWO FINE, FINE FELLOWS? 88 00:03:39,523 --> 00:03:41,525 SAM AND ALEX? 89 00:03:41,525 --> 00:03:45,094 ALL RIGHT, THANKS, MEG. BYE. 90 00:03:45,094 --> 00:03:49,664 ALL RIGHT, THANKS, MEG. BYE. [♪...] 91 00:03:49,664 --> 00:04:02,416 [♪...] 92 00:04:02,416 --> 00:04:08,248 [COPIER WHIRRING...] 93 00:04:08,248 --> 00:04:12,208 [COPIER WHIRRING...] [MUSIC PLAYING SOFTLY...] 94 00:04:12,208 --> 00:04:16,343 [MUSIC PLAYING SOFTLY...] 95 00:04:16,343 --> 00:04:18,258 >> EXCUSE ME. 96 00:04:18,258 --> 00:04:18,519 HI. 97 00:04:18,519 --> 00:04:19,694 I'M WILL SARGENT, I'M HERE TO 98 00:04:19,694 --> 00:04:21,783 MEET SAM AND ALEX McKEAN. 99 00:04:21,783 --> 00:04:22,871 >> HEY, WILL, HI. 100 00:04:22,871 --> 00:04:24,438 >> HI. >> I'M ALEX. 101 00:04:24,438 --> 00:04:25,613 >> OH. >> COME ON BACK. 102 00:04:25,613 --> 00:04:26,266 >> HI. [LAUGHS] 103 00:04:26,266 --> 00:04:27,354 >> HI, NICE TO MEET YOU. 104 00:04:27,354 --> 00:04:28,093 >> NICE TO MEET YOU. 105 00:04:28,093 --> 00:04:29,225 >> YOU FOUND US O.K.? 106 00:04:29,225 --> 00:04:30,095 >> YEAH, YEAH, NO, 107 00:04:30,095 --> 00:04:30,922 IT WAS NO PROBLEM. 108 00:04:30,922 --> 00:04:31,880 >> OH, GOOD-- SOME PEOPLE 109 00:04:31,880 --> 00:04:32,837 HAVE THE HARDEST TIME. >> AH. 110 00:04:32,837 --> 00:04:34,535 >> UM... SAM... >> YUP. 111 00:04:34,535 --> 00:04:35,884 >> WILL SARGENT IS HERE. 112 00:04:35,884 --> 00:04:37,842 >> HEY, WILL. HOW'S IT GOING? 113 00:04:37,842 --> 00:04:38,495 >> GOOD, HOW ARE YOU? 114 00:04:38,495 --> 00:04:39,279 >> I'LL BE RIGHT DOWN. 115 00:04:39,279 --> 00:04:40,280 YOU NEED SOMETHING TO DRINK? 116 00:04:40,280 --> 00:04:41,498 >> UH, ME? NO, I'M FINE. 117 00:04:41,498 --> 00:04:42,282 >> ALL RIGHT, 118 00:04:42,282 --> 00:04:42,934 I'LL BE RIGHT DOWN. 119 00:04:42,934 --> 00:04:44,501 >> CAN YOU BRING ME MY WATER? 120 00:04:44,501 --> 00:04:45,502 >> YOU GOT IT, BABE. 121 00:04:45,502 --> 00:04:46,808 >> THANK YOU. 122 00:04:46,808 --> 00:04:48,288 WE'RE SO HAPPY YOU CAME HERE. 123 00:04:48,288 --> 00:04:49,767 >> OH... >> I MEAN, WE'RE... 124 00:04:49,767 --> 00:04:51,769 HUGE FANS OF YOUR WORK. 125 00:04:51,769 --> 00:04:52,814 THE FERRY TERMINAL ON THE 126 00:04:52,814 --> 00:04:53,902 WEST SIDE IS ONE OF OUR 127 00:04:53,902 --> 00:04:55,033 FAVORITE BUILDINGS. 128 00:04:55,033 --> 00:04:55,643 >> OH, THANKS. 129 00:04:55,643 --> 00:04:56,992 >> HERE. THANKS. 130 00:04:56,992 --> 00:04:58,210 >> WELL, GOOD TO MEET YOU. 131 00:04:58,210 --> 00:04:58,907 >> YOU TOO. 132 00:04:58,907 --> 00:05:00,300 >> HERE YOU GO, HON. >> THANKS. 133 00:05:00,300 --> 00:05:01,866 >> Woman: SO THIS FRIEND OF 134 00:05:01,866 --> 00:05:03,694 MINE, SHE JUST WALKS UP TO THIS 135 00:05:03,694 --> 00:05:05,827 GUY AND SHE SAYS, "MY BIOLOGICAL 136 00:05:05,827 --> 00:05:07,829 CLOCK IS TICKING." [LAUGHS] 137 00:05:07,829 --> 00:05:09,396 >> SHE SAID THAT TO HIM? 138 00:05:09,396 --> 00:05:11,615 >> RIGHT TO HIS FACE. 139 00:05:11,615 --> 00:05:13,878 OH, CAN YOU PASS ME THAT? 140 00:05:13,878 --> 00:05:15,663 [LAUGHS] 141 00:05:15,663 --> 00:05:18,143 OH GOD... OH, 6:25, 6:25... 142 00:05:18,143 --> 00:05:18,970 >> I CAN'T BELIEVE 143 00:05:18,970 --> 00:05:20,537 KIT ISN'T HERE YET. 144 00:05:20,537 --> 00:05:21,495 >> WAIT, FINISH WHAT YOU WERE 145 00:05:21,495 --> 00:05:23,323 TELLING ME ABOUT THE JOB IN L.A. 146 00:05:23,323 --> 00:05:24,672 WHEN WOULD YOU HEAR BACK? 147 00:05:24,672 --> 00:05:25,629 >> I DON'T KNOW. 148 00:05:25,629 --> 00:05:26,717 YOU KNOW, THEY'RE GONNA HAVE 149 00:05:26,717 --> 00:05:27,457 ANOTHER ROUND OF INTERVIEWS 150 00:05:27,457 --> 00:05:28,763 IN OCTOBER AND THEN THEY SHOULD 151 00:05:28,763 --> 00:05:29,894 COME TO SOME SORT OF DECISION 152 00:05:29,894 --> 00:05:31,940 BY NOVEMBER, I, I THINK. 153 00:05:31,940 --> 00:05:33,724 >> SO DOES THAT MEAN THEY FLY 154 00:05:33,724 --> 00:05:36,423 YOU TO L.A. FOR AN INTERVIEW? 155 00:05:36,423 --> 00:05:37,728 >> [LAUGHS] I GUESS 156 00:05:37,728 --> 00:05:39,295 THAT'S THE IDEA. 157 00:05:39,295 --> 00:05:40,818 >> THAT'S SO AMAZING... 158 00:05:40,818 --> 00:05:42,864 EVEN TO BE CONSIDERED. 159 00:05:42,864 --> 00:05:44,344 >> YEAH, I KNOW. 160 00:05:44,344 --> 00:05:45,475 I'M JUST NOT SURE 161 00:05:45,475 --> 00:05:46,868 IF IT'S WHAT I WANT, YOU KNOW? 162 00:05:46,868 --> 00:05:48,435 I MEAN, I DON'T WANT TO 163 00:05:48,435 --> 00:05:50,480 LIVE IN L.A. 164 00:05:50,480 --> 00:05:50,872 >> KATE... 165 00:05:50,872 --> 00:05:52,352 >> OH, COME ON, I DON'T WANT TO 166 00:05:52,352 --> 00:05:54,571 LIVE IN THE SAME CITY AS HIM. 167 00:05:54,571 --> 00:05:55,659 >> IT'S L.A. 168 00:05:55,659 --> 00:05:56,399 I MEAN, YOU HAVE MORE 169 00:05:56,399 --> 00:05:57,922 OF A CHANCE OF RUNNING INTO HIM 170 00:05:57,922 --> 00:05:58,923 ON A TRIP TO CHINA. 171 00:05:58,923 --> 00:06:00,098 BESIDES, IT'S BEEN OVER A YEAR-- 172 00:06:00,098 --> 00:06:01,839 YOU'RE SO TOTALLY OVER HIM. 173 00:06:01,839 --> 00:06:03,058 >> YEAH, I KNOW. 174 00:06:03,058 --> 00:06:03,928 >> I THINK IT SOUNDS 175 00:06:03,928 --> 00:06:05,147 LIKE A LOT OF FUN. 176 00:06:05,147 --> 00:06:05,800 >> WHAT SOUNDS 177 00:06:05,800 --> 00:06:06,888 LIKE A LOT OF FUN? 178 00:06:06,888 --> 00:06:08,019 >> OH, THAT L.A. DESIGN FIRM 179 00:06:08,019 --> 00:06:08,890 CALLED BACK FOR KATE. 180 00:06:08,890 --> 00:06:10,544 THEY'RE GOING TO FLY HER OUT FOR 181 00:06:10,544 --> 00:06:11,762 A SECOND ROUND OF INTERVIEWS. 182 00:06:11,762 --> 00:06:13,373 ISN'T THAT EXCITING? 183 00:06:13,373 --> 00:06:15,418 >> YEAH. [THEY KISS] 184 00:06:15,418 --> 00:06:16,158 YOU NEED TO FIND 185 00:06:16,158 --> 00:06:17,420 A NEW APARTMENT ANYWAY. 186 00:06:17,420 --> 00:06:17,899 >> KIT... 187 00:06:17,899 --> 00:06:19,596 >> I MIGHT'VE ALREADY FOUND ONE. 188 00:06:19,596 --> 00:06:20,292 >> REALLY? 189 00:06:20,292 --> 00:06:21,381 >> THERE IS A WOMAN AT MY 190 00:06:21,381 --> 00:06:22,860 OFFICE, HER SISTER HAS A SUBLET 191 00:06:22,860 --> 00:06:23,948 THAT STARTS NEXT MONTH. 192 00:06:23,948 --> 00:06:25,950 GUESS WHERE? >> WHERE? 193 00:06:25,950 --> 00:06:27,038 >> PIERREPONT AND WILLOW. 194 00:06:27,038 --> 00:06:28,170 >> OH! [BOTH LAUGH] 195 00:06:28,170 --> 00:06:30,651 THAT'D BE FANTASTIC. 196 00:06:30,651 --> 00:06:32,043 >> YEAH, BUT I DON'T SEE IT 197 00:06:32,043 --> 00:06:32,609 TILL FRIDAY. 198 00:06:32,609 --> 00:06:34,655 >> THAT'D MAKE THE MOVE EASY. 199 00:06:34,655 --> 00:06:36,570 >> I HAVEN'T GOTTEN IT YET, KIT. 200 00:06:36,570 --> 00:06:37,266 [DOOR BUZZER] 201 00:06:37,266 --> 00:06:40,835 >> OH, THAT'S THE ICE. 202 00:06:40,835 --> 00:06:42,924 >> SO... MOM CALLED. 203 00:06:42,924 --> 00:06:44,447 WILL YOU CALL HER BACK? 204 00:06:44,447 --> 00:06:46,362 >> KATE... CHILL OUT. 205 00:06:46,362 --> 00:06:47,102 I'LL CALL HER 206 00:06:47,102 --> 00:06:49,278 I'LL CALL HER WHEN I GET A CHANCE. 207 00:06:49,278 --> 00:06:53,195 WHEN I GET A CHANCE. 208 00:06:53,195 --> 00:06:54,239 >> SO, HAVE YOU GUYS DECIDED 209 00:06:54,239 --> 00:06:55,415 WHAT YOU'RE GOING TO DO 210 00:06:55,415 --> 00:06:56,503 FOR THANKSGIVING YET? 211 00:06:56,503 --> 00:06:57,939 >> [LAUGHING]: KATE, THAT'S 212 00:06:57,939 --> 00:06:58,983 LIKE A MONTH AWAY. 213 00:06:58,983 --> 00:06:59,854 >> Woman: HEY, KIT, CAN YOU 214 00:06:59,854 --> 00:07:00,898 HELP ME WITH THESE? 215 00:07:00,898 --> 00:07:03,901 HELP ME WITH THESE? >> [MOUTH FULL]: COMING... 216 00:07:03,901 --> 00:07:06,208 >> [MOUTH FULL]: COMING... 217 00:07:06,208 --> 00:07:08,297 >> YEAH, THE SHIPS ACTUALLY CAME 218 00:07:08,297 --> 00:07:10,995 INTO PIER 2 AND UNLOADED EITHER 219 00:07:10,995 --> 00:07:12,997 INTO THE HORSE CARRIAGES HERE OR 220 00:07:12,997 --> 00:07:15,043 ONTO THE RAIL LINES AT PIER 1. 221 00:07:15,043 --> 00:07:16,958 IT'S PRETTY INCREDIBLE ISN'T IT? 222 00:07:16,958 --> 00:07:18,176 >> Will: OH, IT'S UNBELIEVABLE. 223 00:07:18,176 --> 00:07:20,178 THE DETAILING IS STILL HERE. 224 00:07:20,178 --> 00:07:21,049 >> Alex: I KNOW. 225 00:07:21,049 --> 00:07:22,703 WE FELL IN LOVE WITH THE PIERS 226 00:07:22,703 --> 00:07:25,314 THE MOMENT WE SAW THEM. 227 00:07:25,314 --> 00:07:26,446 >> SO HOW LONG YOU GUYS 228 00:07:26,446 --> 00:07:27,447 BEEN MARRIED? 229 00:07:27,447 --> 00:07:28,230 >> Sam: [LAUGHS] 230 00:07:28,230 --> 00:07:30,754 NOT MARRIED... ACTUALLY. 231 00:07:30,754 --> 00:07:32,974 11 YEARS, TWO KIDS, ONE ON 232 00:07:32,974 --> 00:07:34,932 THE WAY, BUT NOT MARRIED. 233 00:07:34,932 --> 00:07:36,934 >> Alex: WAIT, HERE... SORRY. 234 00:07:36,934 --> 00:07:38,762 HERE'S WHERE THE, UH, 235 00:07:38,762 --> 00:07:39,981 SEWAGE PIPES THAT CAUSED ALL 236 00:07:39,981 --> 00:07:41,461 THOSE E.P.A. ISSUES YOU READ 237 00:07:41,461 --> 00:07:42,679 ABOUT ARE LOCATED. 238 00:07:42,679 --> 00:07:44,028 >> Will: MM-HMM. 239 00:07:44,028 --> 00:07:47,858 >> DO YOU SEE IT? 240 00:07:47,858 --> 00:07:48,380 >> YEAH. 241 00:07:48,380 --> 00:07:49,860 >> YEAH, WE WENT THROUGH MONTHS 242 00:07:49,860 --> 00:07:51,732 OF DELAYS WHILE THE STATE AND 243 00:07:51,732 --> 00:07:54,343 FEDERAL E.P.A.s DUKED IT OUT 244 00:07:54,343 --> 00:07:55,649 OVER WHO WAS RESPONSIBLE 245 00:07:55,649 --> 00:07:57,346 FOR SIGNING OFF AND... 246 00:07:57,346 --> 00:07:58,956 LETTING US MOVE FORWARD. 247 00:07:58,956 --> 00:07:59,696 >> YEAH, NOT TO MENTION 248 00:07:59,696 --> 00:08:01,350 THE USUAL CITY REGULATION 249 00:08:01,350 --> 00:08:02,569 AND THE PERMIT HULA HOOPS 250 00:08:02,569 --> 00:08:03,874 WE HAD TO JUMP THROUGH. 251 00:08:03,874 --> 00:08:06,877 >> JUST "HOOPS", BABE. 252 00:08:06,877 --> 00:08:08,575 THOUGH... YOU JUMPING 253 00:08:08,575 --> 00:08:10,490 THROUGH HULA HOOPS IS A NICE, 254 00:08:10,490 --> 00:08:13,536 VIVID IMAGE. [MEN LAUGH] 255 00:08:13,536 --> 00:08:14,798 >> Will: WELL, THE STRUCTURES 256 00:08:14,798 --> 00:08:15,277 ARE BEAUTIFUL. 257 00:08:15,277 --> 00:08:16,496 >> Alex: WELL, THAT'S OUR MAIN 258 00:08:16,496 --> 00:08:17,322 ISSUE, BECAUSE THE BIG 259 00:08:17,322 --> 00:08:18,976 DEVELOPERS AND ARCHITECTS WANT 260 00:08:18,976 --> 00:08:20,238 TO TEAR DOWN AND REBUILD AT 261 00:08:20,238 --> 00:08:21,979 LEAST TWO OF THE PIERS. 262 00:08:21,979 --> 00:08:22,980 I MEAN, WE ACTUALLY HEARD A 263 00:08:22,980 --> 00:08:24,634 RUMOR THAT THE WAHLSTEIN GROUP 264 00:08:24,634 --> 00:08:25,896 IS INTERESTED IN ACQUIRING YOU 265 00:08:25,896 --> 00:08:27,855 GUYS, AND I'M JUST SAYING THIS 266 00:08:27,855 --> 00:08:29,465 BECAUSE I DON'T THINK WE'D BE 267 00:08:29,465 --> 00:08:32,512 THE BEST FIT WITH THEM. 268 00:08:32,512 --> 00:08:36,298 >> SO IS... IS THAT A DONE DEAL? 269 00:08:36,298 --> 00:08:38,387 >> NO, IT'S NOT A DONE DEAL. 270 00:08:38,387 --> 00:08:40,607 WE HAVEN'T MADE ANY COMMITMENTS. 271 00:08:40,607 --> 00:08:44,262 >> WELL, THAT'S GOOD TO HEAR. 272 00:08:44,262 --> 00:08:45,481 >> LISTEN, WE'VE MET WITH 273 00:08:45,481 --> 00:08:47,135 SEVERAL FIRMS BUT WE JUST LOVE 274 00:08:47,135 --> 00:08:49,529 YOUR WORK, AND THERE'S NO REASON 275 00:08:49,529 --> 00:08:51,182 TO BEAT AROUND THE BUSH. 276 00:08:51,182 --> 00:08:54,490 YOU'D BE OUR FIRST CHOICE. 277 00:08:54,490 --> 00:08:55,360 >> IS THIS SOMETHING 278 00:08:55,360 --> 00:08:59,539 YOU'D BE INTERESTED IN? 279 00:08:59,539 --> 00:09:01,149 >> YEAH. 280 00:09:01,149 --> 00:09:03,107 IT IS. 281 00:09:03,107 --> 00:09:04,631 [♪...] 282 00:09:04,631 --> 00:09:09,549 [♪...] [CONSTRUCTION NOISE...] 283 00:09:09,549 --> 00:09:12,334 [CONSTRUCTION NOISE...] 284 00:09:12,334 --> 00:09:14,641 >> Meg: WILL, IT'S JOSH. 285 00:09:14,641 --> 00:09:17,165 HE SAYS PICK UP. 286 00:09:17,165 --> 00:09:19,297 >> WHAT DO YOU WANT? 287 00:09:19,297 --> 00:09:22,083 YES. YES. I WILL BE THERE. 288 00:09:22,083 --> 00:09:23,867 NO, I DID NOT FORGET. 289 00:09:23,867 --> 00:09:27,044 UM... JUST GIVE ME THE, UH, 290 00:09:27,044 --> 00:09:29,917 ADDRESS AGAIN. 291 00:09:29,917 --> 00:09:31,309 ALL RIGHT. 292 00:09:31,309 --> 00:09:32,702 I'LL BE THERE. 293 00:09:32,702 --> 00:09:34,356 BYE. 294 00:09:34,356 --> 00:09:35,270 >> I'M HEADED 295 00:09:35,270 --> 00:09:36,837 BACK TO THE OFFICE. 296 00:09:36,837 --> 00:09:38,099 PETE WANTS US TO HAVE COPIES 297 00:09:38,099 --> 00:09:40,492 OF ALL BLUEPRINTS HERE ON SITE. 298 00:09:40,492 --> 00:09:41,581 >> THAT'S RIGHT. 299 00:09:41,581 --> 00:09:43,017 >> AND DON'T FORGET WE'VE GOT 300 00:09:43,017 --> 00:09:43,800 THE MONTHLY 10 A.M. 301 00:09:43,800 --> 00:09:44,758 WITH THE GREENPOINT COMMUNITY 302 00:09:44,758 --> 00:09:46,498 BOARD IN THE MORNING. >> RIGHT. 303 00:09:46,498 --> 00:09:47,587 >> ALSO, CATHERINE 304 00:09:47,587 --> 00:09:48,326 CALLED... TWICE. 305 00:09:48,326 --> 00:09:49,676 MADE ME PROMISE YOU'D BE HOME 306 00:09:49,676 --> 00:09:51,025 FOR THE RESTORATION COUNCIL 307 00:09:51,025 --> 00:09:52,287 BENEFIT AT SEVEN. 308 00:09:52,287 --> 00:09:55,595 >> OH... [DOOR CLOSES] 309 00:09:55,595 --> 00:09:57,945 [SIGHS] 310 00:09:57,945 --> 00:10:00,730 FANTASTIC... 311 00:10:00,730 --> 00:10:04,516 FANTASTIC... [♪...] 312 00:10:04,516 --> 00:10:07,650 [♪...] 313 00:10:07,650 --> 00:10:09,609 [♪...] >> Woman: I'LL GET IT! 314 00:10:09,609 --> 00:10:14,004 >> Woman: I'LL GET IT! 315 00:10:14,004 --> 00:10:15,745 >> HI. 316 00:10:15,745 --> 00:10:17,181 >> HI. 317 00:10:17,181 --> 00:10:19,488 >> UH... UH, I'M LOOKING FOR... 318 00:10:19,488 --> 00:10:21,490 >> HEY, THERE'S MY MAN! 319 00:10:21,490 --> 00:10:22,143 >> THERE HE IS. 320 00:10:22,143 --> 00:10:23,057 HAPPY BIRTHDAY. 321 00:10:23,057 --> 00:10:24,188 >> THANKS. 322 00:10:24,188 --> 00:10:25,450 YOU LOOK LIKE HELL, AS USUAL. 323 00:10:25,450 --> 00:10:26,974 WHEN ARE YOU GOING TO QUIT WITH 324 00:10:26,974 --> 00:10:28,149 THESE DEVELOPMENT MONSTROSITIES? 325 00:10:28,149 --> 00:10:29,672 BUILD ME A NICE LITTLE COTTAGE 326 00:10:29,672 --> 00:10:30,368 ON THE NORTH FORK? 327 00:10:30,368 --> 00:10:32,066 >> THAT'S YOUR BIRTHDAY PRESENT. 328 00:10:32,066 --> 00:10:32,936 >> UH, KATE, THIS IS 329 00:10:32,936 --> 00:10:34,329 WILL SARGENT, MY OVERWORKED, 330 00:10:34,329 --> 00:10:36,113 OVERPAID ROOMMATE FROM COLLEGE. 331 00:10:36,113 --> 00:10:37,724 WILL, THIS IS KATE BAASTE. 332 00:10:37,724 --> 00:10:38,463 >> HI. >> HI. 333 00:10:38,463 --> 00:10:39,247 >> THANKS FOR HAVING ME. 334 00:10:39,247 --> 00:10:40,509 >> OH, I... >> ACTUALLY, UH, 335 00:10:40,509 --> 00:10:41,771 KING KIT KAT IS THE ONE 336 00:10:41,771 --> 00:10:42,729 WHO SET THIS THING UP, 337 00:10:42,729 --> 00:10:43,817 ALTHOUGH I'M PRETTY SURE 338 00:10:43,817 --> 00:10:44,992 HE'S HAD HIS LOVELY FIANCEE 339 00:10:44,992 --> 00:10:46,341 DO ALL THE HEAVY LIFTING. 340 00:10:46,341 --> 00:10:47,211 >> YOU SHOULD BE GLAD. 341 00:10:47,211 --> 00:10:48,430 WE'D BE HAVING TAKE-OUT PIZZA 342 00:10:48,430 --> 00:10:50,650 INSTEAD OF JANEY'S DIM SUM. 343 00:10:50,650 --> 00:10:51,607 >> KIT, THIS IS WILL SARGENT. 344 00:10:51,607 --> 00:10:53,348 WILL, THIS IS KIT KAT BAASTE, 345 00:10:53,348 --> 00:10:54,654 MY BEST YOUNG SCOUT 346 00:10:54,654 --> 00:10:55,611 DOWN AT THE STATION. 347 00:10:55,611 --> 00:10:57,091 BROUGHT IN THE MOST DELICIOUS 348 00:10:57,091 --> 00:10:59,006 YOUNG ENSEMBLE LAST WEEK. 349 00:10:59,006 --> 00:10:59,963 ALL RIGHT, WELL, LET'S GET 350 00:10:59,963 --> 00:11:01,051 OUTSIDE, THINGS ARE JUST GETTING 351 00:11:01,051 --> 00:11:02,749 STARTED-- LET'S RING ME INTO 35! 352 00:11:02,749 --> 00:11:03,793 [JAZZ PLAYING...] 353 00:11:03,793 --> 00:11:09,059 >> [LAUGHS] TAKE THE PEANUTS. 354 00:11:09,059 --> 00:11:10,191 [LAUGHTER] 355 00:11:10,191 --> 00:11:11,758 >> Janey: OH, SO GLAD YOU ALL 356 00:11:11,758 --> 00:11:13,020 COULD MAKE IT. 357 00:11:13,020 --> 00:11:15,718 PLEASE ENJOY, HELP YOURSELVES. 358 00:11:15,718 --> 00:11:17,589 [JAZZ PLAYING...] 359 00:11:17,589 --> 00:11:21,637 [INDISTINCT CONVERSATIONS...] 360 00:11:21,637 --> 00:11:24,248 >> SO, WILL, ARE YOU RELATED 361 00:11:24,248 --> 00:11:25,902 TO THE SARGENTS THAT ARE PUTTING 362 00:11:25,902 --> 00:11:27,208 UP THAT GIANT HIGH-RISE 363 00:11:27,208 --> 00:11:28,035 OVER IN GREENPOINT? 364 00:11:28,035 --> 00:11:28,862 >> NO, HE'S NOT RELATED-- 365 00:11:28,862 --> 00:11:29,776 HE 366 00:11:29,776 --> 00:11:31,560 AND IT'S NOT A HIGH-RISE, 367 00:11:31,560 --> 00:11:33,127 IT IS A "WORK, LIVE, 368 00:11:33,127 --> 00:11:34,128 LIFESTYLE OASIS." 369 00:11:34,128 --> 00:11:35,172 THERE'S A BIG DIFFERENCE. 370 00:11:35,172 --> 00:11:36,783 AND, YOU KNOW, IT DOESN'T MATTER 371 00:11:36,783 --> 00:11:38,480 HOW UGLY IT IS, BECAUSE IT IS 372 00:11:38,480 --> 00:11:40,221 GOING TO IMPROVE THE COMMUNITY 373 00:11:40,221 --> 00:11:42,397 BY INFUSING JOBS AND SAFETY 374 00:11:42,397 --> 00:11:44,834 AND A SENSE OF COMMUNITY. 375 00:11:44,834 --> 00:11:46,096 [LAUGHTER] 376 00:11:46,096 --> 00:11:46,923 I'M JUST GIVING YOU 377 00:11:46,923 --> 00:11:47,532 A HARD TIME, MAN. 378 00:11:47,532 --> 00:11:49,926 YOU'RE STILL THE BEST ARCHITECT 379 00:11:49,926 --> 00:11:51,667 WORKING ON THE EAST COAST. 380 00:11:51,667 --> 00:11:54,191 MAYBE, MAYBE THE WEST COAST TOO. 381 00:11:54,191 --> 00:11:55,105 [GROUP CHUCKLES] 382 00:11:55,105 --> 00:11:56,977 >> Janey: KATE'S A DESIGNER TOO. 383 00:11:56,977 --> 00:11:57,847 SHE DOES COMMERCIAL 384 00:11:57,847 --> 00:11:59,327 AND RETAIL SPACES. 385 00:11:59,327 --> 00:12:00,502 >> I WORK FOR PREVIN. 386 00:12:00,502 --> 00:12:01,764 >> Janey: SHE'S VERY TALENTED. 387 00:12:01,764 --> 00:12:03,244 YOU SHOULD SEE THE NEW DESIGNS 388 00:12:03,244 --> 00:12:04,201 SHE DID FOR THAT HEARST 389 00:12:04,201 --> 00:12:05,812 BUILDING OFF OF TIMES SQUARE. 390 00:12:05,812 --> 00:12:07,074 [TIMER BEEPING...] 391 00:12:07,074 --> 00:12:08,510 MMM, THAT'S THE DUCK. 392 00:12:08,510 --> 00:12:10,294 KIT, SWEETIE, CAN YOU HELP ME 393 00:12:10,294 --> 00:12:11,078 WITH THE DUCK? 394 00:12:11,078 --> 00:12:11,992 >> OH. >> YEAH. 395 00:12:11,992 --> 00:12:16,387 [JAZZ CONTINUES...] 396 00:12:16,387 --> 00:12:19,390 [JAZZ CONTINUES...] [INDISTINCT CONVERSATIONS...] 397 00:12:19,390 --> 00:12:27,921 [INDISTINCT CONVERSATIONS...] 398 00:12:27,921 --> 00:12:29,836 >> SO YOU'RE THE... ARCHITECT 399 00:12:29,836 --> 00:12:31,315 FOR THE GREENPOINT PROJECT? 400 00:12:31,315 --> 00:12:33,100 >> I AM, YEAH. 401 00:12:33,100 --> 00:12:34,014 WELL, WE, WE DESIGNED IT 402 00:12:34,014 --> 00:12:35,145 BUT WE'RE PARTNERING WITH 403 00:12:35,145 --> 00:12:36,538 ANOTHER DEVELOPER TO BUILD IT. 404 00:12:36,538 --> 00:12:37,931 >> RIGHT, I READ THAT THE 405 00:12:37,931 --> 00:12:39,541 WAHLSTEIN COMPANIES 406 00:12:39,541 --> 00:12:40,542 OWN THAT LAND. >> YEAH. 407 00:12:40,542 --> 00:12:41,456 >> HOW DO YOU LIKE 408 00:12:41,456 --> 00:12:42,500 WORKING WITH THEM? 409 00:12:42,500 --> 00:12:44,328 >> UH... 410 00:12:44,328 --> 00:12:46,243 [BOTH CHUCKLE...] 411 00:12:46,243 --> 00:12:47,331 WELL, AT LEAST YOU HAVE 412 00:12:47,331 --> 00:12:48,898 THE BIRDS OF B.Q.E. 413 00:12:48,898 --> 00:12:50,944 >> UH, THE WHAT? 414 00:12:50,944 --> 00:12:52,336 >> THE BIRDS IN THAT AREA 415 00:12:52,336 --> 00:12:52,728 OF TOWN. 416 00:12:52,728 --> 00:12:54,034 YOU MUST'VE SEEN THEM. 417 00:12:54,034 --> 00:12:55,252 >> UH, NO, WHAT ARE THEY? 418 00:12:55,252 --> 00:12:56,210 >> THEY LIVE... UNDER THE 419 00:12:56,210 --> 00:12:58,560 OVERPASSES, UM, OF THE B.Q.E. 420 00:12:58,560 --> 00:13:00,605 THEY'RE... THEY'RE JUST BIRDS 421 00:13:00,605 --> 00:13:03,783 REALLY, BUT... THERE'S NO, UH, 422 00:13:03,783 --> 00:13:04,696 TALL BUILDINGS IN THAT TOWN, 423 00:13:04,696 --> 00:13:06,960 SO THEY ARE ABLE TO FLY IN THESE 424 00:13:06,960 --> 00:13:08,657 HUGE, SWOOPING MOVEMENTS. 425 00:13:08,657 --> 00:13:10,267 IT'S REALLY BEAUTIFUL. >> HUH. 426 00:13:10,267 --> 00:13:11,138 >> YOU CAN PROBABLY SEE IT 427 00:13:11,138 --> 00:13:13,009 FROM YOUR JOB... SITE. 428 00:13:13,009 --> 00:13:14,532 WHERE ARE YOU EXACTLY? 429 00:13:14,532 --> 00:13:16,360 >> WE ARE BETWEEN 47th 430 00:13:16,360 --> 00:13:17,448 AND 49th AT WILSON. 431 00:13:17,448 --> 00:13:18,406 >> YEAH, YOU SHOULD LOOK OUT 432 00:13:18,406 --> 00:13:20,277 FOR THEM, IT'S... THEY... 433 00:13:20,277 --> 00:13:21,670 THEY LOOK LIKE THESE BEAUTIFUL, 434 00:13:21,670 --> 00:13:24,325 FLUTTERING CLOUDS. >> HUH. 435 00:13:24,325 --> 00:13:26,327 >> AND THERE'S A, UM... LOOK OUT 436 00:13:26,327 --> 00:13:28,633 FOR THE BRAZILIAN FOOD CART. 437 00:13:28,633 --> 00:13:30,200 >> OH, PEDRO'S? 438 00:13:30,200 --> 00:13:31,158 >> YOU KNOW HIM? 439 00:13:31,158 --> 00:13:31,898 >> OH... NO, WE HAVE 440 00:13:31,898 --> 00:13:32,507 PEDRO'S EVERY DAY. 441 00:13:32,507 --> 00:13:33,813 THE, UH... SOME OF THE GUYS... 442 00:13:33,813 --> 00:13:35,379 THE... ACTUALLY, THE CREW, 443 00:13:35,379 --> 00:13:36,598 THEY, THEY CONVINCED HIM 444 00:13:36,598 --> 00:13:37,817 TO BRING HIS CART OVER TO 445 00:13:37,817 --> 00:13:39,209 THE SITE SO THEY COULD HAVE 446 00:13:39,209 --> 00:13:40,689 LUNCH THERE EVERY DAY. 447 00:13:40,689 --> 00:13:42,473 >> REALLY? 448 00:13:42,473 --> 00:13:43,344 [SOFTER JAZZ, 449 00:13:43,344 --> 00:13:44,214 QUIETER CONVERSATION... 450 00:13:44,214 --> 00:13:45,172 ...I DON'T KNOW, I'M TALKING 451 00:13:45,172 --> 00:13:47,043 TO THIS FIRM IN L.A., BUT REALLY 452 00:13:47,043 --> 00:13:48,349 I'VE ALWAYS WANTED TO START 453 00:13:48,349 --> 00:13:50,786 SOMETHING ON MY OWN. >> OH. 454 00:13:50,786 --> 00:13:52,744 >> WORK FOR MYSELF. 455 00:13:52,744 --> 00:13:54,703 I MEAN, IT'S ALWAYS 456 00:13:54,703 --> 00:13:57,010 WHAT I'VE WANTED. 457 00:13:57,010 --> 00:13:57,880 [SIGHS] 458 00:13:57,880 --> 00:13:59,142 YOU UNDERSTAND? 459 00:13:59,142 --> 00:14:01,971 >> YEAH. 460 00:14:01,971 --> 00:14:03,190 SO JANEY SAID YOU DID 461 00:14:03,190 --> 00:14:04,191 THIS PLACE. 462 00:14:04,191 --> 00:14:05,322 >> YEAH, I DID. 463 00:14:05,322 --> 00:14:06,976 KIT AND I MOVED INTO THE CITY 464 00:14:06,976 --> 00:14:07,977 A YEAR AGO. 465 00:14:07,977 --> 00:14:09,544 I'M ACTUALLY MOVING NEXT MONTH 466 00:14:09,544 --> 00:14:10,980 BECAUSE SINCE JANEY MOVED IN, 467 00:14:10,980 --> 00:14:12,155 IT'S JUST TOO CROWDED 468 00:14:12,155 --> 00:14:13,200 WITH THREE OF US. 469 00:14:13,200 --> 00:14:14,331 >> YOU KNOW, THIS PROJECT THAT 470 00:14:14,331 --> 00:14:15,202 I'M WORKING ON IN, UH, 471 00:14:15,202 --> 00:14:17,030 IN GREENPOINT IS, UM... 472 00:14:17,030 --> 00:14:18,553 IS TAKING SUBMISSIONS. 473 00:14:18,553 --> 00:14:19,946 >> WHAT KIND OF SUBMISSIONS? 474 00:14:19,946 --> 00:14:21,817 I'M SURE THEY'RE HUGE CONTRACTS. 475 00:14:21,817 --> 00:14:22,513 >> WELL, YOU KNOW, 476 00:14:22,513 --> 00:14:23,427 SOME OF THEM ARE. 477 00:14:23,427 --> 00:14:24,472 BUT THERE ARE A LOT 478 00:14:24,472 --> 00:14:25,560 OF DIFFERENT NEEDS. 479 00:14:25,560 --> 00:14:27,475 WE'RE TAKING BIDS FROM 480 00:14:27,475 --> 00:14:28,693 INDEPENDENT CONTRACTORS 481 00:14:28,693 --> 00:14:30,521 AND DESIGNERS AS WELL... 482 00:14:30,521 --> 00:14:32,872 IF YOU'D BE INTERESTED. 483 00:14:32,872 --> 00:14:33,873 >> OH... OH, NO, I'M SURE 484 00:14:33,873 --> 00:14:35,178 MY EXPERIENCE ISN'T RELEVANT 485 00:14:35,178 --> 00:14:36,092 FOR THAT KIND OF THING. 486 00:14:36,092 --> 00:14:37,311 >> IF YOU WANT TO SUBMIT YOUR 487 00:14:37,311 --> 00:14:38,225 PORTFOLIO, I'D BE MORE THAN 488 00:14:38,225 --> 00:14:42,011 HAPPY TO TAKE A LOOK. 489 00:14:42,011 --> 00:14:44,013 [JAZZ CONTINUES...] 490 00:14:44,013 --> 00:14:46,363 >> THANK YOU. 491 00:14:46,363 --> 00:14:47,451 >> Janey: HERE, PASS ME 492 00:14:47,451 --> 00:14:49,366 THOSE PLATES. 493 00:14:49,366 --> 00:14:51,194 >> Woman: FINALLY, ON BEHALF OF 494 00:14:51,194 --> 00:14:52,326 THE WAHLSTEIN COMPANIES, 495 00:14:52,326 --> 00:14:54,067 LET'S RAISE A GLASS TO THE 496 00:14:54,067 --> 00:14:55,285 EFFORTS OF THE PEOPLE HERE IN 497 00:14:55,285 --> 00:14:56,896 THIS ROOM AND THROUGHOUT THIS 498 00:14:56,896 --> 00:14:58,375 CITY WHO HELP MAKE THESE 499 00:14:58,375 --> 00:14:59,463 PROJECTS HAPPEN. 500 00:14:59,463 --> 00:15:00,682 THANK YOU SO MUCH 501 00:15:00,682 --> 00:15:01,813 FOR YOUR EFFORTS. 502 00:15:01,813 --> 00:15:03,293 >> All: CHEERS. 503 00:15:03,293 --> 00:15:04,512 [GLASSES CLINKING...] 504 00:15:04,512 --> 00:15:06,470 [SCATTERED APPLAUSE] 505 00:15:06,470 --> 00:15:08,646 [CLASSICAL MUSIC PLAYING...] 506 00:15:08,646 --> 00:15:09,909 >> OH, WILL, NICE OF YOU 507 00:15:09,909 --> 00:15:10,344 TO JOIN US. 508 00:15:10,344 --> 00:15:11,998 >> Catherine: OH, HI. [KISSES] 509 00:15:11,998 --> 00:15:13,695 THE ACCIDENT ON THE BRIDGE 510 00:15:13,695 --> 00:15:16,306 MUST HAVE BEEN AWFUL. 511 00:15:16,306 --> 00:15:17,264 >> YEAH, I KNOW, IT WAS. 512 00:15:17,264 --> 00:15:18,352 IT'S O.K., THOUGH. 513 00:15:18,352 --> 00:15:19,657 SORRY I'M LATE. 514 00:15:19,657 --> 00:15:21,355 >> THERE'S OUR GUY. 515 00:15:21,355 --> 00:15:21,921 [CHUCKLES] 516 00:15:21,921 --> 00:15:23,444 AND WORKING LATE THIS EVENING? 517 00:15:23,444 --> 00:15:25,446 NOW, THAT'S WHAT WE LIKE TO SEE. 518 00:15:25,446 --> 00:15:26,926 [ALL CHUCKLE] 519 00:15:26,926 --> 00:15:28,014 >> YOU MISSED PAMELA AND STEWART 520 00:15:28,014 --> 00:15:29,537 GIVE THE UPDATE ON THE HARLEM 521 00:15:29,537 --> 00:15:30,973 REDEVELOPMENT. 522 00:15:30,973 --> 00:15:32,409 >> IT'S GROUNDBREAKING, 523 00:15:32,409 --> 00:15:33,497 PARDON THE PUN. 524 00:15:33,497 --> 00:15:34,368 [ALL CHUCKLE] 525 00:15:34,368 --> 00:15:35,978 OVER 300 JOBS, A RETAIL CENTER, 526 00:15:35,978 --> 00:15:37,501 THE DEVELOPMENT ITSELF. 527 00:15:37,501 --> 00:15:38,415 MAKES GREENPOINT LOOK LIKE 528 00:15:38,415 --> 00:15:39,634 SMALL POTATOES. 529 00:15:39,634 --> 00:15:40,809 >> WELL, IF THE WAY YOU'VE 530 00:15:40,809 --> 00:15:41,853 MANAGED GREENPOINT IS ANY 531 00:15:41,853 --> 00:15:43,551 INDICATION, NO JOB WILL BE 532 00:15:43,551 --> 00:15:45,683 TOO MUCH FOR YOU. 533 00:15:45,683 --> 00:15:47,076 >> WE'LL SEE. 534 00:15:47,076 --> 00:15:48,512 >> CATHERINE, THANK YOU AGAIN 535 00:15:48,512 --> 00:15:49,731 FOR HOSTING THIS EVENING. 536 00:15:49,731 --> 00:15:51,298 IT WAS VERY GENEROUS AND A 537 00:15:51,298 --> 00:15:52,952 LOVELY EVENING YOU PUT ON. 538 00:15:52,952 --> 00:15:55,302 >> OH, PAMELA, WE LOVE DOING IT. 539 00:15:55,302 --> 00:15:57,086 >> WELL, GOOD. 540 00:15:57,086 --> 00:15:58,435 WILL YOU EXCUSE US? 541 00:15:58,435 --> 00:15:59,393 STEWART? 542 00:15:59,393 --> 00:16:00,350 >> NIGHT, ALL. 543 00:16:00,350 --> 00:16:01,612 >> GOOD NIGHT. 544 00:16:01,612 --> 00:16:03,005 >> ACTUALLY I THINK I'M GONNA 545 00:16:03,005 --> 00:16:04,572 TAKE OFF TOO. >> OH. 546 00:16:04,572 --> 00:16:06,182 >> GREAT... [KISSES] 547 00:16:06,182 --> 00:16:06,966 JOB TONIGHT. 548 00:16:06,966 --> 00:16:07,967 YOU ARE BORN TO IT. 549 00:16:07,967 --> 00:16:09,533 >> OH... SEE YOU TOMORROW. 550 00:16:09,533 --> 00:16:10,317 AND TELL TREVOR 551 00:16:10,317 --> 00:16:11,361 HE WAS MISSED TONIGHT. 552 00:16:11,361 --> 00:16:12,232 >> NOT BY ME. 553 00:16:12,232 --> 00:16:13,624 I HAD A GRAND OLD TIME. 554 00:16:13,624 --> 00:16:14,190 WILL... 555 00:16:14,190 --> 00:16:14,974 >> [CHUCKLES] SEE YOU. 556 00:16:14,974 --> 00:16:16,062 >> NICE JACKET. 557 00:16:16,062 --> 00:16:18,499 VERY, UM... OLIVER TWIST. 558 00:16:18,499 --> 00:16:22,329 [CLASSICAL MUSIC CONTINUES...] 559 00:16:22,329 --> 00:16:23,983 >> HI! EXCUSE US ONE MINUTE. 560 00:16:23,983 --> 00:16:25,506 I NEED TO STEAL MY HUSBAND AWAY 561 00:16:25,506 --> 00:16:26,550 TO GIVE ME A HAND 562 00:16:26,550 --> 00:16:27,595 IN THE KITCHEN. 563 00:16:27,595 --> 00:16:29,162 >> OH... SORRY. 564 00:16:29,162 --> 00:16:31,033 [MUSIC, CONVERSATIONS 565 00:16:31,033 --> 00:16:34,819 CONTINUE...] 566 00:16:34,819 --> 00:16:36,430 >> WHERE HAVE YOU BEEN? 567 00:16:36,430 --> 00:16:37,431 >> WHAT? >> I HAD TO MAKE UP 568 00:16:37,431 --> 00:16:38,780 SOME EXCUSE ABOUT AN ACCIDENT 569 00:16:38,780 --> 00:16:40,434 ON THE BRIDGE. >> WELL... 570 00:16:40,434 --> 00:16:41,478 >> IT LOOKS NICE, 571 00:16:41,478 --> 00:16:42,958 THOUGH, RIGHT? 572 00:16:42,958 --> 00:16:44,351 IT'S AN INCREDIBLE TURNOUT. 573 00:16:44,351 --> 00:16:45,134 DO YOU THINK PAMELA 574 00:16:45,134 --> 00:16:46,048 SEEMED HAPPY WITH IT? 575 00:16:46,048 --> 00:16:46,831 >> OH, IT LOOKS, UH... 576 00:16:46,831 --> 00:16:48,311 YEAH, IT LOOKS GREAT. 577 00:16:48,311 --> 00:16:49,704 >> OH, YOU WERE RIGHT 578 00:16:49,704 --> 00:16:50,313 ABOUT STEWART. 579 00:16:50,313 --> 00:16:51,184 BEFORE YOU WERE PUT UP 580 00:16:51,184 --> 00:16:52,315 FOR WAHLSTEIN HE NEVER USED TO 581 00:16:52,315 --> 00:16:53,534 GIVE ME THE TIME OF DAY. 582 00:16:53,534 --> 00:16:54,796 TONIGHT HE'S BEEN ALL OVER ME. 583 00:16:54,796 --> 00:16:56,015 [WHISPERS]: HE'S SUCH 584 00:16:56,015 --> 00:16:57,494 AN ASS-KISS. 585 00:16:57,494 --> 00:16:58,539 >> IS NATE ASLEEP? 586 00:16:58,539 --> 00:17:00,584 >> UH, YEAH, I THINK SO. 587 00:17:00,584 --> 00:17:01,803 OH, THERE'S CHANTAL. 588 00:17:01,803 --> 00:17:03,326 I NEED TO CONNECT WITH HER 589 00:17:03,326 --> 00:17:04,153 BEFORE SHE GOES. 590 00:17:04,153 --> 00:17:05,285 TRY TO CATCH BETH AND MICK 591 00:17:05,285 --> 00:17:06,503 BARESFORD-- THEY CAME ALL THE 592 00:17:06,503 --> 00:17:08,549 WAY IN FROM CONNECTICUT. 593 00:17:08,549 --> 00:17:10,986 [MUSIC, CONVERSATIONS 594 00:17:10,986 --> 00:17:12,161 CONTINUE...] 595 00:17:12,161 --> 00:17:19,255 [PARTY SOUNDS, FAINTER...] 596 00:17:19,255 --> 00:17:21,344 >> [CHUCKLES SOFTLY] 597 00:17:21,344 --> 00:17:25,435 >> [CHUCKLES SOFTLY] [♪...] 598 00:17:25,435 --> 00:17:39,362 [♪...] 599 00:17:39,362 --> 00:17:41,321 [CHUCKLES] 600 00:17:41,321 --> 00:17:44,063 [CHUCKLES] [♪...] 601 00:17:44,063 --> 00:17:47,501 [♪...] 602 00:17:47,501 --> 00:17:49,894 [BIRDS CHIRPING] 603 00:17:49,894 --> 00:17:53,333 >> Catherine: [LAUGHING] 604 00:17:53,333 --> 00:17:55,422 OH, I'M SO JEALOUS. 605 00:17:55,422 --> 00:17:56,510 I KNOW! 606 00:17:56,510 --> 00:17:58,816 I HEARD! 607 00:17:58,816 --> 00:18:03,821 THAT'S SO EXCITING. [LAUGHS] 608 00:18:03,821 --> 00:18:06,389 OH, GOD, O.K. 609 00:18:06,389 --> 00:18:07,477 SO GOOD TO HEAR FROM YOU. 610 00:18:07,477 --> 00:18:09,349 I'LL CALL YOU BACK. 611 00:18:09,349 --> 00:18:12,482 ALL RIGHT, BYE. 612 00:18:12,482 --> 00:18:14,441 AY YI YI. 613 00:18:14,441 --> 00:18:15,442 GOOD MORNING. 614 00:18:15,442 --> 00:18:18,097 >> MORNING. 615 00:18:18,097 --> 00:18:20,403 >> WILL... [CHUCKLES] 616 00:18:20,403 --> 00:18:22,492 THAT JACKET? 617 00:18:22,492 --> 00:18:24,103 YOU DON'T HAVE ANY MEETINGS 618 00:18:24,103 --> 00:18:26,496 TODAY? 619 00:18:26,496 --> 00:18:29,760 >> MY JACKET'S FINE. 620 00:18:29,760 --> 00:18:31,588 >> [SCOFFS] CALI, WHERE DID YOU 621 00:18:31,588 --> 00:18:33,547 PUT THE DRY CLEANING I PICKED UP 622 00:18:33,547 --> 00:18:36,767 YESTERDAY? 623 00:18:36,767 --> 00:18:38,595 SO, STEWART TOLD ME THAT THE 624 00:18:38,595 --> 00:18:40,119 WAHLSTEIN BOARD OF DIRECTORS IS 625 00:18:40,119 --> 00:18:42,860 MAKING A SITE VISIT ON THE 27th. 626 00:18:42,860 --> 00:18:45,428 >> YEAH. 627 00:18:45,428 --> 00:18:46,647 >> THAT'S SO EXCITING. 628 00:18:46,647 --> 00:18:48,431 THANK YOU. 629 00:18:48,431 --> 00:18:50,041 HONEY, I CAN'T BELIEVE WE'RE 630 00:18:50,041 --> 00:18:50,781 ALMOST THERE. 631 00:18:50,781 --> 00:18:52,087 >> ACTUALLY, UH... PETE'S GOING 632 00:18:52,087 --> 00:18:53,828 TO LEAD THE TOUR, I'M NOT GOING 633 00:18:53,828 --> 00:18:55,569 TO BE THERE. 634 00:18:55,569 --> 00:18:56,439 >> WHY NOT? 635 00:18:56,439 --> 00:18:57,701 YOU HAVE TO BE THERE. 636 00:18:57,701 --> 00:18:59,138 >> WELL, IT'S THE SAME DAY THAT 637 00:18:59,138 --> 00:19:01,618 NATE IS SHOWING HIS ANT FARM. 638 00:19:01,618 --> 00:19:03,533 >> NATE'S BIODIVERSITY FAIR? 639 00:19:03,533 --> 00:19:04,534 WILL, COME ON. 640 00:19:04,534 --> 00:19:06,057 YOU HAVE TO BE THERE FOR THE 641 00:19:06,057 --> 00:19:07,146 DIRECTOR VISIT. 642 00:19:07,146 --> 00:19:09,060 BOARD APPROVAL AND YOUR CONTRACT 643 00:19:09,060 --> 00:19:10,497 ARE THE ONLY TWO REMAINING 644 00:19:10,497 --> 00:19:10,801 ISSUES. 645 00:19:10,801 --> 00:19:12,151 >> THE THING WITH WAHLSTEIN IS 646 00:19:12,151 --> 00:19:12,629 NOT A DONE DEAL. 647 00:19:12,629 --> 00:19:14,153 >> NATE UNDERSTANDS, DON'T YOU, 648 00:19:14,153 --> 00:19:15,023 HONEY? 649 00:19:15,023 --> 00:19:16,198 DON'T YOU? 650 00:19:16,198 --> 00:19:18,722 THIS IS SO IMPORTANT TO DADDY. 651 00:19:18,722 --> 00:19:22,900 I MEAN, THIS MEANS EVERYTHING. 652 00:19:22,900 --> 00:19:26,774 IT'S OURS TO LOSE, WILL. 653 00:19:26,774 --> 00:19:28,384 OH, GOD, IF I DON'T LEAVE NOW 654 00:19:28,384 --> 00:19:29,907 I'M NEVER GONNA GET MY RUN IN. 655 00:19:29,907 --> 00:19:31,082 CALI, MAKE SURE THAT SARAH'S 656 00:19:31,082 --> 00:19:32,954 DROPPING NATE OFF AT SOCCER. 657 00:19:32,954 --> 00:19:33,476 [KISS] 658 00:19:33,476 --> 00:19:35,086 HAVE FUN AT SCHOOL, O.K.? 659 00:19:35,086 --> 00:19:37,176 HAVE FUN AT SCHOOL, O.K.? I CAN PICK HIM UP. 660 00:19:37,176 --> 00:19:40,440 I CAN PICK HIM UP. 661 00:19:40,440 --> 00:19:41,571 >> HEY, SO YOU ALMOST READY WITH 662 00:19:41,571 --> 00:19:43,182 YOUR PROJECT FOR THE SCIENCE 663 00:19:43,182 --> 00:19:45,532 FAIR? 664 00:19:45,532 --> 00:19:49,623 >> IT'S A BIODIVERSITY FAIR. 665 00:19:49,623 --> 00:19:51,146 >> HEY, DON'T WORRY. 666 00:19:51,146 --> 00:19:52,626 I KNOW HOW HARD YOU WORKED ON 667 00:19:52,626 --> 00:19:54,628 THIS ANT FARM... I'M NOT GONNA 668 00:19:54,628 --> 00:19:55,368 MISS IT. 669 00:19:55,368 --> 00:19:56,978 >> YEAH, EXCEPT NOW GABRIELLA'S 670 00:19:56,978 --> 00:19:59,285 IN OUR GROUP AND SHE'S RUINING 671 00:19:59,285 --> 00:20:00,460 EVERYTHING. 672 00:20:00,460 --> 00:20:01,765 >> UGH, YOU DON'T LIKE HER? 673 00:20:01,765 --> 00:20:03,941 >> SHE'S BOSSY AND SHE TOLD MRS. 674 00:20:03,941 --> 00:20:05,726 BAKER THAT THE BASE AARON'S DAD 675 00:20:05,726 --> 00:20:08,337 BUILT IS TOO BIG FOR OUR TABLE. 676 00:20:08,337 --> 00:20:10,557 >> HUH... HOW BIG IS THE BASE? 677 00:20:10,557 --> 00:20:12,646 >> I DON'T KNOW, LIKE ABOUT 678 00:20:12,646 --> 00:20:13,212 THIS BIG? 679 00:20:13,212 --> 00:20:14,300 >> NOW, LISTEN, WHY DON'T BRING 680 00:20:14,300 --> 00:20:16,171 THE BASE HOME AND WE'LL SEE IF 681 00:20:16,171 --> 00:20:17,390 WE CAN MAKE SOMETHING STRONGER 682 00:20:17,390 --> 00:20:19,305 THAT STILL SHOWS THE BOTTOM. 683 00:20:19,305 --> 00:20:19,783 >> Nate: YEAH. 684 00:20:19,783 --> 00:20:20,654 >> O.K., YOU LITTLE BUILDER, 685 00:20:20,654 --> 00:20:22,177 LET'S GET YOU OFF TO SCHOOL SO 686 00:20:22,177 --> 00:20:23,352 YOU DON'T BE LATE. 687 00:20:23,352 --> 00:20:24,484 >> HAVE A GOOD DAY, BUDDY. 688 00:20:24,484 --> 00:20:25,615 >> Nate: BYE. 689 00:20:25,615 --> 00:20:26,225 [MACHINERY POUNDING] 690 00:20:26,225 --> 00:20:27,400 >> Pete: YOU KNOW WHAT, THAT IS 691 00:20:27,400 --> 00:20:28,705 A BUNCH OF COCKAMAMIE BULLSHIT 692 00:20:28,705 --> 00:20:30,446 AND YOU KNOW IT. 693 00:20:30,446 --> 00:20:31,926 WHATEVER, I'LL TALK TO YOU 694 00:20:31,926 --> 00:20:32,622 LATER. 695 00:20:32,622 --> 00:20:33,841 >> NOT MORE OF THE "COCKAMAMIE 696 00:20:33,841 --> 00:20:34,233 BULLSHIT." 697 00:20:34,233 --> 00:20:35,625 >> DON'T START WITH ME OR I'LL 698 00:20:35,625 --> 00:20:36,887 PULL YOU INTO THE COCKAMAMIE 699 00:20:36,887 --> 00:20:37,497 BULLSHIT. 700 00:20:37,497 --> 00:20:39,281 >> Meg: WILL, KATE BAASTE ON 701 00:20:39,281 --> 00:20:42,197 >> Meg: WILL, KATE BAASTE ON LINE TWO FOR YOU. 702 00:20:42,197 --> 00:20:46,593 LINE TWO FOR YOU. 703 00:20:46,593 --> 00:20:48,464 >> HELLO... 704 00:20:48,464 --> 00:20:50,640 NO, NO, NO, DON'T WORRY 705 00:20:50,640 --> 00:20:51,815 ABOUT IT. 706 00:20:51,815 --> 00:20:57,604 I'M GLAD YOU GOT MY NUMBER. 707 00:20:57,604 --> 00:20:59,649 YEAH, SURE, YOU COULD DROP BY, 708 00:20:59,649 --> 00:21:02,609 OR, UH... 709 00:21:02,609 --> 00:21:03,827 OR I COULD MEET YOU SOMEWHERE. 710 00:21:03,827 --> 00:21:05,568 I DON'T HAVE ANYTHING THIS 711 00:21:05,568 --> 00:21:08,267 MORNING. 712 00:21:08,267 --> 00:21:09,790 O.K., GREAT. 713 00:21:09,790 --> 00:21:13,750 O.K., GREAT. I WILL SEE YOU THERE AT 11. 714 00:21:13,750 --> 00:21:27,068 I WILL SEE YOU THERE AT 11. 715 00:21:27,068 --> 00:21:27,982 >> Kate: HI. 716 00:21:27,982 --> 00:21:29,244 >> OH, HI. 717 00:21:29,244 --> 00:21:29,810 THIS PLACE IS GREAT. 718 00:21:29,810 --> 00:21:31,028 I'VE NEVER BEEN HERE BEFORE. 719 00:21:31,028 --> 00:21:32,682 >> YEAH, IT'S BRAND-NEW, IT JUST 720 00:21:32,682 --> 00:21:33,466 OPENED. 721 00:21:33,466 --> 00:21:34,293 APPARENTLY THERE'S SOME NEW 722 00:21:34,293 --> 00:21:36,512 RESIDENTIAL BUILDINGS GOING UP. 723 00:21:36,512 --> 00:21:37,383 >> APPARENTLY. 724 00:21:37,383 --> 00:21:38,732 >> SO IT'S REALLY GOOD TO 725 00:21:38,732 --> 00:21:39,472 SEE YOU. 726 00:21:39,472 --> 00:21:40,037 >> YEAH, YOU TOO. 727 00:21:40,037 --> 00:21:41,300 >> HOW ARE YOU DOING? 728 00:21:41,300 --> 00:21:42,344 >> GOOD. 729 00:21:42,344 --> 00:21:44,999 WELL, FINE, I DON'T... YOU KNOW. 730 00:21:44,999 --> 00:21:46,217 I DON'T KNOW. 731 00:21:46,217 --> 00:21:50,439 IT'S BEEN SORT OF A CURSED JOB. 732 00:21:50,439 --> 00:21:51,658 >> WHY? 733 00:21:51,658 --> 00:21:52,789 >> OH, I DON'T KNOW. 734 00:21:52,789 --> 00:21:53,834 BETWEEN TAKING CARE OF OUR 735 00:21:53,834 --> 00:21:56,402 CREWS, THE COMMUNITY BOARD, THE 736 00:21:56,402 --> 00:21:58,012 DEVELOPMENT PARTNER. 737 00:21:58,012 --> 00:21:59,100 IT FEELS LIKE THERE'S ALWAYS 738 00:21:59,100 --> 00:22:00,623 SOMETHING IN NEED OF TAKING 739 00:22:00,623 --> 00:22:01,232 CARE OF. 740 00:22:01,232 --> 00:22:02,799 >> NOW, IS ANYBODY TAKING CARE 741 00:22:02,799 --> 00:22:03,191 OF YOU? 742 00:22:03,191 --> 00:22:05,106 I MEAN, DO YOU HAVE A DOG OR 743 00:22:05,106 --> 00:22:06,586 ANYTHING? 744 00:22:06,586 --> 00:22:07,108 >> UH, NO. 745 00:22:07,108 --> 00:22:07,630 >> NO? ME NEITHER. 746 00:22:07,630 --> 00:22:08,805 I KEEP WAITING FOR THE RIGHT 747 00:22:08,805 --> 00:22:11,808 TIME BUT IT JUST NEVER HAPPENS. 748 00:22:11,808 --> 00:22:13,027 >> WHAT, THE RIGHT TIME? 749 00:22:13,027 --> 00:22:15,682 >> YEAH, THE RIGHT APARTMENT... 750 00:22:15,682 --> 00:22:16,857 YOU KNOW, THE RIGHT JOB, THE 751 00:22:16,857 --> 00:22:18,467 RIGHT TIME OF YEAR, IT JUST 752 00:22:18,467 --> 00:22:20,077 DOESN'T WORK THAT WAY. 753 00:22:20,077 --> 00:22:21,601 >> YEAH, NOT FOR MOST THINGS. 754 00:22:21,601 --> 00:22:23,037 >> THAT'S WHY I'M EXCITED ABOUT 755 00:22:23,037 --> 00:22:24,517 GOING OUT ON MY OWN. 756 00:22:24,517 --> 00:22:25,953 YOU KNOW, SO... I'LL BE THE ONE 757 00:22:25,953 --> 00:22:27,302 WHO DECIDES WHAT JOBS TO GO 758 00:22:27,302 --> 00:22:29,086 AFTER AND HOW MUCH OF MY LIFE 759 00:22:29,086 --> 00:22:31,654 I'M COMMITTING TO MY WORK. 760 00:22:31,654 --> 00:22:37,791 >> THAT'S THE IDEA. 761 00:22:37,791 --> 00:22:39,488 WAIT... 762 00:22:39,488 --> 00:22:41,142 THIS IS COUNTRY DAY ELEMENTARY. 763 00:22:41,142 --> 00:22:42,709 >> YEAH, IT WAS AN UNUSUAL JOB 764 00:22:42,709 --> 00:22:43,840 FOR PREVIN BUT I THOUGHT I 765 00:22:43,840 --> 00:22:44,667 SHOULD INCLUDE IT. 766 00:22:44,667 --> 00:22:45,973 MY PARTNER LAURYN CHASE AND I, 767 00:22:45,973 --> 00:22:48,279 WE DID THE ATRIUM EXPLORATORIUM 768 00:22:48,279 --> 00:22:49,063 ADDITION. 769 00:22:49,063 --> 00:22:50,673 >> YEAH, THAT'S THE... THAT'S 770 00:22:50,673 --> 00:22:52,371 THE BEST PART OF THE ADDITION. 771 00:22:52,371 --> 00:22:54,590 >> YOU'VE SEEN IT? 772 00:22:54,590 --> 00:22:55,069 >> YEAH. 773 00:22:55,069 --> 00:22:56,200 >> ACTUALLY, THE GYM WAS MY 774 00:22:56,200 --> 00:22:57,376 FAVORITE PART BUT I THINK THE 775 00:22:57,376 --> 00:22:59,856 WHOLE, THE WHOLE JOB WAS REALLY 776 00:22:59,856 --> 00:23:01,684 GREAT, EXCEPT THE SITE VISITS. 777 00:23:01,684 --> 00:23:03,164 I HATED THAT. >> [CHUCKLES] 778 00:23:03,164 --> 00:23:04,861 >> I DON'T KNOW HOW YOU DO IT, 779 00:23:04,861 --> 00:23:06,515 BEING UP SO HIGH WITHOUT ANY 780 00:23:06,515 --> 00:23:08,822 WALLS OR ANYTHING. 781 00:23:08,822 --> 00:23:09,823 >> YOU GET USED TO IT. 782 00:23:09,823 --> 00:23:11,955 >> YEAH, WELL, I'M TERRIFIED OF 783 00:23:11,955 --> 00:23:15,481 HEIGHTS... AND CAPTIVATED. 784 00:23:15,481 --> 00:23:16,786 >> WELL, YOU GET USED TO 785 00:23:16,786 --> 00:23:17,874 IGNORING IT. 786 00:23:17,874 --> 00:23:19,049 >> OH, BUT THE MORE I IGNORE 787 00:23:19,049 --> 00:23:20,703 SOMETHING THE LESS LIKELY IT IS 788 00:23:20,703 --> 00:23:25,882 TO GO AWAY. 789 00:23:25,882 --> 00:23:28,755 THERE THEY ARE. 790 00:23:28,755 --> 00:23:30,191 THOSE ARE THE BIRDS I WAS 791 00:23:30,191 --> 00:23:33,934 TELLING YOU ABOUT. 792 00:23:33,934 --> 00:23:36,632 GOD, AREN'T THEY BEAUTIFUL? 793 00:23:36,632 --> 00:23:38,895 [♪...] 794 00:23:38,895 --> 00:23:41,550 [♪...] >> YEAH. 795 00:23:41,550 --> 00:23:46,120 >> YEAH. 796 00:23:46,120 --> 00:23:49,689 >> O.K., NEXT PAGE. >> YES. 797 00:23:49,689 --> 00:23:51,778 [MACHINERY POUNDING] 798 00:23:51,778 --> 00:23:54,302 [MACHINERY POUNDING] [♪...] 799 00:23:54,302 --> 00:24:02,702 [♪...] 800 00:24:02,702 --> 00:24:03,877 >> Pete: HEY, HEY, WHERE 801 00:24:03,877 --> 00:24:04,399 YOU BEEN? 802 00:24:04,399 --> 00:24:05,052 IT'S QUARTER AFTER. 803 00:24:05,052 --> 00:24:06,314 >> HOW LONG HAVE YOU BEEN 804 00:24:06,314 --> 00:24:07,010 WAITING TO SAY THAT? 805 00:24:07,010 --> 00:24:08,838 >> FOR YEARS, AND FRANKLY, IT'S 806 00:24:08,838 --> 00:24:10,361 NOT AS GOOD AS SLEEPING IN. 807 00:24:10,361 --> 00:24:11,798 >> APPARENTLY YOU NEVER SLEEP. 808 00:24:11,798 --> 00:24:13,321 >> OH, YOU GOT MY MESSAGE THEN. 809 00:24:13,321 --> 00:24:13,626 >> YEAH. 810 00:24:13,626 --> 00:24:14,888 >> HOW THE HELL YOU THOUGHT OF 811 00:24:14,888 --> 00:24:15,758 THAT BLOWS MY MIND. 812 00:24:15,758 --> 00:24:16,977 WE TRIED [] EVERYTHING ON THAT 813 00:24:16,977 --> 00:24:17,325 MOTHER. 814 00:24:17,325 --> 00:24:18,718 ALL IT NEEDED WAS AN ADJACENT 815 00:24:18,718 --> 00:24:19,719 BRACE, EH? 816 00:24:19,719 --> 00:24:20,633 >> LUCKY GUESS. 817 00:24:20,633 --> 00:24:21,285 >> YEAH. 818 00:24:21,285 --> 00:24:22,548 >> SO I GOT HERE EARLY, 819 00:24:22,548 --> 00:24:23,070 YOU KNOW. 820 00:24:23,070 --> 00:24:29,816 [LOUD RUMBLING...] 821 00:24:29,816 --> 00:24:32,514 [MEN SHOUTING] 822 00:24:32,514 --> 00:24:36,736 [ALARM BEEPING] 823 00:24:36,736 --> 00:24:37,867 >> IS ANYBODY HURT? 824 00:24:37,867 --> 00:24:39,565 >> Man: MOTHER OF SHIT-- MY GOD, 825 00:24:39,565 --> 00:24:40,174 WHAT IS THAT? 826 00:24:40,174 --> 00:24:41,088 DID WE EXCAVATE HERE? 827 00:24:41,088 --> 00:24:42,742 >> GIVE ME THE SITE PLANS. 828 00:24:42,742 --> 00:24:43,917 >> JESUS, IT LOOKS LIKE A 829 00:24:43,917 --> 00:24:47,877 GODDAMN SUBWAY TUNNEL. 830 00:24:47,877 --> 00:24:49,009 >> Man: TONY, GET OUT OF 831 00:24:49,009 --> 00:24:49,662 THE WAY! 832 00:24:49,662 --> 00:24:54,928 [LOUD RUMBLE AND CRASHING] 833 00:24:54,928 --> 00:24:56,016 >> Man: ...DOWN HERE! 834 00:24:56,016 --> 00:24:56,756 HELP ME OUT OF HERE! 835 00:24:56,756 --> 00:24:58,453 >> Will: HERE YOU GO, HERE YOU 836 00:24:58,453 --> 00:25:01,282 GO... ALL RIGHT. 837 00:25:01,282 --> 00:25:02,501 PETE, WHAT DO YOU SEE? 838 00:25:02,501 --> 00:25:03,110 >> NOT A GODDAMN THING. 839 00:25:03,110 --> 00:25:04,372 WE MUST'VE BEEN TRAVERSING OVER 840 00:25:04,372 --> 00:25:05,678 THIS THING FOR THE PAST 841 00:25:05,678 --> 00:25:06,069 18 MONTHS. 842 00:25:06,069 --> 00:25:07,201 >> SAL, IT LOOKS LIKE THIS THING 843 00:25:07,201 --> 00:25:10,204 IS RUNNING LENGTHWISE NORTHWEST. 844 00:25:10,204 --> 00:25:11,553 ALL RIGHT, GET THE LULL OVER 845 00:25:11,553 --> 00:25:12,772 HERE AND GET THIS AREA 846 00:25:12,772 --> 00:25:14,730 CLEARED NOW. 847 00:25:14,730 --> 00:25:15,818 FIND OUT HOW LONG IT RUNS 848 00:25:15,818 --> 00:25:16,993 BECAUSE THIS IS BUILDING ONE'S 849 00:25:16,993 --> 00:25:17,864 PEDESTRIAN PLAZA. 850 00:25:17,864 --> 00:25:19,126 >> Pete: YEAH, YOU'RE DAMN 851 00:25:19,126 --> 00:25:21,781 STRAIGHT IT IS. 852 00:25:21,781 --> 00:25:24,174 [MEN MURMURING] 853 00:25:24,174 --> 00:25:25,828 >> Will: I SWEAR TO GOD, FROM 854 00:25:25,828 --> 00:25:27,438 DAY ONE THIS JOB... 855 00:25:27,438 --> 00:25:30,180 DAY ONE THIS JOB... [♪...] 856 00:25:30,180 --> 00:25:37,623 [♪...] 857 00:25:37,623 --> 00:25:39,015 ...COME ON, DAMN IT... 858 00:25:39,015 --> 00:25:40,321 [INDISTINCT] 859 00:25:40,321 --> 00:25:42,976 [INDISTINCT] [♪...] 860 00:25:42,976 --> 00:25:46,849 [♪...] 861 00:25:46,849 --> 00:25:48,634 >> Woman: SO THAT'S ALL WE HAVE 862 00:25:48,634 --> 00:25:49,504 ON THE AGENDA. 863 00:25:49,504 --> 00:25:50,723 IF ANYONE ELSE HAS AN ISSUE 864 00:25:50,723 --> 00:25:54,857 THEY'D LIKE TO RAISE? 865 00:25:54,857 --> 00:25:56,772 ALL RITTY-RIGHTY. 866 00:25:56,772 --> 00:25:57,556 THEN I THINK THAT'S IT. 867 00:25:57,556 --> 00:25:58,818 WE'RE ALL SET FOR NEXT MONTH'S 868 00:25:58,818 --> 00:26:00,863 MEETING... NOVEMBER 29th STILL 869 00:26:00,863 --> 00:26:02,865 WORK FOR EVERYONE? 870 00:26:02,865 --> 00:26:05,825 GREAT. 871 00:26:05,825 --> 00:26:07,043 [WOMEN LAUGHING] 872 00:26:07,043 --> 00:26:08,349 >> Woman: I HAVE AN IDEA. 873 00:26:08,349 --> 00:26:10,220 LET'S HAVE A LONG, LEISURELY 874 00:26:10,220 --> 00:26:11,918 LUNCH, MAYBE WITH A GLASS OF 875 00:26:11,918 --> 00:26:12,962 WINE, MAYBE TWO. 876 00:26:12,962 --> 00:26:15,008 >> MMM, THAT SOUNDS SO GOOD. 877 00:26:15,008 --> 00:26:16,618 DO YOU REMEMBER THE LAST TIME? 878 00:26:16,618 --> 00:26:19,229 YOU GAVE ME FOUR GLASSES OF WINE 879 00:26:19,229 --> 00:26:21,231 AND I WENT HOME COMPLETELY DRUNK 880 00:26:21,231 --> 00:26:22,581 AT 4:30 IN THE AFTERNOON, 881 00:26:22,581 --> 00:26:24,060 TOTALLY MISSING MY HAIRCUT. 882 00:26:24,060 --> 00:26:25,845 >> YEP, AND IT'S BETTER THAT WAY 883 00:26:25,845 --> 00:26:27,150 BECAUSE YOUR HAIR LOOKS BETTER 884 00:26:27,150 --> 00:26:28,369 LONG. 885 00:26:28,369 --> 00:26:29,283 >> THANKS. 886 00:26:29,283 --> 00:26:30,197 I WISH, BUT I CAN'T. 887 00:26:30,197 --> 00:26:31,677 I HAVE TO GO TO THE GROCERY 888 00:26:31,677 --> 00:26:32,895 STORE AND THEN PICK UP NATE BY 889 00:26:32,895 --> 00:26:34,201 THREE, TAKE HIM TO SOCCER AND 890 00:26:34,201 --> 00:26:35,550 THEN I PROMISED KAREN THAT I 891 00:26:35,550 --> 00:26:36,638 WOULD MEET HER BEFORE HER 892 00:26:36,638 --> 00:26:37,552 BENEFIT TONIGHT AT SIX. 893 00:26:37,552 --> 00:26:38,771 >> LET ME GUESS, YOU ALREADY 894 00:26:38,771 --> 00:26:39,989 TOOK A RUN TODAY. 895 00:26:39,989 --> 00:26:40,947 >> I DID. 896 00:26:40,947 --> 00:26:41,904 >> UGH, YOU ARE SO 897 00:26:41,904 --> 00:26:42,905 OVER-COMMITTED. 898 00:26:42,905 --> 00:26:44,167 "ONE THING A DAY," THAT'S 899 00:26:44,167 --> 00:26:45,342 MY MOTTO. 900 00:26:45,342 --> 00:26:46,256 LEISURE IS MY FORTE. 901 00:26:46,256 --> 00:26:47,431 OH, SPEAKING OF, ARE YOU AND 902 00:26:47,431 --> 00:26:48,737 WILL IN FOR MUSTIQUE BECAUSE 903 00:26:48,737 --> 00:26:49,608 SARAH CALLED YESTERDAY AND 904 00:26:49,608 --> 00:26:50,826 THEY'RE BOOKING UP AND... 905 00:26:50,826 --> 00:26:52,219 >> YEAH, YEAH, WE'RE HOPING TO. 906 00:26:52,219 --> 00:26:52,959 >> WELL, WHAT'S THE HANG-UP? 907 00:26:52,959 --> 00:26:54,787 I MEAN, YOU GUYS DON'T HAVE TO 908 00:26:54,787 --> 00:26:55,396 COME THE WHOLE TIME. 909 00:26:55,396 --> 00:26:56,876 GOD KNOWS TREVOR WILL BE THERE 910 00:26:56,876 --> 00:26:57,616 FOR PROBABLY A DAY. 911 00:26:57,616 --> 00:26:58,921 >> WELL, WE JUST HAVE TO MAKE 912 00:26:58,921 --> 00:27:00,401 SURE THIS THING WITH WILL GOES 913 00:27:00,401 --> 00:27:00,793 THROUGH. 914 00:27:00,793 --> 00:27:01,881 >> OH, I THOUGHT THAT WAS 915 00:27:01,881 --> 00:27:02,316 A DONE DEAL. 916 00:27:02,316 --> 00:27:03,926 >> IT IS... THEY JUST HAVE TO 917 00:27:03,926 --> 00:27:04,405 SIGN IT, THOUGH. 918 00:27:04,405 --> 00:27:05,798 >> O.K., WELL, CAN YOU HURRY IT 919 00:27:05,798 --> 00:27:06,973 UP BECAUSE WE HAVE A LUXURIOUS, 920 00:27:06,973 --> 00:27:09,628 PRIVATE ISLAND VACATION TO PLAN. 921 00:27:09,628 --> 00:27:10,890 >> OH, GOD! 922 00:27:10,890 --> 00:27:12,761 >> TWO STRAIGHT WEEKS OF BEACH 923 00:27:12,761 --> 00:27:13,109 LIVING. 924 00:27:13,109 --> 00:27:15,024 I CAN'T WAIT WHERE OUR ONLY TASK 925 00:27:15,024 --> 00:27:16,852 IS TO FLY THE FLAG FOR A FRESH 926 00:27:16,852 --> 00:27:17,679 MARGARITA. 927 00:27:17,679 --> 00:27:18,288 >> YOU NEED HELP. 928 00:27:18,288 --> 00:27:19,681 >> I NEED A DRINK. [LAUGHS] 929 00:27:19,681 --> 00:27:20,639 >> I NEED TO GO. 930 00:27:20,639 --> 00:27:24,860 >> BYE. >> BYE. [AIR KISS] 931 00:27:24,860 --> 00:27:25,861 >> Man: AS LONG AS WAHLSTEIN 932 00:27:25,861 --> 00:27:27,515 SIGNS OFF ON THEM, I THINK THE 933 00:27:27,515 --> 00:27:28,864 STRUCTURAL REINFORCEMENTS FOR 934 00:27:28,864 --> 00:27:30,126 THAT SUBWAY TUNNEL WILL WORK 935 00:27:30,126 --> 00:27:30,910 FINE. 936 00:27:30,910 --> 00:27:31,911 >> YEAH, SOUNDS GOOD. 937 00:27:31,911 --> 00:27:37,917 I APPRECIATE YOUR TIME. 938 00:27:37,917 --> 00:27:38,482 BRAIN DAMAGE. 939 00:27:38,482 --> 00:27:39,962 I MEAN, THEY'RE THE IDIOTS THAT 940 00:27:39,962 --> 00:27:41,050 FORGOT THEY DUG THE TUNNEL. 941 00:27:41,050 --> 00:27:42,269 I CAN'T BELIEVE WE NEED THEIR 942 00:27:42,269 --> 00:27:43,357 APPROVAL FOR STRUCTURAL 943 00:27:43,357 --> 00:27:44,010 PROPOSALS. 944 00:27:44,010 --> 00:27:45,359 >> "AS LONG AS WAHLSTEIN SIGNS 945 00:27:45,359 --> 00:27:46,577 OFF ON THEM." 946 00:27:46,577 --> 00:27:47,578 >> YEAH, HEY, STILL, THEY DID 947 00:27:47,578 --> 00:27:49,319 JUST SAVE US ABOUT 80 MAN HOURS 948 00:27:49,319 --> 00:27:50,886 OF ENGINEERING ANALYSIS. 949 00:27:50,886 --> 00:27:53,062 OF ENGINEERING ANALYSIS. >> YOU'RE RIGHT. 950 00:27:53,062 --> 00:27:55,891 >> YOU'RE RIGHT. 951 00:27:55,891 --> 00:27:56,892 >> HEY, MAN! 952 00:27:56,892 --> 00:27:57,458 WHAT'S HAPPENING? 953 00:27:57,458 --> 00:27:59,155 YOU DIDN'T HAVE TO WEAR A SUIT 954 00:27:59,155 --> 00:27:59,503 FOR ME. 955 00:27:59,503 --> 00:28:01,375 I LOVE YOU FOR WHO YOU ARE ON 956 00:28:01,375 --> 00:28:01,767 THE INSIDE. 957 00:28:01,767 --> 00:28:02,985 >> [CHUCKLES] SADLY I CAN'T SAY 958 00:28:02,985 --> 00:28:04,987 THE SAME ABOUT DICK CALLAHAN AT 959 00:28:04,987 --> 00:28:05,945 THE DEPARTMENT OF CITY PLANNING. 960 00:28:05,945 --> 00:28:07,598 >> COME TO THINK OF IT, THE LAST 961 00:28:07,598 --> 00:28:09,252 TIME I SAW YOU, YOU WERE IN 962 00:28:09,252 --> 00:28:09,818 A SUIT. 963 00:28:09,818 --> 00:28:10,558 WHAT'S WITH YOU? 964 00:28:10,558 --> 00:28:11,428 YOU GOT A NEW JOB? 965 00:28:11,428 --> 00:28:12,255 >> UGH, SORRY I'M LATE. 966 00:28:12,255 --> 00:28:13,953 SO HOW ARE THINGS WITH... 967 00:28:13,953 --> 00:28:15,128 WHAT'S HER NAME? 968 00:28:15,128 --> 00:28:20,742 >> MEESH! YOU SUCK AT NAMES. 969 00:28:20,742 --> 00:28:23,049 SHE MET MATTHEW THE OTHER NIGHT. 970 00:28:23,049 --> 00:28:25,747 MAUREEN DROPPED HIM OFF FOR THE 971 00:28:25,747 --> 00:28:26,574 NIGHT ON FRIDAY. 972 00:28:26,574 --> 00:28:27,923 I THINK IT WENT O.K. 973 00:28:27,923 --> 00:28:29,577 I MEAN, MAUREEN WAS A BITCH, BUT 974 00:28:29,577 --> 00:28:30,752 WHAT CAN YOU EXPECT? 975 00:28:30,752 --> 00:28:31,622 >> MATTHEW KNOWS YOU DATE. 976 00:28:31,622 --> 00:28:32,754 I'M SURE IT WENT FINE. 977 00:28:32,754 --> 00:28:33,712 >> YEAH, I THINK IT 978 00:28:33,712 --> 00:28:34,277 PROBABLY DID. 979 00:28:34,277 --> 00:28:35,583 I DON'T KNOW, I JUST GET 980 00:28:35,583 --> 00:28:36,366 SELF-CONSCIOUS ABOUT THE WHOLE 981 00:28:36,366 --> 00:28:37,977 THING, YOU KNOW, HOW MATTHEW'S 982 00:28:37,977 --> 00:28:39,848 GOING TO ACT TO MEESH AND ME. 983 00:28:39,848 --> 00:28:41,981 GOD BLESS MAUREEN, THOUGH, SHE'S 984 00:28:41,981 --> 00:28:43,156 ALWAYS CONSISTENT. 985 00:28:43,156 --> 00:28:44,592 >> Waitress: YOU KNOW WHAT YOU 986 00:28:44,592 --> 00:28:44,940 GUYS WANT? 987 00:28:44,940 --> 00:28:46,637 >> YEAH, I'M GONNA HAVE A B.L.T. 988 00:28:46,637 --> 00:28:48,161 WITH A SIDE OF COLE SLAW, ORDER 989 00:28:48,161 --> 00:28:50,685 OF CRISPY FRIES AND AN ICED TEA. 990 00:28:50,685 --> 00:28:52,121 >> AND...? 991 00:28:52,121 --> 00:28:53,906 >> DOUBLE THAT, IT SOUNDS FINE. 992 00:28:53,906 --> 00:28:54,210 >> O.K. 993 00:28:54,210 --> 00:28:55,690 >> HE'S ALWAYS TRYING TO BE 994 00:28:55,690 --> 00:28:56,125 LIKE ME. 995 00:28:56,125 --> 00:28:58,475 [WAITRESS LAUGHS] 996 00:28:58,475 --> 00:28:59,912 >> AH, HEY, CONGRATS ON THE 997 00:28:59,912 --> 00:29:00,303 PROMOTION. 998 00:29:00,303 --> 00:29:01,827 HEAD OF THE STATION, NOT BAD. 999 00:29:01,827 --> 00:29:02,697 >> YEAH, WELL, THEY'RE JUST 1000 00:29:02,697 --> 00:29:04,307 PAYING ME FOR WHAT I DO ALREADY. 1001 00:29:04,307 --> 00:29:06,005 YOU'RE GONNA COME TO MY PARTY, 1002 00:29:06,005 --> 00:29:06,483 THOUGH, RIGHT? 1003 00:29:06,483 --> 00:29:07,397 >> YEAH, YEAH, I'LL BE THERE. 1004 00:29:07,397 --> 00:29:08,529 >> THE GUYS ARE INSISTING ON 1005 00:29:08,529 --> 00:29:09,791 THROWING ME ONE AND... 1006 00:29:09,791 --> 00:29:14,578 >> AND YOU HATE A PARTY. 1007 00:29:14,578 --> 00:29:16,493 >> SO, UH... 1008 00:29:16,493 --> 00:29:18,147 HOW ARE THINGS COMING ALONG WITH 1009 00:29:18,147 --> 00:29:19,322 GREENPOINT? 1010 00:29:19,322 --> 00:29:21,107 >> FANTASTIC... 1011 00:29:21,107 --> 00:29:22,761 EXCEPT FOR A SMALL ISSUE OF AN 1012 00:29:22,761 --> 00:29:24,153 UNMARKED SUBWAY RUNNING 1013 00:29:24,153 --> 00:29:25,981 UNDERNEATH OUR SITE. 1014 00:29:25,981 --> 00:29:27,853 UNBELIEVABLE. 1015 00:29:27,853 --> 00:29:28,941 FORTUNATELY FOR US, WE HAVE 1016 00:29:28,941 --> 00:29:30,986 WAHLSTEIN TO HELP US OUT. 1017 00:29:30,986 --> 00:29:32,553 >> YEAH, WHAT'S GOING ON WITH 1018 00:29:32,553 --> 00:29:32,814 THAT? 1019 00:29:32,814 --> 00:29:34,076 YOU'RE NOT SERIOUSLY CONSIDERING 1020 00:29:34,076 --> 00:29:35,948 MERGING WITH THEM, ARE YOU? 1021 00:29:35,948 --> 00:29:36,775 >> WELL, HONESTLY, IT... 1022 00:29:36,775 --> 00:29:38,428 IT WOULDN'T BE THAT BIG OF A 1023 00:29:38,428 --> 00:29:38,820 DIFFERENCE. 1024 00:29:38,820 --> 00:29:40,474 IT'S MORE ABOUT JUST COMBINING 1025 00:29:40,474 --> 00:29:42,476 OUR RESOURCES TO GO AFTER THE 1026 00:29:42,476 --> 00:29:43,651 BIGGER JOBS. 1027 00:29:43,651 --> 00:29:44,957 >> GREENPOINT'S BEEN A THORN IN 1028 00:29:44,957 --> 00:29:46,523 YOUR ASS FROM DAY ONE. 1029 00:29:46,523 --> 00:29:47,960 >> IT WOULD DOUBLE OUR REVENUE 1030 00:29:47,960 --> 00:29:50,745 AND ALLOW US TO COMPETE FOR 1031 00:29:50,745 --> 00:29:52,181 PROJECTS THAT WE REALLY WOULD 1032 00:29:52,181 --> 00:29:53,182 NEVER HAVE ACCESS TO. 1033 00:29:53,182 --> 00:29:54,357 I PROBABLY HAVE A CHANCE OF 1034 00:29:54,357 --> 00:29:55,663 RUNNING THE WHOLE THING IN FIVE 1035 00:29:55,663 --> 00:30:01,800 OR 10 YEARS ONCE PAMELA RETIRES. 1036 00:30:01,800 --> 00:30:03,149 CATHERINE'S REALLY EXCITED 1037 00:30:03,149 --> 00:30:04,672 ABOUT IT. 1038 00:30:04,672 --> 00:30:05,891 >> YEAH? 1039 00:30:05,891 --> 00:30:07,109 >> YEAH. 1040 00:30:07,109 --> 00:30:08,632 >> WELL, NOT TO BE THE PAIN IN 1041 00:30:08,632 --> 00:30:09,808 THE ASS YOU'VE COME TO PREDICT, 1042 00:30:09,808 --> 00:30:13,507 BUT WHY DON'T 1043 00:30:13,507 --> 00:30:15,248 ABOUT IT? 1044 00:30:15,248 --> 00:30:16,640 >> I KNOW, UM... 1045 00:30:16,640 --> 00:30:18,120 I'M JUST AFRAID THAT I'LL, I'LL 1046 00:30:18,120 --> 00:30:20,253 REGRET IT IF I BACK OUT OF 1047 00:30:20,253 --> 00:30:21,297 SOMETHING THIS BIG. 1048 00:30:21,297 --> 00:30:21,994 >> THAT'S HORSESHIT. 1049 00:30:21,994 --> 00:30:23,082 YOU HAVE TO BE HONEST WITH 1050 00:30:23,082 --> 00:30:24,039 YOURSELF AND DO WHAT'S RIGHT 1051 00:30:24,039 --> 00:30:25,562 FOR YOU-- THAT'S ALL ANY OF US 1052 00:30:25,562 --> 00:30:27,303 CAN DO AND MOST OF US CAN'T EVEN 1053 00:30:27,303 --> 00:30:28,348 DO THAT MOST OF THE TIME. 1054 00:30:28,348 --> 00:30:29,436 >> YOU'RE RIGHT, YOU'RE RIGHT. 1055 00:30:29,436 --> 00:30:30,219 >> OF COURSE I'M RIGHT. 1056 00:30:30,219 --> 00:30:32,004 THAT'S WHY YOU BUY THE LUNCHES. 1057 00:30:32,004 --> 00:30:33,309 I'M LIKE YOUR LITTLE GENIE. 1058 00:30:33,309 --> 00:30:35,181 YOU JUST RUB MY BELLY AND I GIVE 1059 00:30:35,181 --> 00:30:36,617 YOU ALL THE WISDOM YOU NEED 1060 00:30:36,617 --> 00:30:36,922 IN LIFE. 1061 00:30:36,922 --> 00:30:38,010 GO AHEAD, COME ON, RUB IT. 1062 00:30:38,010 --> 00:30:39,141 RUB IT, RUB MY BELLY. 1063 00:30:39,141 --> 00:30:40,360 >> Waitress: CUTE. 1064 00:30:40,360 --> 00:30:42,101 EAT UP, BOYS! 1065 00:30:42,101 --> 00:30:43,058 >> NOTHING LIKE A LITTLE FRIED 1066 00:30:43,058 --> 00:30:44,843 PIG TO KEEP YOU GOING THROUGH 1067 00:30:44,843 --> 00:30:45,408 THE DAY. 1068 00:30:45,408 --> 00:30:47,062 THE DAY. >> YOU BETCHA! 1069 00:30:47,062 --> 00:30:50,587 >> YOU BETCHA! 1070 00:30:50,587 --> 00:30:52,198 >> SO... 1071 00:30:52,198 --> 00:30:55,375 KIT TELLS ME THAT YOU'RE HELPING 1072 00:30:55,375 --> 00:30:57,856 HIS SISTER KATE WITH SOME 1073 00:30:57,856 --> 00:30:59,161 FREELANCE WORK OR... 1074 00:30:59,161 --> 00:31:00,423 >> YEAH, SHE'S SUBMITTING HER 1075 00:31:00,423 --> 00:31:02,121 BOOK FOR SOME OF THE RETAIL WORK 1076 00:31:02,121 --> 00:31:02,773 AT GREENPOINT. 1077 00:31:02,773 --> 00:31:04,253 >> THAT'S COOL. 1078 00:31:04,253 --> 00:31:05,341 >> YEAH. 1079 00:31:05,341 --> 00:31:07,300 >> APPARENTLY SHE'S QUITE GOOD. 1080 00:31:07,300 --> 00:31:08,214 >> KATE? OH, YEAH. 1081 00:31:08,214 --> 00:31:09,955 SHE'S GOT A REAL UNIQUE WAY OF 1082 00:31:09,955 --> 00:31:14,481 APPROACHING HER DESIGNS. 1083 00:31:14,481 --> 00:31:18,050 >> SHE'S A UNIQUE PERSON. 1084 00:31:18,050 --> 00:31:20,182 >> PASS THE KETCHUP. 1085 00:31:20,182 --> 00:31:24,360 [♪...] 1086 00:31:24,360 --> 00:31:27,798 [♪...] [NO DIALOG] 1087 00:31:27,798 --> 00:31:33,543 [NO DIALOG] 1088 00:31:33,543 --> 00:31:35,589 [NO DIALOG] 1089 00:31:35,589 --> 00:31:38,244 [NO DIALOG] [♪...] 1090 00:31:38,244 --> 00:32:20,939 [♪...] 1091 00:32:20,939 --> 00:32:26,161 [CALL RINGING THROUGH...] 1092 00:32:26,161 --> 00:32:26,857 [BEEP] 1093 00:32:26,857 --> 00:32:27,989 >> Kate on answering machine: 1094 00:32:27,989 --> 00:32:29,469 Hi, you've reached Kate Baaste 1095 00:32:29,469 --> 00:32:30,339 with Previn. 1096 00:32:30,339 --> 00:32:32,037 Please leave a message. 1097 00:32:32,037 --> 00:32:33,560 Please leave a message. [BEEP] 1098 00:32:33,560 --> 00:32:36,955 [BEEP] 1099 00:32:36,955 --> 00:32:40,959 [BEEP] [MUSIC PLAYING IN BAR] 1100 00:32:40,959 --> 00:32:43,570 [MUSIC PLAYING IN BAR] 1101 00:32:43,570 --> 00:32:44,223 >> Josh: EXCELLENT, MAN. 1102 00:32:44,223 --> 00:32:45,615 I'M SO GLAD YOU COULD COME ALL 1103 00:32:45,615 --> 00:32:46,921 THE WAY IN... REALLY GOOD 1104 00:32:46,921 --> 00:32:47,356 TO SEE YOU. 1105 00:32:47,356 --> 00:32:48,488 ARE YOU GOING TO STICK AROUND 1106 00:32:48,488 --> 00:32:49,489 FOR A WHILE? >> Man: YEAH. 1107 00:32:49,489 --> 00:32:50,577 >> ALL RIGHT, O.K., COOL. 1108 00:32:50,577 --> 00:32:51,186 HEY, THERE. >> HEY, MAN. 1109 00:32:51,186 --> 00:32:52,274 >> HEY, MATTY, LOOK WHO IT IS! 1110 00:32:52,274 --> 00:32:53,449 IT'S THE GUY WHO'S RESPONSIBLE 1111 00:32:53,449 --> 00:32:54,798 FOR ALL THOSE SILLY PICTURES OF 1112 00:32:54,798 --> 00:32:56,409 ME WE WERE GOING THROUGH THE 1113 00:32:56,409 --> 00:32:56,844 OTHER NIGHT. 1114 00:32:56,844 --> 00:32:57,976 >> GOOD TO SEE YOU, MATTY. 1115 00:32:57,976 --> 00:32:58,367 CONGRATS. 1116 00:32:58,367 --> 00:32:58,846 >> AH, WHATEVER. 1117 00:32:58,846 --> 00:33:00,282 IT'S THE SAME JOB, DIFFERENT 1118 00:33:00,282 --> 00:33:00,848 TITLE. 1119 00:33:00,848 --> 00:33:01,457 SAME STOMACH, OBVIOUSLY. 1120 00:33:01,457 --> 00:33:02,763 WHERE'S CATHERINE, IS SHE 1121 00:33:02,763 --> 00:33:03,329 COMING? 1122 00:33:03,329 --> 00:33:04,373 >> UH, I DON'T KNOW. 1123 00:33:04,373 --> 00:33:05,244 SHE MIGHT STOP BY LATER. 1124 00:33:05,244 --> 00:33:06,636 >> ALL RIGHT, GO GET YOURSELF A 1125 00:33:06,636 --> 00:33:07,986 DRINK BEFORE WE SHUT THIS THING 1126 00:33:07,986 --> 00:33:09,248 DOWN PROMPTLY AT EIGHT AND YOU 1127 00:33:09,248 --> 00:33:10,989 HAVE TO PAY FOR YOUR OWN LIQUOR. 1128 00:33:10,989 --> 00:33:13,078 >> Man: OH... 1129 00:33:13,078 --> 00:33:14,514 [INDISTINCT CONVERSATIONS, 1130 00:33:14,514 --> 00:33:17,865 [INDISTINCT CONVERSATIONS, MUSIC PLAYING IN BAR] 1131 00:33:17,865 --> 00:33:22,522 MUSIC PLAYING IN BAR] 1132 00:33:22,522 --> 00:33:23,566 >> HI. >> HI. 1133 00:33:23,566 --> 00:33:25,394 >> I THOUGHT I'D SEE YOU HERE. 1134 00:33:25,394 --> 00:33:25,829 HOW ARE YOU? 1135 00:33:25,829 --> 00:33:27,092 >> GOOD, GOOD, IT'S GREAT TO 1136 00:33:27,092 --> 00:33:27,831 SEE YOU. 1137 00:33:27,831 --> 00:33:28,963 I SAW YOUR BROTHER OUTSIDE. 1138 00:33:28,963 --> 00:33:29,964 >> YEAH, HE LEFT EARLY. 1139 00:33:29,964 --> 00:33:31,444 HE HAS THE EIGHT TO MIDNIGHT 1140 00:33:31,444 --> 00:33:31,922 SHIFT. 1141 00:33:31,922 --> 00:33:33,185 THAT'S HIS FAVORITE TIME SLOT. 1142 00:33:33,185 --> 00:33:34,403 HE SAYS LISTENERS HAVE SMOKED 1143 00:33:34,403 --> 00:33:35,796 A BIG, FAT JOINT AND THEY'RE 1144 00:33:35,796 --> 00:33:36,840 READY FOR A FOUR-HOUR RIDE. 1145 00:33:36,840 --> 00:33:37,841 >> THAT WAS ALWAYS JOSH'S 1146 00:33:37,841 --> 00:33:38,842 FAVORITE TIME SLOT TOO. 1147 00:33:38,842 --> 00:33:40,844 >> IT'S LIKE THEY'RE IN SOME... 1148 00:33:40,844 --> 00:33:42,759 SUSPENDED SPATIAL WARP THAT 1149 00:33:42,759 --> 00:33:44,239 COCOONS THEM AND THE MUSIC AND 1150 00:33:44,239 --> 00:33:46,372 THEY CAN'T HEAR OR SEE OR FEEL 1151 00:33:46,372 --> 00:33:47,199 ANYTHING ELSE. 1152 00:33:47,199 --> 00:33:48,765 >> LISTENERS ARE DIALED IN AND 1153 00:33:48,765 --> 00:33:50,811 RESPONDING TO THE COMMANDS OF 1154 00:33:50,811 --> 00:33:52,769 THE MASTER PORTAL. 1155 00:33:52,769 --> 00:33:54,467 >> [LAUGHS] OH, NO! 1156 00:33:54,467 --> 00:33:55,990 DON'T TELL ME YOU'RE ONE 1157 00:33:55,990 --> 00:33:56,556 OF THEM. 1158 00:33:56,556 --> 00:33:59,298 >> NO, BELIEVE ME. 1159 00:33:59,298 --> 00:34:00,212 >> WHAT? 1160 00:34:00,212 --> 00:34:01,996 >> IT JUST REMINDED ME OF THIS 1161 00:34:01,996 --> 00:34:02,431 STORY. 1162 00:34:02,431 --> 00:34:04,259 ABOUT 10 YEARS AGO JOSH TAKES ME 1163 00:34:04,259 --> 00:34:06,044 TO SEE WYNTON MARSALIS AT 1164 00:34:06,044 --> 00:34:06,609 LINCOLN CENTER. 1165 00:34:06,609 --> 00:34:07,958 HE WAS COMPLETELY BROKE BUT HE 1166 00:34:07,958 --> 00:34:08,655 SPRINGS FOR THESE TICKETS 1167 00:34:08,655 --> 00:34:10,091 ANYWAY... MAKES ME PROMISE TO BE 1168 00:34:10,091 --> 00:34:11,745 THERE AT EIGHT P.M. RIGHT ON 1169 00:34:11,745 --> 00:34:12,050 THE DOT. 1170 00:34:12,050 --> 00:34:13,486 >> OH, GOD, NO, DON'T TELL ME 1171 00:34:13,486 --> 00:34:13,964 YOU WERE LATE? 1172 00:34:13,964 --> 00:34:15,401 >> NO, NO, NO, I WAS ON TIME, 1173 00:34:15,401 --> 00:34:16,663 BUT I WAS EXHAUSTED. 1174 00:34:16,663 --> 00:34:18,360 AND I SETTLE INTO ONE OF THOSE 1175 00:34:18,360 --> 00:34:20,101 BIG, COMFY LINCOLN CENTER CHAIRS 1176 00:34:20,101 --> 00:34:22,103 AND FALL SOUND ASLEEP. 1177 00:34:22,103 --> 00:34:23,409 >> KIT WOULD KILL ME IF I FELL 1178 00:34:23,409 --> 00:34:24,540 ASLEEP LISTENING TO AN ALBUM, 1179 00:34:24,540 --> 00:34:26,412 MUCH LESS A LIVE PERFORMANCE. 1180 00:34:26,412 --> 00:34:27,065 >> YEAH, I KNOW. 1181 00:34:27,065 --> 00:34:28,762 WELL, I, YOU KNOW, I, I WOKE UP 1182 00:34:28,762 --> 00:34:30,503 AFTER PROBABLY AN HOUR OR 1183 00:34:30,503 --> 00:34:33,332 SO INTO IT, IN A STATE OF 1184 00:34:33,332 --> 00:34:35,595 COMPLETE PANIC, AND I LOOK OVER 1185 00:34:35,595 --> 00:34:37,336 AT JOSH AND HE'S TOTALLY 1186 00:34:37,336 --> 00:34:38,859 ENGROSSED IN THE MUSIC, YOU 1187 00:34:38,859 --> 00:34:40,078 KNOW, THAT SPATIAL COCOON SORT 1188 00:34:40,078 --> 00:34:41,644 OF THING, AND HE DOESN'T EVEN 1189 00:34:41,644 --> 00:34:42,341 NOTICE. 1190 00:34:42,341 --> 00:34:44,212 WHEN I GET HOME, I REACH TO TAKE 1191 00:34:44,212 --> 00:34:46,084 MY TIE OFF AND I REALIZED THAT 1192 00:34:46,084 --> 00:34:47,650 HALF OF IT IS GONE. 1193 00:34:47,650 --> 00:34:50,218 THAT SON OF A BITCH HAD CUT THE 1194 00:34:50,218 --> 00:34:52,438 TIE FROM THE NUB DOWN. 1195 00:34:52,438 --> 00:34:53,091 >> NO! 1196 00:34:53,091 --> 00:34:54,701 >> HE LEFT ME WITH A NUB! 1197 00:34:54,701 --> 00:34:56,094 YEAH, WHEN I HAD FALLEN ASLEEP 1198 00:34:56,094 --> 00:34:57,399 HE TAKES OUT HIS LITTLE SWISS 1199 00:34:57,399 --> 00:34:59,097 ARMY KNIFE AND JUST HACKS OFF 1200 00:34:59,097 --> 00:35:02,361 HALF MY TIE... RIDICULOUS. 1201 00:35:02,361 --> 00:35:04,014 HE SAID IF I EVER DID IT AGAIN 1202 00:35:04,014 --> 00:35:05,277 HE'S GONNA SLICE A LITTLE 1203 00:35:05,277 --> 00:35:06,016 HIGHER. 1204 00:35:06,016 --> 00:35:08,323 >> I WON'T LET HIM. 1205 00:35:08,323 --> 00:35:09,890 ONE OF THE FIRST NIGHTS I MOVED 1206 00:35:09,890 --> 00:35:11,674 HERE ONE OF MY FRIENDS TOOK ME 1207 00:35:11,674 --> 00:35:13,415 TO THE STATEN ISLAND FERRY. 1208 00:35:13,415 --> 00:35:14,329 >> OH, YEAH? >> YEAH. 1209 00:35:14,329 --> 00:35:15,113 >> NEVER BEEN. 1210 00:35:15,113 --> 00:35:15,678 >> REALLY? >> NOPE. 1211 00:35:15,678 --> 00:35:16,984 >> OH, YOU SHOULD GO, IT'S 1212 00:35:16,984 --> 00:35:17,637 FANTASTIC. 1213 00:35:17,637 --> 00:35:18,420 >> AH, REALLY? 1214 00:35:18,420 --> 00:35:19,421 >> YEAH. 1215 00:35:19,421 --> 00:35:21,467 I REMEMBER BEING ALL BUNDLED UP, 1216 00:35:21,467 --> 00:35:22,555 STANDING ON THAT DECK, LOOKING 1217 00:35:22,555 --> 00:35:24,426 AT THE CITY FROM THE WATER 1218 00:35:24,426 --> 00:35:25,514 AND... 1219 00:35:25,514 --> 00:35:27,342 YOU KNOW, I NEVER WOULD'VE 1220 00:35:27,342 --> 00:35:29,518 ADMITTED IT THEN, BUT I WAS SO 1221 00:35:29,518 --> 00:35:31,216 TERRIFIED OF THE CITY. 1222 00:35:31,216 --> 00:35:33,131 BUT I ALSO KNEW I WAS IN LOVE 1223 00:35:33,131 --> 00:35:34,349 WITH IT TOO. 1224 00:35:34,349 --> 00:35:36,046 >> WHY WOULDN'T YOU ADMIT TO BE 1225 00:35:36,046 --> 00:35:39,006 TERRIFIED BY IT? 1226 00:35:39,006 --> 00:35:41,313 >> I DON'T KNOW. 1227 00:35:41,313 --> 00:35:42,357 >> IT'S FUNNY, FROM THE TIME 1228 00:35:42,357 --> 00:35:44,316 WE'RE KIDS WE'RE TAUGHT NOT TO 1229 00:35:44,316 --> 00:35:46,883 BE AFRAID. 1230 00:35:46,883 --> 00:35:48,146 IT'S THE ONE THING WE ALL 1231 00:35:48,146 --> 00:35:49,799 PRETEND NOT TO BE AND PROBABLY 1232 00:35:49,799 --> 00:35:53,455 PRETEND NOT TO BE AND PROBABLY THE ONLY THING WE ALL ARE. 1233 00:35:53,455 --> 00:35:56,023 THE ONLY THING WE ALL ARE. 1234 00:35:56,023 --> 00:35:57,807 I WONDER WHAT IT WOULD BE LIKE 1235 00:35:57,807 --> 00:36:00,549 IF WE HAD NEVER LEARNED TO BURY 1236 00:36:00,549 --> 00:36:03,770 OUR FEARS BUT INSTEAD WE WERE 1237 00:36:03,770 --> 00:36:06,555 JUST TAUGHT TO ADMIT THEM. 1238 00:36:06,555 --> 00:36:10,080 [SUBWAY CAR SCREECHING BELOW] 1239 00:36:10,080 --> 00:36:11,343 >> THAT'S MY TRAIN. 1240 00:36:11,343 --> 00:36:13,171 I'VE GOT TO GO. 1241 00:36:13,171 --> 00:36:16,348 I'VE GOT TO GO. [♪...] 1242 00:36:16,348 --> 00:36:40,720 [♪...] 1243 00:36:40,720 --> 00:36:41,329 >> HI. 1244 00:36:41,329 --> 00:36:42,461 >> Will: HI. 1245 00:36:42,461 --> 00:36:43,897 >> DID YOU HAVE A GOOD TIME 1246 00:36:43,897 --> 00:36:48,510 WITH JOSH? 1247 00:36:48,510 --> 00:36:50,251 >> YEAH. 1248 00:36:50,251 --> 00:36:53,559 >> GOOD. 1249 00:36:53,559 --> 00:36:57,563 >> GOOD. OH, CAN YOU HAND THIS TO ME? 1250 00:36:57,563 --> 00:37:02,481 OH, CAN YOU HAND THIS TO ME? 1251 00:37:02,481 --> 00:37:04,570 OH, CAN YOU HAND THIS TO ME? THANKS. 1252 00:37:04,570 --> 00:37:11,968 THANKS. 1253 00:37:11,968 --> 00:37:13,492 NATE WAS GREAT IN HIS SOCCER 1254 00:37:13,492 --> 00:37:15,972 GAME THIS AFTERNOON. 1255 00:37:15,972 --> 00:37:16,408 >> OH, YEAH? 1256 00:37:16,408 --> 00:37:18,540 >> YEAH... OH, YOU WOULD HAVE 1257 00:37:18,540 --> 00:37:19,411 DIED. 1258 00:37:19,411 --> 00:37:21,935 THOSE BOYS ARE SO CUTE, RUNNING 1259 00:37:21,935 --> 00:37:23,371 AROUND IN THOSE LITTLE BLUE 1260 00:37:23,371 --> 00:37:26,200 JERSEYS AND MATCHING SHORTS. 1261 00:37:26,200 --> 00:37:29,421 I TOOK ABOUT A HUNDRED PICTURES. 1262 00:37:29,421 --> 00:37:30,900 >> HE GET A CHANCE TO PLAY 1263 00:37:30,900 --> 00:37:32,206 GOALIE? 1264 00:37:32,206 --> 00:37:33,512 >> WELL, THEY PUT HIM IN AT THE 1265 00:37:33,512 --> 00:37:36,428 END, BUT I KNOW HE WAS HOPING 1266 00:37:36,428 --> 00:37:37,907 FOR SOME MORE ACTION. 1267 00:37:37,907 --> 00:37:39,605 HE STOPPED ONE GOAL, THOUGH. 1268 00:37:39,605 --> 00:37:42,825 >> YEAH, I BET HE DID GREAT. 1269 00:37:42,825 --> 00:37:44,697 >> OH, UM... 1270 00:37:44,697 --> 00:37:46,089 SO NINA MENTIONED THAT THE 1271 00:37:46,089 --> 00:37:47,177 FLIGHTS TO MUSTIQUE ARE STARTING 1272 00:37:47,177 --> 00:37:49,136 TO BOOK UP SO I'M GOING TO MAKE 1273 00:37:49,136 --> 00:37:49,789 US RESERVATIONS. 1274 00:37:49,789 --> 00:37:50,746 >> NO, CATHERINE, COME ON. 1275 00:37:50,746 --> 00:37:51,617 WE'VE TALKED ABOUT THIS. 1276 00:37:51,617 --> 00:37:53,096 THIS, THIS TRIP IS WAY TOO 1277 00:37:53,096 --> 00:37:54,184 EXPENSIVE FOR US. 1278 00:37:54,184 --> 00:37:55,011 >> NOT WITH THE WAHLSTEIN 1279 00:37:55,011 --> 00:37:56,317 SIGNING BONUS AND PLUS, 1280 00:37:56,317 --> 00:37:58,624 EVERYBODY'S EXPECTING US. 1281 00:37:58,624 --> 00:38:00,408 WE CAN DECIDE LATER. 1282 00:38:00,408 --> 00:38:02,541 WHEN YOU SIGN THE DEAL, IT'S ALL 1283 00:38:02,541 --> 00:38:05,979 GOING TO FEEL SO MUCH EASIER. 1284 00:38:05,979 --> 00:38:08,242 [HE SIGHS] 1285 00:38:08,242 --> 00:38:10,070 ANYWAYS, I'VE GOT TO GET SOME 1286 00:38:10,070 --> 00:38:13,116 E-MAILS OUT BEFORE I GO TO BED, 1287 00:38:13,116 --> 00:38:16,642 SO CAN YOU TURN THE LIGHTS OFF? 1288 00:38:16,642 --> 00:38:19,166 >> CATHERINE, WAIT. 1289 00:38:19,166 --> 00:38:23,344 UM... I... 1290 00:38:23,344 --> 00:38:25,607 CAN WE TALK? 1291 00:38:25,607 --> 00:38:29,524 >> YEAH... WHAT'S UP? 1292 00:38:29,524 --> 00:38:31,831 >> UM... 1293 00:38:31,831 --> 00:38:38,185 I DON'T KNOW, I JUST... 1294 00:38:38,185 --> 00:38:39,447 THIS THING WITH WAHLSTEIN. 1295 00:38:39,447 --> 00:38:40,709 >> WAHLSTEIN IS FINE. 1296 00:38:40,709 --> 00:38:42,494 WE ARE IN THE FINAL STRETCH. 1297 00:38:42,494 --> 00:38:44,757 EVERYTHING IS GOING TO WORK OUT 1298 00:38:44,757 --> 00:38:45,932 GREAT. 1299 00:38:45,932 --> 00:38:47,542 YOU REALLY DON'T NEED TO WORRY. 1300 00:38:47,542 --> 00:38:48,500 WHAT YOU DO NEED IS A GOOD 1301 00:38:48,500 --> 00:38:51,633 NIGHT'S SLEEP, SO WHY DON'T YOU 1302 00:38:51,633 --> 00:38:53,331 GO UPSTAIRS, GET INTO BED, 1303 00:38:53,331 --> 00:38:54,593 RELAX? 1304 00:38:54,593 --> 00:38:56,421 I'LL BE UP LATER, O.K.? 1305 00:38:56,421 --> 00:38:58,336 I'LL BE UP LATER, O.K.? [KISS] 1306 00:38:58,336 --> 00:39:02,644 [KISS] 1307 00:39:02,644 --> 00:39:05,647 [DISTANT HORNS HONK] 1308 00:39:05,647 --> 00:39:08,868 [DISTANT HORNS HONK] [MUSIC PLAYING SOFTLY...] 1309 00:39:08,868 --> 00:39:15,701 [MUSIC PLAYING SOFTLY...] 1310 00:39:15,701 --> 00:39:18,704 [PHONE RINGING] 1311 00:39:18,704 --> 00:39:22,229 [PHONE RINGS] 1312 00:39:22,229 --> 00:39:23,361 >> HELLO? 1313 00:39:23,361 --> 00:39:25,667 >> HELLO, IS WILL SARGENT THERE? 1314 00:39:25,667 --> 00:39:27,713 >> UH, HE'S NOT HERE RIGHT NOW. 1315 00:39:27,713 --> 00:39:29,454 >> O.K., UH, MY NAME 1316 00:39:29,454 --> 00:39:30,498 IS KATE BAASTE. 1317 00:39:30,498 --> 00:39:31,456 I MET WITH HIM REGARDING 1318 00:39:31,456 --> 00:39:33,022 THE WAHLSTEIN PROJECT. 1319 00:39:33,022 --> 00:39:35,111 >> UH-HUH. 1320 00:39:35,111 --> 00:39:36,504 >> UH, O.K., I HAD SOME 1321 00:39:36,504 --> 00:39:37,897 ADDITIONAL DRAWINGS BEING 1322 00:39:37,897 --> 00:39:38,332 DUPLICATED. 1323 00:39:38,332 --> 00:39:40,116 THEY'RE GOING TO BE BACK LATER. 1324 00:39:40,116 --> 00:39:40,900 >> UH-HUH. 1325 00:39:40,900 --> 00:39:43,772 >> WELL, UH... O.K., I WAS JUST 1326 00:39:43,772 --> 00:39:44,947 WONDERING THE BEST ADDRESS 1327 00:39:44,947 --> 00:39:46,079 TO DROP THEM BY. 1328 00:39:46,079 --> 00:39:47,472 >> UM, YEAH, YEAH, OF COURSE. 1329 00:39:47,472 --> 00:39:49,430 IT'S 37 BANK STREET, 1330 00:39:49,430 --> 00:39:52,172 BETWEEN CHARLES AND WAVERLY. 1331 00:39:52,172 --> 00:39:54,087 >> 37 BANK, BETWEEN... 1332 00:39:54,087 --> 00:39:56,306 >> 37 BANK, BETWEEN... [DIAL TONE...] 1333 00:39:56,306 --> 00:40:00,354 [DIAL TONE...] 1334 00:40:00,354 --> 00:40:03,226 >> [CHUCKLES] O.K. 1335 00:40:03,226 --> 00:40:06,055 >> [CHUCKLES] O.K. [DISTANT SIREN WAILING...] 1336 00:40:06,055 --> 00:40:12,627 [DISTANT SIREN WAILING...] 1337 00:40:12,627 --> 00:40:13,889 >> Alex: WILL! >> OH, HI. 1338 00:40:13,889 --> 00:40:14,673 >> HOW ARE YA? 1339 00:40:14,673 --> 00:40:15,282 >> HEY, GOOD. 1340 00:40:15,282 --> 00:40:16,718 >> Sam: GOOD TO SEE YOU, WILL. 1341 00:40:16,718 --> 00:40:18,111 HOW ARE YA? >> UH, GOOD. 1342 00:40:18,111 --> 00:40:20,200 >> YOU KNOW WE SAW ALAN STERG 1343 00:40:20,200 --> 00:40:20,853 ON MONDAY. 1344 00:40:20,853 --> 00:40:21,767 HE'S FANTASTIC. 1345 00:40:21,767 --> 00:40:23,421 HE'S REALLY EXCITED ABOUT 1346 00:40:23,421 --> 00:40:24,944 THE PROJECT, SO THANK YOU 1347 00:40:24,944 --> 00:40:25,858 FOR THE CONTACT. 1348 00:40:25,858 --> 00:40:26,467 >> I'M GLAD. 1349 00:40:26,467 --> 00:40:28,208 HE'S A, HE'S A GREAT ENGINEER. 1350 00:40:28,208 --> 00:40:28,556 >> YEAH. 1351 00:40:28,556 --> 00:40:30,297 >> LISTEN, I KNOW I OWE YOU GUYS 1352 00:40:30,297 --> 00:40:30,732 AN ANSWER. 1353 00:40:30,732 --> 00:40:31,733 [STAMMERS] I WAS HOPING TO RUN 1354 00:40:31,733 --> 00:40:32,821 SOME NUMBERS THIS PAST WEEKEND, 1355 00:40:32,821 --> 00:40:34,301 BUT I DIDN'T GET AROUND 1356 00:40:34,301 --> 00:40:34,649 TO IT YET. 1357 00:40:34,649 --> 00:40:35,737 >> OH, IT'S, IT'S NO PROBLEM. 1358 00:40:35,737 --> 00:40:37,783 WE, WE SORT OF FIGURED THAT WITH 1359 00:40:37,783 --> 00:40:39,611 ALL YOU HAVE GOING ON RIGHT NOW, 1360 00:40:39,611 --> 00:40:41,047 THE TIMING PROBABLY WASN'T GREAT 1361 00:40:41,047 --> 00:40:42,265 FOR YOU, SO... 1362 00:40:42,265 --> 00:40:44,267 >> YEAH. I MEAN, WE WOULD 1363 00:40:44,267 --> 00:40:45,573 HAVE LOVED IT IF YOU JOINED 1364 00:40:45,573 --> 00:40:47,880 THE PROJECT, BUT WE TOTALLY 1365 00:40:47,880 --> 00:40:49,708 UNDERSTOOD. 1366 00:40:49,708 --> 00:40:50,535 >> SO YOU FOUND ANOTHER 1367 00:40:50,535 --> 00:40:51,753 ARCHITECT? 1368 00:40:51,753 --> 00:40:52,798 >> UH, YEAH. 1369 00:40:52,798 --> 00:40:53,363 >> YEAH. 1370 00:40:53,363 --> 00:40:55,714 UM, IT LOOKS LIKE WE'RE GONNA 1371 00:40:55,714 --> 00:40:58,238 ENTER INTO A CONTRACT NEXT WEEK. 1372 00:40:58,238 --> 00:41:00,762 WE FOUND A DECENT MID-SIZE FIRM. 1373 00:41:00,762 --> 00:41:01,676 WOULDN'T HAVE BEEN 1374 00:41:01,676 --> 00:41:02,677 OUR FIRST CHOICE. [CHUCKLES] 1375 00:41:02,677 --> 00:41:03,765 >> LISTEN, YOU SEEM LIKE YOU'RE 1376 00:41:03,765 --> 00:41:05,463 IN A RUSH, SO WE'LL LET YOU GO, 1377 00:41:05,463 --> 00:41:07,116 BUT GOOD TO SEE YOU AGAIN, WILL. 1378 00:41:07,116 --> 00:41:08,248 >> Sam: GOOD TO SEE YOU. 1379 00:41:08,248 --> 00:41:09,075 >> TAKE CARE, WILL. 1380 00:41:09,075 --> 00:41:11,338 >> Will: BYE. 1381 00:41:11,338 --> 00:41:13,862 >> Will: BYE. [♪...] 1382 00:41:13,862 --> 00:41:46,460 [♪...] 1383 00:41:46,460 --> 00:41:49,724 >> Catherine: [LAUGHING] 1384 00:41:49,724 --> 00:41:50,638 OH, HI, WILL. 1385 00:41:50,638 --> 00:41:51,639 >> HEY, EVERYBODY. 1386 00:41:51,639 --> 00:41:52,379 >> DO YOU REMEMBER AIDAN? 1387 00:41:52,379 --> 00:41:53,554 HE WORKS, UM, AT THE JOURNAL. 1388 00:41:53,554 --> 00:41:54,903 >> Aidan: HEY, GOOD TO SEE YOU. 1389 00:41:54,903 --> 00:41:55,817 >> Woman: HI, WILL. 1390 00:41:55,817 --> 00:41:56,862 GREAT TO SEE YOU. 1391 00:41:56,862 --> 00:41:57,906 >> Will: SURE. 1392 00:41:57,906 --> 00:42:00,430 >> Katherine: NATE, NO, I DO NOT 1393 00:42:00,430 --> 00:42:01,562 WANT THIS THING IN HERE. 1394 00:42:01,562 --> 00:42:02,737 I TOLD YOU, WAIT TILL 1395 00:42:02,737 --> 00:42:03,695 AFTER DINNER. 1396 00:42:03,695 --> 00:42:05,653 >> BUT DAD SAID HE'D HELP ME. 1397 00:42:05,653 --> 00:42:06,915 >> WELL, WILL, CAN YOU TWO 1398 00:42:06,915 --> 00:42:08,351 PLEASE... DO THIS LATER? 1399 00:42:08,351 --> 00:42:08,917 >> YEAH, YEAH, YEAH. 1400 00:42:08,917 --> 00:42:10,310 COME ON, LET'S GO OVER THERE. 1401 00:42:10,310 --> 00:42:11,050 COME ON, BUDDY. 1402 00:42:11,050 --> 00:42:11,659 [CATHERINE SCOFFS] 1403 00:42:11,659 --> 00:42:13,792 >> Cali: UH... DINNER'S READY, 1404 00:42:13,792 --> 00:42:14,662 MISS CATHERINE. 1405 00:42:14,662 --> 00:42:15,707 >> OH, THANK YOU, CALI. 1406 00:42:15,707 --> 00:42:17,535 O.K., GUYS, WELL, LET'S, UM, 1407 00:42:17,535 --> 00:42:18,536 GO INTO THE DINING ROOM. 1408 00:42:18,536 --> 00:42:19,624 >> Will: SHE SAID THIS IS 1409 00:42:19,624 --> 00:42:20,886 TOO BIG FOR THE COAT ROOM? 1410 00:42:20,886 --> 00:42:21,669 [DOORBELL RINGS] 1411 00:42:21,669 --> 00:42:22,540 >> YEAH, I DON'T-- 1412 00:42:22,540 --> 00:42:23,845 >> WILL, CAN YOU GET THE DOOR? 1413 00:42:23,845 --> 00:42:24,629 IT'S SOME DESIGNER WOMAN. 1414 00:42:24,629 --> 00:42:25,891 SHE'S DROPPING OFF A RETAIL 1415 00:42:25,891 --> 00:42:26,674 PROPOSAL SUBMISSION. 1416 00:42:26,674 --> 00:42:27,719 >> Woman: AS USUAL, CATHERINE, 1417 00:42:27,719 --> 00:42:29,242 EVERYTHING LOOKS BEAUTIFUL. 1418 00:42:29,242 --> 00:42:30,373 >> OH, THANK YOU. 1419 00:42:30,373 --> 00:42:31,157 >> Will: WHAT? 1420 00:42:31,157 --> 00:42:32,637 >> I DON'T KNOW. 1421 00:42:32,637 --> 00:42:34,116 NATE, CAN YOU GO ON WITH CALI, 1422 00:42:34,116 --> 00:42:35,378 AND DADDY WILL HELP YOU 1423 00:42:35,378 --> 00:42:36,728 AFTER DINNER? 1424 00:42:36,728 --> 00:42:39,600 [PHONE RINGS] 1425 00:42:39,600 --> 00:42:41,602 [PHONE RINGS] OH, GOSH. 1426 00:42:41,602 --> 00:42:46,694 OH, GOSH. 1427 00:42:46,694 --> 00:42:48,827 >> HI. 1428 00:42:48,827 --> 00:42:50,611 >> HI. 1429 00:42:50,611 --> 00:42:51,394 >> OH, MY GOD. 1430 00:42:51,394 --> 00:42:53,658 THIS IS YOUR HOUSE? 1431 00:42:53,658 --> 00:42:55,790 >> UM... 1432 00:42:55,790 --> 00:42:56,661 >> OH, MAN, I'M SO SORRY. 1433 00:42:56,661 --> 00:42:57,749 JOSH GAVE ME TWO NUMBERS. 1434 00:42:57,749 --> 00:43:00,708 I... THE LADY I SPOKE TO THIS 1435 00:43:00,708 --> 00:43:02,754 MORNING TOLD ME TO DROP IT HERE. 1436 00:43:02,754 --> 00:43:04,669 >> NO, IT'S, UH, IT'S FINE. 1437 00:43:04,669 --> 00:43:05,887 DON'T WORRY. 1438 00:43:05,887 --> 00:43:08,673 >> O.K. 1439 00:43:08,673 --> 00:43:09,499 >> UM... 1440 00:43:09,499 --> 00:43:11,719 >> HI. YOU MUST BE THE RETAIL 1441 00:43:11,719 --> 00:43:13,678 DESIGNER I TALKED TO EARLIER. 1442 00:43:13,678 --> 00:43:16,768 I'M KATHERINE SARGENT. 1443 00:43:16,768 --> 00:43:17,595 COME IN! 1444 00:43:17,595 --> 00:43:18,726 >> OH, UH, I CAN'T. 1445 00:43:18,726 --> 00:43:19,248 I'M SORRY. 1446 00:43:19,248 --> 00:43:20,293 UH, I DIDN'T REALIZE 1447 00:43:20,293 --> 00:43:21,076 THIS WAS A HOUSE. 1448 00:43:21,076 --> 00:43:22,774 I THOUGHT I WAS... 1449 00:43:22,774 --> 00:43:24,558 I THOUGHT I WAS STOPPING BY 1450 00:43:24,558 --> 00:43:25,298 A JOB SITE. 1451 00:43:25,298 --> 00:43:26,821 >> NO, DON'T BE SILLY. 1452 00:43:26,821 --> 00:43:27,648 COME IN. 1453 00:43:27,648 --> 00:43:28,823 ACTUALLY, THAT WAS MARGUERITE, 1454 00:43:28,823 --> 00:43:30,346 AIDAN'S WIFE, ON THE PHONE. 1455 00:43:30,346 --> 00:43:31,739 SHE'S NOT GONNA BE COMING, SO WE 1456 00:43:31,739 --> 00:43:33,828 HAVE AN EXTRA SEAT AT THE TABLE. 1457 00:43:33,828 --> 00:43:34,699 WHY DON'T YOU JOIN US? 1458 00:43:34,699 --> 00:43:35,874 >> UH, NO, I CAN'T. 1459 00:43:35,874 --> 00:43:37,092 I'M, I'M MEETING A FRIEND 1460 00:43:37,092 --> 00:43:38,224 FOR DINNER TONIGHT. 1461 00:43:38,224 --> 00:43:38,833 I... 1462 00:43:38,833 --> 00:43:39,965 >> OH, WHAT A SHAME. 1463 00:43:39,965 --> 00:43:41,836 IT WAS NICE TO MEET YOU. 1464 00:43:41,836 --> 00:43:44,709 IT WAS NICE TO MEET YOU. SORRY YOU CAN'T JOIN US. 1465 00:43:44,709 --> 00:43:48,713 SORRY YOU CAN'T JOIN US. 1466 00:43:48,713 --> 00:43:51,629 >> O.K., WELL, I'M GONNA GO. 1467 00:43:51,629 --> 00:43:55,154 >> WAIT. UM... 1468 00:43:55,154 --> 00:43:58,070 UH... THOSE BIRDS THAT, 1469 00:43:58,070 --> 00:44:00,376 THAT WE SAW... 1470 00:44:00,376 --> 00:44:01,769 I HADN'T NOTICED THEM BEFORE, 1471 00:44:01,769 --> 00:44:05,860 BUT, UM... 1472 00:44:05,860 --> 00:44:10,343 I SEE 'EM ALL THE TIME NOW. 1473 00:44:10,343 --> 00:44:11,953 >> BYE, WILL. 1474 00:44:11,953 --> 00:44:14,086 >> BYE, WILL. [♪...] 1475 00:44:14,086 --> 00:44:42,375 [♪...] 1476 00:44:42,375 --> 00:44:44,594 [♪...] >> [CHUCKLES] 1477 00:44:44,594 --> 00:45:08,793 >> [CHUCKLES] 1478 00:45:08,793 --> 00:45:09,794 >> Nate: [SHRIEKS] 1479 00:45:09,794 --> 00:45:10,882 >> A-HA! 1480 00:45:10,882 --> 00:45:14,450 >> A-HA! [DISTANT CHILDREN CHATTING...] 1481 00:45:14,450 --> 00:45:23,677 [DISTANT CHILDREN CHATTING...] 1482 00:45:23,677 --> 00:45:24,852 >> Man: THANK YOU FOR COMING IN. 1483 00:45:24,852 --> 00:45:26,593 WE'LL GET BACK TO YOU WITH DATES 1484 00:45:26,593 --> 00:45:28,290 FOR THE DESIGNER SITE VISIT. 1485 00:45:28,290 --> 00:45:29,204 VERY NICE. 1486 00:45:29,204 --> 00:45:32,512 >> Kate: THANK YOU. 1487 00:45:32,512 --> 00:45:34,949 >> GREAT JOB. 1488 00:45:34,949 --> 00:45:36,037 >> KATE. 1489 00:45:36,037 --> 00:45:37,038 [DOOR SHUTS] 1490 00:45:37,038 --> 00:45:38,866 HI. 1491 00:45:38,866 --> 00:45:44,829 UM... I WANTED TO, UH... 1492 00:45:44,829 --> 00:45:45,655 THE OTHER NIGHT-- 1493 00:45:45,655 --> 00:45:46,569 >> I DIDN'T KNOW 1494 00:45:46,569 --> 00:45:48,571 YOU WERE MARRIED. 1495 00:45:48,571 --> 00:45:49,921 >> YEAH, I KNOW. 1496 00:45:49,921 --> 00:45:51,574 I, UM... 1497 00:45:51,574 --> 00:45:54,012 I DON'T KNOW WHY I NEVER... 1498 00:45:54,012 --> 00:45:55,143 >> YEAH, I DON'T KNOW 1499 00:45:55,143 --> 00:45:58,886 WHY EITHER. 1500 00:45:58,886 --> 00:46:00,975 YOU DON'T WEAR A RING. 1501 00:46:00,975 --> 00:46:02,107 >> WELL, I, I WORK 1502 00:46:02,107 --> 00:46:02,890 IN CONSTRUCTION. 1503 00:46:02,890 --> 00:46:04,109 PEOPLE DON'T WEAR RINGS 1504 00:46:04,109 --> 00:46:06,502 ON THE JOB. 1505 00:46:06,502 --> 00:46:08,940 >> YOU WORK IN AN OFFICE, WILL. 1506 00:46:08,940 --> 00:46:11,507 >> YOU WORK IN AN OFFICE, WILL. YOU WEAR A SUIT. 1507 00:46:11,507 --> 00:46:16,512 YOU WEAR A SUIT. 1508 00:46:16,512 --> 00:46:19,037 YOU WEAR A SUIT. [♪...] 1509 00:46:19,037 --> 00:46:27,001 [♪...] 1510 00:46:27,001 --> 00:46:28,176 >> Will: HOW DOES THAT HAPPEN? 1511 00:46:28,176 --> 00:46:29,830 HOW DO YOU, HOW DO YOU NOT 1512 00:46:29,830 --> 00:46:31,789 DISCOVER A SUBWAY TUNNEL 1513 00:46:31,789 --> 00:46:32,964 UNDERNEATH YOUR SITE? 1514 00:46:32,964 --> 00:46:34,922 HOW DO YOU NOT FIGURE THAT OUT? 1515 00:46:34,922 --> 00:46:37,490 LOOK. LOOK AT IT. 1516 00:46:37,490 --> 00:46:38,970 LOOK AT THAT ONE. 1517 00:46:38,970 --> 00:46:39,448 WHO NEEDS IT? 1518 00:46:39,448 --> 00:46:40,928 IF WE'RE NOT GONNA LOOK AT IT, 1519 00:46:40,928 --> 00:46:42,800 WE MIGHT AS WELL THROW IT AWAY, 1520 00:46:42,800 --> 00:46:45,803 USE IT FOR TOILET PAPER. 1521 00:46:45,803 --> 00:46:47,892 [THUNDER...] 1522 00:46:47,892 --> 00:46:49,937 >> Kit: KATE-LANDER! 1523 00:46:49,937 --> 00:46:50,851 YOU'RE PSYCHED. 1524 00:46:50,851 --> 00:46:51,896 YOU WON'T BE DEALING 1525 00:46:51,896 --> 00:46:53,636 WITH THIS SHIT ANYMORE. 1526 00:46:53,636 --> 00:46:54,289 >> WHAT? 1527 00:46:54,289 --> 00:46:55,290 >> THAT MESSAGE YOU'VE BEEN 1528 00:46:55,290 --> 00:46:57,858 WAITING FOR IS ON THE MACHINE. 1529 00:46:57,858 --> 00:46:58,337 YOU GOT IT. 1530 00:46:58,337 --> 00:47:01,079 YOU'RE MOVING TO L.A. 1531 00:47:01,079 --> 00:47:02,994 YOU'RE MOVING TO L.A. SEE YA. 1532 00:47:02,994 --> 00:47:08,042 SEE YA. 1533 00:47:08,042 --> 00:47:09,000 >> Katherine: I HAVE 1534 00:47:09,000 --> 00:47:10,523 THE AIRLINES ON HOLD. 1535 00:47:10,523 --> 00:47:11,176 I RAN INTO STEWART. 1536 00:47:11,176 --> 00:47:12,438 HE SAID THE SITE VISIT WENT 1537 00:47:12,438 --> 00:47:14,179 FANTASTIC, AND THEY'RE ALL READY 1538 00:47:14,179 --> 00:47:16,355 TO SIGN THE DOCS ON FRIDAY. 1539 00:47:16,355 --> 00:47:16,877 MMM! 1540 00:47:16,877 --> 00:47:18,487 IT'S SO GREAT! 1541 00:47:18,487 --> 00:47:19,227 I'LL BE UPSTAIRS 1542 00:47:19,227 --> 00:47:20,098 IN A COUPLE MINUTES. 1543 00:47:20,098 --> 00:47:22,448 IN A COUPLE MINUTES. GIVE NATE A KISS. 1544 00:47:22,448 --> 00:47:33,633 GIVE NATE A KISS. 1545 00:47:33,633 --> 00:47:35,853 >> Will: HEY. 1546 00:47:35,853 --> 00:47:37,506 >> Will: HEY. >> HI. 1547 00:47:37,506 --> 00:47:42,816 >> HI. 1548 00:47:42,816 --> 00:47:44,035 PROMISE I'LL BE ALIVE IN THE 1549 00:47:44,035 --> 00:47:45,514 MORNING AND THAT THERE AREN'T 1550 00:47:45,514 --> 00:47:47,865 ANY SKELETONS OR SCARY MONSTERS 1551 00:47:47,865 --> 00:47:48,561 IN MY CLOSET? 1552 00:47:48,561 --> 00:47:49,910 >> YES, I PROMISE THAT YOU 1553 00:47:49,910 --> 00:47:52,260 WILL BE ALIVE AND WELL 1554 00:47:52,260 --> 00:47:53,522 IN THE MORNING. 1555 00:47:53,522 --> 00:47:54,784 >> AND THAT THERE AREN'T ANY 1556 00:47:54,784 --> 00:47:56,264 SKELETONS OR SCARY MONSTERS 1557 00:47:56,264 --> 00:47:59,877 IN MY CLOSET? 1558 00:47:59,877 --> 00:48:01,879 IN MY CLOSET? >> LET ME CHECK. 1559 00:48:01,879 --> 00:48:09,408 >> LET ME CHECK. 1560 00:48:09,408 --> 00:48:10,931 ALL RIGHT. NOPE. 1561 00:48:10,931 --> 00:48:12,802 [CLEARS THROAT] 1562 00:48:12,802 --> 00:48:14,543 NO SKELETONS OR SCARY MONSTERS 1563 00:48:14,543 --> 00:48:17,546 NO SKELETONS OR SCARY MONSTERS IN YOUR CLOSET. 1564 00:48:17,546 --> 00:48:21,072 IN YOUR CLOSET. 1565 00:48:21,072 --> 00:48:24,553 WHEW! OR UNDER YOUR BED. 1566 00:48:24,553 --> 00:48:25,946 >> BUT WHAT IF THEY'RE HIDING 1567 00:48:25,946 --> 00:48:27,556 AND THEY TRY TO COME TAKE ME 1568 00:48:27,556 --> 00:48:28,383 AFTER YOU LEAVE? 1569 00:48:28,383 --> 00:48:30,081 >> NATE, I PROMISE YOU, NO ONE 1570 00:48:30,081 --> 00:48:34,389 IS GONNA TAKE YOU AFTER I LEAVE. 1571 00:48:34,389 --> 00:48:36,000 WAIT A SECOND. 1572 00:48:36,000 --> 00:48:37,653 WAIT A SECOND. HOW OLD ARE YOU? 1573 00:48:37,653 --> 00:48:39,960 HOW OLD ARE YOU? 1574 00:48:39,960 --> 00:48:40,961 SEVEN? 1575 00:48:40,961 --> 00:48:43,529 [SCOFFS] I SHOULD HAVE KNOWN. 1576 00:48:43,529 --> 00:48:45,139 THAT'S THE AGE. 1577 00:48:45,139 --> 00:48:46,271 THAT'S THE AGE WHERE YOU GET 1578 00:48:46,271 --> 00:48:48,838 TO PICK YOUR FIRST MAGIC WORD. 1579 00:48:48,838 --> 00:48:52,190 YES. YOU GET TO SAY A WORD, ANY 1580 00:48:52,190 --> 00:48:53,887 WORD, AND IT WILL PROTECT YOU. 1581 00:48:53,887 --> 00:48:55,758 ALL YOU GOT TO DO IS CLOSE YOUR 1582 00:48:55,758 --> 00:48:57,021 EYES REALLY, REALLY, REALLY 1583 00:48:57,021 --> 00:49:00,154 TIGHTLY AND THEN SAY THE WORD, 1584 00:49:00,154 --> 00:49:01,677 AND ALL THE SKELETONS AND THE 1585 00:49:01,677 --> 00:49:05,899 SCARY MONSTERS WILL DISAPPEAR. 1586 00:49:05,899 --> 00:49:10,121 >> WISTURBIAN. 1587 00:49:10,121 --> 00:49:12,514 >> WISTURBIAN? 1588 00:49:12,514 --> 00:49:16,214 >> THAT WILL MAKE THEM GO AWAY? 1589 00:49:16,214 --> 00:49:17,606 >> THAT... 1590 00:49:17,606 --> 00:49:21,393 HAS MADE THEM GO AWAY... 1591 00:49:21,393 --> 00:49:24,222 FOREVER. 1592 00:49:24,222 --> 00:49:25,832 >> LOVE YOU, DAD. 1593 00:49:25,832 --> 00:49:27,747 >> I LOVE YOU. 1594 00:49:27,747 --> 00:49:29,923 >> I LOVE YOU. SLEEP TIGHT. 1595 00:49:29,923 --> 00:49:47,941 SLEEP TIGHT. 1596 00:49:47,941 --> 00:49:51,989 [DISTANT CHILDREN TALKING...] 1597 00:49:51,989 --> 00:49:53,033 >> KATE, YOU SURE YOU DON'T 1598 00:49:53,033 --> 00:49:54,165 NEED HELP WITH THESE? 1599 00:49:54,165 --> 00:49:55,993 IT SEEMS LIKE A LOT OF STUFF. 1600 00:49:55,993 --> 00:49:56,428 >> NO, I'M FINE. 1601 00:49:56,428 --> 00:49:58,734 I'M JUST GONNA FINISH UP WITH 1602 00:49:58,734 --> 00:50:00,171 THE SMALL STUFF AND WAIT TILL 1603 00:50:00,171 --> 00:50:02,129 THE MOVERS COME TO DO THE REST. 1604 00:50:02,129 --> 00:50:03,739 >> MM, SO DID YOU AND WILL 1605 00:50:03,739 --> 00:50:05,132 GRAB DINNER THE OTHER NIGHT? 1606 00:50:05,132 --> 00:50:07,047 YOU GOT HOME PRETTY LATE. 1607 00:50:07,047 --> 00:50:08,614 >> NO. I WORKED LATE, AND THEN 1608 00:50:08,614 --> 00:50:11,138 I GOT A SLICE AND I WALKED HOME. 1609 00:50:11,138 --> 00:50:13,662 I NEVER EXERCISE ANYMORE. 1610 00:50:13,662 --> 00:50:14,663 >> HMM. 1611 00:50:14,663 --> 00:50:17,275 >> SO... MONDAY'S THE BIG 1612 00:50:17,275 --> 00:50:18,319 DAY, HUH? 1613 00:50:18,319 --> 00:50:21,366 >> YEAH. SORRY TO SEE ME GO? 1614 00:50:21,366 --> 00:50:25,152 >> SORRY TO SEE YOUR STUFF GO. 1615 00:50:25,152 --> 00:50:26,849 CAN I GET... [THUMP] 1616 00:50:26,849 --> 00:50:30,114 SOME OF THAT? 1617 00:50:30,114 --> 00:50:32,246 SO, WERE YOU OUT WITH MR. FANCY 1618 00:50:32,246 --> 00:50:33,508 PANTS MARRIED MAN LAST NIGHT? 1619 00:50:33,508 --> 00:50:35,293 >> [SHOUTS]: NO, KIT, I WASN'T 1620 00:50:35,293 --> 00:50:36,468 OUT WITH ANYBODY! 1621 00:50:36,468 --> 00:50:39,427 JESUS! 1622 00:50:39,427 --> 00:50:43,083 [SIGHS] I'M SORRY. 1623 00:50:43,083 --> 00:50:44,737 I'M SORRY, I'M JUST SO TIRED. 1624 00:50:44,737 --> 00:50:48,088 WITH WORK AND PACKING, I'M, 1625 00:50:48,088 --> 00:50:49,307 I'M JUST EXHAUSTED. 1626 00:50:49,307 --> 00:50:51,178 I'M JUST EXHAUSTED. I'M SORRY. 1627 00:50:51,178 --> 00:50:54,138 I'M SORRY. 1628 00:50:54,138 --> 00:50:56,140 >> WHATEVER, KATE. 1629 00:50:56,140 --> 00:50:58,272 >> WHATEVER, KATE. [KATE SIGHS] 1630 00:50:58,272 --> 00:51:05,975 [KATE SIGHS] 1631 00:51:05,975 --> 00:51:08,152 [KATE SIGHS] [DOOR CLOSES] 1632 00:51:08,152 --> 00:51:10,458 [DOOR CLOSES] 1633 00:51:10,458 --> 00:51:11,590 >> YOU O.K.? 1634 00:51:11,590 --> 00:51:13,157 >> HE'S SUCH AN ASSHOLE. 1635 00:51:13,157 --> 00:51:14,593 >> THEN WHY DON'T YOU TELL HIM 1636 00:51:14,593 --> 00:51:15,942 HE'S AN ASSHOLE? 1637 00:51:15,942 --> 00:51:17,074 >> IT WOULDN'T DO ANY GOOD. 1638 00:51:17,074 --> 00:51:18,205 HE'D STILL BE AN ASSHOLE. 1639 00:51:18,205 --> 00:51:20,338 >> IT MIGHT DO YOU SOME GOOD. 1640 00:51:20,338 --> 00:51:21,643 YOU KNOW, KATE, YOU GET 1641 00:51:21,643 --> 00:51:22,122 A SAY TOO. 1642 00:51:22,122 --> 00:51:23,123 YOU DON'T JUST HAVE TO 1643 00:51:23,123 --> 00:51:24,211 HAVE EVERYTHING ON EVERYONE 1644 00:51:24,211 --> 00:51:25,082 ELSE'S TERMS. 1645 00:51:25,082 --> 00:51:25,778 >> DO I? 1646 00:51:25,778 --> 00:51:26,822 DO I GET A SAY, JANEY? 1647 00:51:26,822 --> 00:51:28,607 DO I GET A SAY IN THE FACT THAT 1648 00:51:28,607 --> 00:51:30,391 I HAVE TO DEAL WITH MOM AGAIN ON 1649 00:51:30,391 --> 00:51:31,958 THANKSGIVING ALONE WHILE YOU 1650 00:51:31,958 --> 00:51:33,046 AND KIT GO TO L.A.? 1651 00:51:33,046 --> 00:51:34,787 DO I GET A SAY THAT I HAVE TO 1652 00:51:34,787 --> 00:51:35,788 LEAVE MY APARTMENT JUST BECAUSE 1653 00:51:35,788 --> 00:51:37,137 KIT'S NAME IS ON THE LEASE? 1654 00:51:37,137 --> 00:51:39,008 >> KATE, KATE, KATE. 1655 00:51:39,008 --> 00:51:40,532 YES, YOU DO GET A SAY 1656 00:51:40,532 --> 00:51:42,360 IN ALL THAT. 1657 00:51:42,360 --> 00:51:44,710 O.K.? YOU DON'T GET TO DECIDE 1658 00:51:44,710 --> 00:51:46,190 WHAT THE OTHER PERSON FEELS OR 1659 00:51:46,190 --> 00:51:48,409 EVEN DOES, BUT YOU GET TO DECIDE 1660 00:51:48,409 --> 00:51:50,324 HOW YOU FEEL. 1661 00:51:50,324 --> 00:51:51,282 >> THAT WOULDN'T DO 1662 00:51:51,282 --> 00:51:52,152 ANY GOOD, JANEY. 1663 00:51:52,152 --> 00:51:53,893 WHAT AM I GONNA DO, TELL MOM 1664 00:51:53,893 --> 00:51:55,590 I'M NOT COMING TO THANKSGIVING? 1665 00:51:55,590 --> 00:51:57,418 THAT I'M BUSY? 1666 00:51:57,418 --> 00:51:58,202 YOU KNOW HER. 1667 00:51:58,202 --> 00:51:59,464 SHE'LL JUST MAKE MY LIFE 1668 00:51:59,464 --> 00:52:02,119 MISERABLE. 1669 00:52:02,119 --> 00:52:03,511 >> ALL I'M SAYING, KATE, IS THAT 1670 00:52:03,511 --> 00:52:06,166 IF YOU NEVER SPEAK YOUR MIND AND 1671 00:52:06,166 --> 00:52:07,776 SAY HOW YOU FEEL AND WHAT YOU 1672 00:52:07,776 --> 00:52:09,343 NEED, YOU'RE GONNA END UP 1673 00:52:09,343 --> 00:52:10,910 MISERABLE THAT WAY TOO. 1674 00:52:10,910 --> 00:52:13,173 >> I KNOW. 1675 00:52:13,173 --> 00:52:15,001 [SNIFFS] 1676 00:52:15,001 --> 00:52:16,698 [EMOTIONALLY]: I KNOW. 1677 00:52:16,698 --> 00:52:18,874 [EMOTIONALLY]: I KNOW. [CRYING...] 1678 00:52:18,874 --> 00:52:21,616 [CRYING...] 1679 00:52:21,616 --> 00:52:25,838 >> OH, COME ON, COME HERE. 1680 00:52:25,838 --> 00:52:28,406 >> [SOBS] 1681 00:52:28,406 --> 00:52:31,278 >> [SOBS] >> IT'S GONNA BE O.K., HONEY. 1682 00:52:31,278 --> 00:52:38,198 >> IT'S GONNA BE O.K., HONEY. 1683 00:52:38,198 --> 00:52:39,156 WHAT'S GOING ON WITH WILL? 1684 00:52:39,156 --> 00:52:42,159 >> NOTHING. REALLY NOTHING. 1685 00:52:42,159 --> 00:52:43,377 [SNIFFS] 1686 00:52:43,377 --> 00:52:45,423 I MET HIS WIFE A COUPLE OF WEEKS 1687 00:52:45,423 --> 00:52:47,120 AGO WHEN I WAS DROPPING OFF 1688 00:52:47,120 --> 00:52:49,209 MY PORTFOLIO. 1689 00:52:49,209 --> 00:52:49,818 >> NO, REALLY? 1690 00:52:49,818 --> 00:52:50,906 >> I DIDN'T EVEN KNOW 1691 00:52:50,906 --> 00:52:51,603 HE WAS MARRIED. 1692 00:52:51,603 --> 00:52:52,865 JOSH DIDN'T TELL ME THAT, 1693 00:52:52,865 --> 00:52:54,127 AND HE NEVER WEARS A RING. 1694 00:52:54,127 --> 00:52:55,781 HOW WAS I SUPPOSED TO KNOW? 1695 00:52:55,781 --> 00:52:56,651 >> YOU MET HIS WIFE? 1696 00:52:56,651 --> 00:52:58,175 >> OH, GOD, IT WAS HORRIFYING. 1697 00:52:58,175 --> 00:52:59,567 AND YET, WHY SHOULD IT 1698 00:52:59,567 --> 00:53:00,133 HAVE BEEN? 1699 00:53:00,133 --> 00:53:01,221 I WAS JUST LIKE ANY OTHER 1700 00:53:01,221 --> 00:53:02,353 DESIGNER DROPPING OFF A 1701 00:53:02,353 --> 00:53:03,005 PORTFOLIO. 1702 00:53:03,005 --> 00:53:04,137 AND THEN THE OTHER NIGHT, 1703 00:53:04,137 --> 00:53:05,269 I WAS SUCH A FREAK. 1704 00:53:05,269 --> 00:53:07,053 I JUST... I RAN OFF IN THE 1705 00:53:07,053 --> 00:53:08,185 MIDDLE OF A CONVERSATION 1706 00:53:08,185 --> 00:53:09,403 WITH HIM. 1707 00:53:09,403 --> 00:53:11,927 >> OH... KATE, WHY DIDN'T 1708 00:53:11,927 --> 00:53:12,493 YOU SAY SOMETHING? 1709 00:53:12,493 --> 00:53:13,320 YOU'VE BEEN SO OFF 1710 00:53:13,320 --> 00:53:14,191 THE LAST FEW WEEKS. 1711 00:53:14,191 --> 00:53:15,714 I, I HAD NO IDEA. 1712 00:53:15,714 --> 00:53:17,019 >> WHAT WAS I SUPPOSED TO SAY? 1713 00:53:17,019 --> 00:53:19,108 THAT... IN THE MIDDLE OF MOVING 1714 00:53:19,108 --> 00:53:20,414 ACROSS COUNTRY, MET A MAN 1715 00:53:20,414 --> 00:53:24,418 AND SUBSEQUENTLY HIS 1716 00:53:24,418 --> 00:53:26,290 AND I NEVER SEE HIM, AND I CAN'T 1717 00:53:26,290 --> 00:53:28,466 TALK TO HIM, AND HE'S ALL I CAN 1718 00:53:28,466 --> 00:53:32,513 THINK ABOUT. 1719 00:53:32,513 --> 00:53:36,387 YOU KNOW, THE THING IS, JANEY, 1720 00:53:36,387 --> 00:53:38,824 I JUST THINK THAT IF HE 1721 00:53:38,824 --> 00:53:44,743 THINK ABOUT ME... HE WOULD. 1722 00:53:44,743 --> 00:53:46,353 OH, GOD, AND THAT JUST MAKES IT 1723 00:53:46,353 --> 00:53:48,225 ALL SO MUCH WORSE. 1724 00:53:48,225 --> 00:53:49,226 [SNIFFS] 1725 00:53:49,226 --> 00:53:51,489 >> KATE. 1726 00:53:51,489 --> 00:53:54,405 KATE, I'M SO SORRY, SWEETIE. 1727 00:53:54,405 --> 00:53:55,580 >> AND TO TOP IT ALL OFF, 1728 00:53:55,580 --> 00:53:58,452 >> AND TO TOP IT ALL OFF, I JUST FEEL LIKE SUCH A FOOL. 1729 00:53:58,452 --> 00:54:03,240 I JUST FEEL LIKE SUCH A FOOL. 1730 00:54:03,240 --> 00:54:05,938 >> YOU ARE NOT A FOOL. 1731 00:54:05,938 --> 00:54:09,071 >> YOU ARE NOT A FOOL. [♪...] 1732 00:54:09,071 --> 00:54:15,034 [♪...] 1733 00:54:15,034 --> 00:54:16,383 >> WASN'T THE DESIGN TOUR 1734 00:54:16,383 --> 00:54:18,255 SUPPOSED TO BE OVER BY NOON? 1735 00:54:18,255 --> 00:54:21,214 >> UH... YEAH. 1736 00:54:21,214 --> 00:54:23,042 FRIDAY, 10 TO 12, 1737 00:54:23,042 --> 00:54:24,304 DESIGNERS SITE VISIT, YEP. 1738 00:54:24,304 --> 00:54:25,610 >> WELL, THEY SHOULD BE 1739 00:54:25,610 --> 00:54:26,393 DONE BY NOW. 1740 00:54:26,393 --> 00:54:27,873 IT'S 12:15. 1741 00:54:27,873 --> 00:54:28,874 >> YEAH, WHICH MEANS 1742 00:54:28,874 --> 00:54:31,920 YOU NEED TO GET GOING. 1743 00:54:31,920 --> 00:54:33,182 YOUR CAR HAS BEEN HERE 1744 00:54:33,182 --> 00:54:33,792 FOR 15 MINUTES. 1745 00:54:33,792 --> 00:54:34,880 I'M SURE EVERYONE'S 1746 00:54:34,880 --> 00:54:37,143 I'M SURE EVERYONE'S WAITING FOR YOU. 1747 00:54:37,143 --> 00:54:48,415 WAITING FOR YOU. 1748 00:54:48,415 --> 00:54:51,505 >> WILL? 1749 00:54:51,505 --> 00:54:53,290 >> HI. 1750 00:54:53,290 --> 00:54:55,379 UH, SO HOW'D THE TOUR GO? 1751 00:54:55,379 --> 00:54:57,163 >> GOOD. FINE. 1752 00:54:57,163 --> 00:54:58,295 >> Man: HEY! YOU SARGENT? 1753 00:54:58,295 --> 00:55:00,079 >> YEAH, YEAH, JUST A SECOND. 1754 00:55:00,079 --> 00:55:00,384 HOLD ON. 1755 00:55:00,384 --> 00:55:01,515 >> I'M SO GLAD I CAUGHT YOU. 1756 00:55:01,515 --> 00:55:02,995 I WANTED TO TELL YOU THAT MY 1757 00:55:02,995 --> 00:55:04,170 PARTNER LAURYN CHASE IS GONNA 1758 00:55:04,170 --> 00:55:05,563 BE TAKING OVER FOR ME. 1759 00:55:05,563 --> 00:55:07,521 I'M LEAVING PREVIN. 1760 00:55:07,521 --> 00:55:09,741 >> UM, WHAT ARE YOU DOING? 1761 00:55:09,741 --> 00:55:10,829 >> I'M MOVING TO L.A. 1762 00:55:10,829 --> 00:55:12,439 I ACTUALLY GOT A JOB AT 1763 00:55:12,439 --> 00:55:13,440 A SMALL DESIGN FIRM THERE. 1764 00:55:13,440 --> 00:55:14,615 I'VE BEEN SPEAKING WITH THEM 1765 00:55:14,615 --> 00:55:16,617 FOR SEVERAL WEEKS, SO... 1766 00:55:16,617 --> 00:55:20,491 >> WOW, UM, WHEN DO YOU LEAVE? 1767 00:55:20,491 --> 00:55:21,448 >> MM, MONDAY, ACTUALLY. 1768 00:55:21,448 --> 00:55:23,320 TODAY'S MY LAST DAY AT PREVIN. 1769 00:55:23,320 --> 00:55:23,581 LAURYN. 1770 00:55:23,581 --> 00:55:25,234 >> HI, YOU MUST BE WILL SARGENT. 1771 00:55:25,234 --> 00:55:25,496 >> YEAH. 1772 00:55:25,496 --> 00:55:26,671 >> LAURYN, WILL. WILL, LAURYN. 1773 00:55:26,671 --> 00:55:27,324 >> GREAT TO MEET YOU. 1774 00:55:27,324 --> 00:55:28,716 YOU'RE DOING AN AMAZING 1775 00:55:28,716 --> 00:55:29,413 JOB HERE. 1776 00:55:29,413 --> 00:55:30,936 >> OH, THANKS. 1777 00:55:30,936 --> 00:55:33,112 >> OH, THANKS. UM... 1778 00:55:33,112 --> 00:55:37,116 UM... 1779 00:55:37,116 --> 00:55:38,465 >> IT WAS GOOD TO SEE YOU, WILL. 1780 00:55:38,465 --> 00:55:39,901 >> NICE TO MEET YOU, WILL. 1781 00:55:39,901 --> 00:55:41,512 >> YEAH. 1782 00:55:41,512 --> 00:55:43,992 >> YEAH. [♪...] 1783 00:55:43,992 --> 00:57:05,465 [♪...] 1784 00:57:05,465 --> 00:57:06,074 >> HELLO, SIR. 1785 00:57:06,074 --> 00:57:07,162 WOULD YOU LIKE TO HEAR 1786 00:57:07,162 --> 00:57:08,207 OUR REPORT ON ANTS? 1787 00:57:08,207 --> 00:57:08,947 >> SURE. 1788 00:57:08,947 --> 00:57:09,948 >> DAD! 1789 00:57:09,948 --> 00:57:10,818 >> WHAT? 1790 00:57:10,818 --> 00:57:11,732 >> HEY, MR. SARGENT, 1791 00:57:11,732 --> 00:57:12,777 HAVE YOU SEEN OUR ANTS? 1792 00:57:12,777 --> 00:57:13,821 >> Girl: STOP IT, STOP IT. 1793 00:57:13,821 --> 00:57:16,171 YOU'RE GONNA MESS UP MY PILE. 1794 00:57:16,171 --> 00:57:17,434 >> HEY, NATE, PLEXIGLAS 1795 00:57:17,434 --> 00:57:18,435 LOOKS GREAT, HUH? 1796 00:57:18,435 --> 00:57:19,784 >> YEAH, AND IT'S SO COOL, 1797 00:57:19,784 --> 00:57:21,438 'CAUSE NOW YOU CAN SEE THE 1798 00:57:21,438 --> 00:57:22,743 BOTTOM, WHERE THE ANTS CLIMB 1799 00:57:22,743 --> 00:57:23,570 ALL OVER EACH OTHER. 1800 00:57:23,570 --> 00:57:24,528 >> REALLY? OH, YEAH. 1801 00:57:24,528 --> 00:57:25,485 >> EXCUSE ME, MISTER. 1802 00:57:25,485 --> 00:57:27,226 YOU 1803 00:57:27,226 --> 00:57:27,618 OUR REPORT. 1804 00:57:27,618 --> 00:57:28,749 >> YOU'RE RIGHT, I'M SORRY. 1805 00:57:28,749 --> 00:57:29,533 I'M SORRY. 1806 00:57:29,533 --> 00:57:30,490 >> WILL! GREAT SURPRISE. 1807 00:57:30,490 --> 00:57:30,925 >> HEY. 1808 00:57:30,925 --> 00:57:32,013 >> WHAT ARE YOU DOING HERE? 1809 00:57:32,013 --> 00:57:33,493 YOU HAVE THE DIRECTOR VISIT. 1810 00:57:33,493 --> 00:57:34,320 >> IT'S O.K. 1811 00:57:34,320 --> 00:57:35,495 I GOT IT PUSHED BACK. 1812 00:57:35,495 --> 00:57:36,540 >> YOU DID? TO WHAT? 1813 00:57:36,540 --> 00:57:37,628 >> WON'T START UNTIL TWO. 1814 00:57:37,628 --> 00:57:39,630 >> UNTIL TWO. IT'S 1:15-- 1815 00:57:39,630 --> 00:57:41,327 BOYS! NATE! SLOW DOWN, PLEASE. 1816 00:57:41,327 --> 00:57:42,633 DO YOU HAVE A CAR 1817 00:57:42,633 --> 00:57:43,111 WAITING FOR YOU? 1818 00:57:43,111 --> 00:57:44,722 >> I'LL GET A CAB, IT'S O.K. 1819 00:57:44,722 --> 00:57:45,462 >> YOU KNOW WHAT? 1820 00:57:45,462 --> 00:57:46,463 I'VE GOT THE CAR. 1821 00:57:46,463 --> 00:57:47,638 I MIGHT AS WELL TAKE YOU. 1822 00:57:47,638 --> 00:57:48,465 IT'LL BE SO MUCH FASTER. 1823 00:57:48,465 --> 00:57:49,466 I'M GONNA GET MY PURSE. 1824 00:57:49,466 --> 00:57:50,641 >> IT'S PLAYING! IT'S PLAYING! 1825 00:57:50,641 --> 00:57:51,468 LISTEN. 1826 00:57:51,468 --> 00:57:52,643 [On tape]: Ants are very 1827 00:57:52,643 --> 00:57:54,514 socially complex creatures. 1828 00:57:54,514 --> 00:57:55,515 >> COME ON, LET'S GO. 1829 00:57:55,515 --> 00:57:56,560 >> Ants are different from 1830 00:57:56,560 --> 00:57:57,778 humans because they live... 1831 00:57:57,778 --> 00:57:59,476 >> WILL, COME ON! WILL! 1832 00:57:59,476 --> 00:58:01,260 >> Ants must follow their role 1833 00:58:01,260 --> 00:58:04,785 >> Ants must follow their role and never object to the queen. 1834 00:58:04,785 --> 00:58:13,098 and never object to the queen. 1835 00:58:13,098 --> 00:58:15,274 and never object to the queen. [HONK, HONK] 1836 00:58:15,274 --> 00:58:28,592 [HONK, HONK] 1837 00:58:28,592 --> 00:58:32,552 [MEN SPEAKING INDISTINCTLY...] 1838 00:58:32,552 --> 00:58:34,554 [MEN SPEAKING INDISTINCTLY...] >> [LAUGHING...] 1839 00:58:34,554 --> 00:58:49,090 >> [LAUGHING...] 1840 00:58:49,090 --> 00:58:51,440 >> [LAUGHING...] >> WHAT IS SO FUNNY? 1841 00:58:51,440 --> 00:58:57,621 >> WHAT IS SO FUNNY? 1842 00:58:57,621 --> 00:58:58,622 [MEN SPEAKING 1843 00:58:58,622 --> 00:59:00,972 INDISTINCTLY] 1844 00:59:00,972 --> 00:59:01,929 >> GOOD. 1845 00:59:01,929 --> 00:59:02,800 >> THE DEAL WILL BE 1846 00:59:02,800 --> 00:59:03,670 CLOSED THIS WEEK. 1847 00:59:03,670 --> 00:59:05,846 CLOSED THIS WEEK. >> WELL, THAT'S IT. 1848 00:59:05,846 --> 00:59:09,763 >> WELL, THAT'S IT. 1849 00:59:09,763 --> 00:59:10,721 >> DID YOU SEE ABOUT THAT 1850 00:59:10,721 --> 00:59:11,939 MEETING ON THURSDAY MORNING? 1851 00:59:11,939 --> 00:59:12,810 >> YEAH. YEAH, I DID. 1852 00:59:12,810 --> 00:59:14,028 >> CANCELED. >> RIGHT. 1853 00:59:14,028 --> 00:59:15,726 >> SO, NO WORRIES ABOUT THAT. 1854 00:59:15,726 --> 00:59:16,857 >> GREAT TO SEE YOU, WILL. 1855 00:59:16,857 --> 00:59:17,597 COME ON IN. 1856 00:59:17,597 --> 00:59:18,642 THANK YOU, SUSAN. 1857 00:59:18,642 --> 00:59:20,078 >> GOOD TO SEE YOU, WILL. 1858 00:59:20,078 --> 00:59:21,558 >> WILL, NEVER GOT TO TELL YOU 1859 00:59:21,558 --> 00:59:22,602 DIRECTLY HOW IMPRESSED WE WERE 1860 00:59:22,602 --> 00:59:24,082 WITH THE TOUR OF GREENPOINT. 1861 00:59:24,082 --> 00:59:25,562 YOU AND YOUR TEAM HAVE DONE 1862 00:59:25,562 --> 00:59:26,693 AN INCREDIBLE JOB. 1863 00:59:26,693 --> 00:59:27,868 YOU'RE A GOOD GROUP. 1864 00:59:27,868 --> 00:59:28,869 WE'RE REALLY EXCITED 1865 00:59:28,869 --> 00:59:30,001 TO HAVE YOU ON BOARD. 1866 00:59:30,001 --> 00:59:31,698 >> SO, SAVE FOR A LAST FEW 1867 00:59:31,698 --> 00:59:33,308 BUSINESS POINTS, WHICH WE WILL 1868 00:59:33,308 --> 00:59:34,962 GET TO WHEN WE GET TO, WE HAVE 1869 00:59:34,962 --> 00:59:36,964 REDRAFTED THE CONTRACT ACCORDING 1870 00:59:36,964 --> 00:59:38,313 TO YOUR COMMENTS. 1871 00:59:38,313 --> 00:59:39,663 SO WE THOUGHT WE'D GIVE YOU A 1872 00:59:39,663 --> 00:59:41,360 FEW MINUTES TO LOOK THEM OVER 1873 00:59:41,360 --> 00:59:43,797 BEFORE WE SIGN, AND THEN MAYBE 1874 00:59:43,797 --> 00:59:45,146 CORRAL YOU INTO A LITTLE 1875 00:59:45,146 --> 00:59:46,147 CELEBRATORY LIBATION. 1876 00:59:46,147 --> 00:59:47,584 >> IT'S A REAL PLEASURE WORKING 1877 00:59:47,584 --> 00:59:48,454 WITH YOU, WILL. 1878 00:59:48,454 --> 00:59:49,194 >> THE CONTRACTS ARE 1879 00:59:49,194 --> 00:59:49,716 A MERE FORMALITY. 1880 00:59:49,716 --> 00:59:50,935 AFTER TWO YEARS ON GREENPOINT, 1881 00:59:50,935 --> 00:59:52,632 I THINK WE ALL KNOW WHAT WE'RE 1882 00:59:52,632 --> 00:59:53,111 GETTING INTO. 1883 00:59:53,111 --> 00:59:54,373 >> WE'RE REALLY LOOKING FORWARD 1884 00:59:54,373 --> 00:59:55,592 TO HAVING YOU ON BOARD. 1885 00:59:55,592 --> 00:59:57,594 >> O.K., SO WE'LL GIVE YOU A FEW 1886 00:59:57,594 --> 00:59:58,986 MINUTES AND SUSAN CAN GET YOU 1887 00:59:58,986 --> 01:00:01,380 MINUTES AND SUSAN CAN GET YOU ANYTHING YOU MAY NEED. 1888 01:00:01,380 --> 01:00:05,123 ANYTHING YOU MAY NEED. 1889 01:00:05,123 --> 01:00:07,342 ANYTHING YOU MAY NEED. >> GREAT TO HAVE YOU, WILL. 1890 01:00:07,342 --> 01:00:32,411 >> GREAT TO HAVE YOU, WILL. 1891 01:00:32,411 --> 01:00:34,543 >> GREAT TO HAVE YOU, WILL. >> [SIGHS] 1892 01:00:34,543 --> 01:01:05,444 >> [SIGHS] 1893 01:01:05,444 --> 01:01:07,620 >> [SIGHS] WISTURBIAN. 1894 01:01:07,620 --> 01:01:11,145 WISTURBIAN. 1895 01:01:11,145 --> 01:01:14,105 WISTURBIAN. [♪...] 1896 01:01:14,105 --> 01:01:39,608 [♪...] 1897 01:01:39,608 --> 01:01:40,435 >> Kit: TAKE CARE, 1898 01:01:40,435 --> 01:01:42,046 >> Kit: TAKE CARE, LITTLE KATIE-CAT. 1899 01:01:42,046 --> 01:01:43,874 LITTLE KATIE-CAT. 1900 01:01:43,874 --> 01:01:46,746 WE'LL SEE YOU IN A COUPLE WEEKS. 1901 01:01:46,746 --> 01:01:49,836 >> Janey: I MISS YOU ALREADY. 1902 01:01:49,836 --> 01:01:51,403 >> O.K., SO I'LL JUST CALL 1903 01:01:51,403 --> 01:01:52,883 WHEN I GET THERE. 1904 01:01:52,883 --> 01:01:55,320 OH, I DON'T WANT TO GO TO L.A. 1905 01:01:55,320 --> 01:01:56,451 >> Kit: OH... 1906 01:01:56,451 --> 01:01:58,671 YOU'RE GONNA BE FINE. 1907 01:01:58,671 --> 01:01:59,411 >> [SIGHS] 1908 01:01:59,411 --> 01:02:00,542 NO, I DON'T WANT... 1909 01:02:00,542 --> 01:02:03,720 I DON'T WANT TO GO. 1910 01:02:03,720 --> 01:02:04,808 >> KATE, IT'S A LITTLE 1911 01:02:04,808 --> 01:02:07,071 LATE FOR THAT. 1912 01:02:07,071 --> 01:02:08,376 >> [EMOTIONALLY]: I DON'T 1913 01:02:08,376 --> 01:02:09,464 WANT TO GO. 1914 01:02:09,464 --> 01:02:10,465 >> YOUR CAR'S HERE. 1915 01:02:10,465 --> 01:02:11,684 YOUR SHIT'S NOW HALFWAY 1916 01:02:11,684 --> 01:02:12,729 CROSS-COUNTRY. 1917 01:02:12,729 --> 01:02:13,555 HATE TO BREAK IT, 1918 01:02:13,555 --> 01:02:15,340 BUT YOU'RE GOING TO L.A. 1919 01:02:15,340 --> 01:02:18,169 >> I DON'T WANT TO GO TO L.A. 1920 01:02:18,169 --> 01:02:20,214 >> KATE, COME ON. 1921 01:02:20,214 --> 01:02:22,477 >> KATE, COME ON. DON'T BE A FREAK. 1922 01:02:22,477 --> 01:02:24,697 DON'T BE A FREAK. 1923 01:02:24,697 --> 01:02:27,831 >> BETTER A FREAK THAN A FOOL. 1924 01:02:27,831 --> 01:02:30,268 >> BETTER A FREAK THAN A FOOL. [♪...] 1925 01:02:30,268 --> 01:02:38,319 [♪...] 1926 01:02:38,319 --> 01:02:40,539 [♪...] [DOOR CLOSES] 1927 01:02:40,539 --> 01:02:42,628 [DOOR CLOSES] 1928 01:02:42,628 --> 01:02:43,498 >> WHERE HAVE YOU BEEN? 1929 01:02:43,498 --> 01:02:45,109 I LEFT 20 MESSAGES ON YOUR CELL. 1930 01:02:45,109 --> 01:02:45,718 WHAT HAPPENED? 1931 01:02:45,718 --> 01:02:46,719 >> CATHERINE. 1932 01:02:46,719 --> 01:02:47,764 >> WHY DIDN'T YOU SIGN 1933 01:02:47,764 --> 01:02:48,460 YOUR CONTRACT? 1934 01:02:48,460 --> 01:02:48,982 I TALKED TO PETE. 1935 01:02:48,982 --> 01:02:50,854 HE SAID YOU DIDN'T SIGN IT. 1936 01:02:50,854 --> 01:02:51,115 WHY? 1937 01:02:51,115 --> 01:02:52,551 >> I JUST... I... [LAUGHS] 1938 01:02:52,551 --> 01:02:52,812 >> WHAT? 1939 01:02:52,812 --> 01:02:53,770 >> I COULDN'T SIGN IT. 1940 01:02:53,770 --> 01:02:54,814 >> WHY COULDN'T YOU SIGN IT? 1941 01:02:54,814 --> 01:02:55,772 DID SOMETHING HAPPEN? 1942 01:02:55,772 --> 01:02:57,904 >> NO, I JUST... 1943 01:02:57,904 --> 01:02:58,905 I COULDN'T SIGN IT. 1944 01:02:58,905 --> 01:02:59,776 >> WHY? WHY COULDN'T 1945 01:02:59,776 --> 01:03:00,211 YOU SIGN IT? 1946 01:03:00,211 --> 01:03:01,168 >> BECAUSE I DON'T... I, I... 1947 01:03:01,168 --> 01:03:02,387 >> YOU KNOW WHAT? WE'RE GONNA 1948 01:03:02,387 --> 01:03:03,388 HAVE TO THINK OF SOMETHING. 1949 01:03:03,388 --> 01:03:04,128 SOMETHING CAME UP. >> WHAT? 1950 01:03:04,128 --> 01:03:05,477 >> SOMETHING CAME UP AND YOU HAD 1951 01:03:05,477 --> 01:03:06,870 TO RUN OUT TO NATE, AND I HAD 1952 01:03:06,870 --> 01:03:08,349 AN EMERGENCY, SO I COULDN'T GO, 1953 01:03:08,349 --> 01:03:09,786 SO YOU HAD TO GO GET HIM. 1954 01:03:09,786 --> 01:03:10,264 >> CATHERINE. 1955 01:03:10,264 --> 01:03:11,222 [SHOUTING]: CATHERINE, 1956 01:03:11,222 --> 01:03:11,657 STOP THIS! 1957 01:03:11,657 --> 01:03:12,963 STOP IT! I DON'T WANT THIS! 1958 01:03:12,963 --> 01:03:13,833 I DON'T WANT WAHLSTEIN! 1959 01:03:13,833 --> 01:03:15,835 I DON'T WANT TO KEEP PRETENDING 1960 01:03:15,835 --> 01:03:16,836 THAT EVERYTHING IS FINE! 1961 01:03:16,836 --> 01:03:18,098 IT'S NOT! 1962 01:03:18,098 --> 01:03:22,450 I DON'T WANT ANY OF THIS! 1963 01:03:22,450 --> 01:03:27,455 >> YOU DON'T WANT ANY OF WHAT? 1964 01:03:27,455 --> 01:03:28,587 OH, GOD. 1965 01:03:28,587 --> 01:03:32,330 >> I... 1966 01:03:32,330 --> 01:03:34,680 [SIGHS] 1967 01:03:34,680 --> 01:03:35,855 WE'RE SO BUSY. 1968 01:03:35,855 --> 01:03:36,334 WE GO SO FAST. 1969 01:03:36,334 --> 01:03:38,075 I, I DON'T EVEN HAVE TIME 1970 01:03:38,075 --> 01:03:39,859 TO STOP FOR... 1971 01:03:39,859 --> 01:03:41,948 >> FOR WHAT? 1972 01:03:41,948 --> 01:03:43,689 >> FOR US. 1973 01:03:43,689 --> 01:03:44,821 WE WORK SO HARD, FOR WHAT? 1974 01:03:44,821 --> 01:03:46,257 WHAT ARE WE TRYING TO GET? 1975 01:03:46,257 --> 01:03:47,084 >> WE'RE TRYING TO 1976 01:03:47,084 --> 01:03:47,562 GET WAHLSTEIN. 1977 01:03:47,562 --> 01:03:48,912 THAT'S WHAT WE'RE TRYING TO GET. 1978 01:03:48,912 --> 01:03:50,304 >> O.K., AND THEN WHAT? 1979 01:03:50,304 --> 01:03:51,175 THEN WHAT? 1980 01:03:51,175 --> 01:03:52,829 AFTER THAT? 1981 01:03:52,829 --> 01:03:53,830 THERE'LL ALWAYS BE 1982 01:03:53,830 --> 01:03:54,265 SOMETHING ELSE. 1983 01:03:54,265 --> 01:03:56,136 >> NO! THERE'S NOT, BUT YOU 1984 01:03:56,136 --> 01:03:58,791 CAN'T JUST BACK OUT NOW, WILL. 1985 01:03:58,791 --> 01:03:59,661 UGH! 1986 01:03:59,661 --> 01:04:00,924 EVERYONE'S COUNTING ON YOU. 1987 01:04:00,924 --> 01:04:03,535 >> WHO'S EVERYONE? WHO CARES? 1988 01:04:03,535 --> 01:04:04,579 WHAT ABOUT WHAT WE WANT? 1989 01:04:04,579 --> 01:04:06,886 WHAT ABOUT WHAT I WANT? 1990 01:04:06,886 --> 01:04:07,495 AND NATE. 1991 01:04:07,495 --> 01:04:09,628 YOU THINK NATE'S HAPPY? 1992 01:04:09,628 --> 01:04:12,849 YOU? HUH? 1993 01:04:12,849 --> 01:04:15,982 WHAT DO YOU WANT? 1994 01:04:15,982 --> 01:04:16,896 >> OUR LIFE. 1995 01:04:16,896 --> 01:04:18,158 THIS ISN'T ABOUT ME. 1996 01:04:18,158 --> 01:04:20,726 THIS IS ABOUT YOU BEING HORRIBLY 1997 01:04:20,726 --> 01:04:25,122 SELFISH AT MY EXPENSE. 1998 01:04:25,122 --> 01:04:26,297 AT NATE'S EXPENSE. 1999 01:04:26,297 --> 01:04:31,171 AT EVERYBODY ELSE'S EXPENSE. 2000 01:04:31,171 --> 01:04:32,303 THIS IS AN OPPORTUNITY 2001 01:04:32,303 --> 01:04:32,999 OF A LIFETIME. 2002 01:04:32,999 --> 01:04:35,001 >> NO. NO, IT'S NOT. 2003 01:04:35,001 --> 01:04:36,220 >> YOU CAN'T TURN AWAY 2004 01:04:36,220 --> 01:04:36,829 FROM THIS. 2005 01:04:36,829 --> 01:04:38,309 >> CATHERINE, I DON'T WANT 2006 01:04:38,309 --> 01:04:39,049 TO FOLLOW ALONG. 2007 01:04:39,049 --> 01:04:41,225 I SPEND MY LIFE FOLLOWING ALONG, 2008 01:04:41,225 --> 01:04:43,227 AND ME SIGNING WITH THIS COMPANY 2009 01:04:43,227 --> 01:04:44,315 IS MORE OF US JUST 2010 01:04:44,315 --> 01:04:45,229 FOLLOWING ALONG. 2011 01:04:45,229 --> 01:04:46,099 >> [POUNDING TABLE] 2012 01:04:46,099 --> 01:04:47,405 I DO NOT FOLLOW ALONG! 2013 01:04:47,405 --> 01:04:49,537 >> CATHERINE, I JUST WANT US 2014 01:04:49,537 --> 01:04:51,104 TO SLOW DOWN. 2015 01:04:51,104 --> 01:04:52,714 I WANT US TO MAKE OUR LIFE 2016 01:04:52,714 --> 01:04:54,891 OUR LIFE AND DO WHAT'S 2017 01:04:54,891 --> 01:04:56,240 IMPORTANT FOR US, NOT JUST 2018 01:04:56,240 --> 01:04:58,720 WHAT'S EXPECTED OF US. 2019 01:04:58,720 --> 01:05:02,855 >> THIS IS WHAT I EXPECT. 2020 01:05:02,855 --> 01:05:04,422 >> THIS IS WHAT I EXPECT. >> HONEY. 2021 01:05:04,422 --> 01:05:06,990 >> HONEY. 2022 01:05:06,990 --> 01:05:08,078 >> YOU'RE MAKING A BIG 2023 01:05:08,078 --> 01:05:10,297 CHOICE, WILL. 2024 01:05:10,297 --> 01:05:11,124 >> [STAMMERS] 2025 01:05:11,124 --> 01:05:12,821 THAT'S NOT WHAT I MEAN. 2026 01:05:12,821 --> 01:05:14,214 I, I... 2027 01:05:14,214 --> 01:05:16,434 [SIGHS] 2028 01:05:16,434 --> 01:05:19,393 I JUST WANT US TO BE HAPPY. 2029 01:05:19,393 --> 01:05:22,092 >> I AM HAPPY. 2030 01:05:22,092 --> 01:05:24,921 >> HOW CAN YOU SAY THAT? 2031 01:05:24,921 --> 01:05:28,228 LOOK AT US. 2032 01:05:28,228 --> 01:05:30,056 [DOOR CLOSES] 2033 01:05:30,056 --> 01:05:33,973 >> NATE'S HOME. 2034 01:05:33,973 --> 01:05:35,932 I CAN'T TALK ABOUT THIS 2035 01:05:35,932 --> 01:05:39,587 WITH YOU ANYMORE, WILL. 2036 01:05:39,587 --> 01:05:40,719 YOU CANNOT DRAG ME 2037 01:05:40,719 --> 01:05:44,027 INTO YOUR FAILURES. 2038 01:05:44,027 --> 01:05:46,333 INTO YOUR FAILURES. [♪...] 2039 01:05:46,333 --> 01:05:54,602 [♪...] 2040 01:05:54,602 --> 01:05:56,735 [♪...] >> [SIGHS] 2041 01:05:56,735 --> 01:06:18,975 >> [SIGHS] 2042 01:06:18,975 --> 01:06:22,021 YOU KNOW, I THINK... 2043 01:06:22,021 --> 01:06:23,544 ME NOT GOING TO WORK FOR THAT 2044 01:06:23,544 --> 01:06:25,982 COMPANY IS ACTUALLY A SMALL PART 2045 01:06:25,982 --> 01:06:28,027 OF SOMETHING BIGGER. 2046 01:06:28,027 --> 01:06:31,030 UM... 2047 01:06:31,030 --> 01:06:34,251 IT'S HARD TO EXPLAIN, BUT... 2048 01:06:34,251 --> 01:06:36,862 I... I HAVEN'T BEEN PAYING 2049 01:06:36,862 --> 01:06:38,864 A LOT OF ATTENTION LATELY. 2050 01:06:38,864 --> 01:06:40,909 DOES THAT MAKE ANY SENSE? 2051 01:06:40,909 --> 01:06:42,389 >> SORT OF. 2052 01:06:42,389 --> 01:06:43,695 >> YEAH. 2053 01:06:43,695 --> 01:06:44,913 I DIDN'T WANT TO MAKE YOUR 2054 01:06:44,913 --> 01:06:47,568 MOM MAD OR, OR ANYONE MAD. 2055 01:06:47,568 --> 01:06:50,354 I JUST REALIZED THAT GOING TO 2056 01:06:50,354 --> 01:06:53,270 WORK FOR THAT COMPANY IS NOT 2057 01:06:53,270 --> 01:06:57,317 THE RIGHT THING FOR ME. 2058 01:06:57,317 --> 01:06:58,840 >> ARE YOU AND MOM GONNA 2059 01:06:58,840 --> 01:07:01,017 >> ARE YOU AND MOM GONNA GET A DIVORCE? 2060 01:07:01,017 --> 01:07:04,324 GET A DIVORCE? 2061 01:07:04,324 --> 01:07:05,804 >> YOUR MOM AND I HAVEN'T BEEN 2062 01:07:05,804 --> 01:07:07,545 DOING A VERY GOOD JOB OF TALKING 2063 01:07:07,545 --> 01:07:09,416 LATELY. 2064 01:07:09,416 --> 01:07:11,766 OR LISTENING, FOR THAT MATTER. 2065 01:07:11,766 --> 01:07:12,854 >> WELL, MAYBE YOU SHOULD 2066 01:07:12,854 --> 01:07:13,986 JUST TRY THAT JOB. 2067 01:07:13,986 --> 01:07:15,379 YOU'LL SEE THAT YOU LIKE IT, 2068 01:07:15,379 --> 01:07:17,729 AND THEN IT'LL BE O.K. 2069 01:07:17,729 --> 01:07:18,730 >> IT DOESN'T REALLY 2070 01:07:18,730 --> 01:07:20,036 WORK LIKE THAT. 2071 01:07:20,036 --> 01:07:21,776 HEY, YOU KNOW HOW MOM AND I 2072 01:07:21,776 --> 01:07:23,735 ALWAYS SAY HOW IMPORTANT 2073 01:07:23,735 --> 01:07:26,216 IT IS FOR US TO BE HONEST? 2074 01:07:26,216 --> 01:07:28,087 RIGHT? AND IF I PRETENDED 2075 01:07:28,087 --> 01:07:31,003 THAT I WANTED THAT JOB... 2076 01:07:31,003 --> 01:07:32,961 I WOULDN'T HAVE BEEN HONEST 2077 01:07:32,961 --> 01:07:33,397 WITH MYSELF. 2078 01:07:33,397 --> 01:07:34,180 >> BUT YOU DON'T 2079 01:07:34,180 --> 01:07:35,181 HAVE TO PRETEND. 2080 01:07:35,181 --> 01:07:36,443 YOU CAN JUST TELL THEM THAT YOU 2081 01:07:36,443 --> 01:07:37,923 DON'T WANT TO WORK FOR THEM 2082 01:07:37,923 --> 01:07:39,490 BUT THEN JUST WORK THERE ANYWAY. 2083 01:07:39,490 --> 01:07:41,013 I TELL AARON ALL THE TIME 2084 01:07:41,013 --> 01:07:42,275 THAT I DON'T WANT TO PLAY 2085 01:07:42,275 --> 01:07:43,885 COUNTER-STRIKE, BUT WE 2086 01:07:43,885 --> 01:07:46,714 STILL PLAY IT. 2087 01:07:46,714 --> 01:07:48,151 >> IT'S NOT REALLY THE SAME 2088 01:07:48,151 --> 01:07:50,501 THING THOUGH. 2089 01:07:50,501 --> 01:07:51,632 AND MY GUESS IS, IF YOU 2090 01:07:51,632 --> 01:07:52,764 REALLY DIDN'T WANT TO PLAY 2091 01:07:52,764 --> 01:07:54,809 COUNTER-STRIKE, IF IT REALLY 2092 01:07:54,809 --> 01:07:57,203 FELT WRONG TO YOU, YOU WOULDN'T 2093 01:07:57,203 --> 01:07:58,509 PLAY IT. 2094 01:07:58,509 --> 01:08:00,119 >> I WOULD IF AARON REALLY 2095 01:08:00,119 --> 01:08:02,687 >> I WOULD IF AARON REALLY WANTED ME TO. 2096 01:08:02,687 --> 01:08:37,809 WANTED ME TO. 2097 01:08:37,809 --> 01:08:41,769 [PHONE RINGS] 2098 01:08:41,769 --> 01:08:43,031 >> WILL SARGENT. 2099 01:08:43,031 --> 01:08:44,859 >> HI, WILL. 2100 01:08:44,859 --> 01:08:46,774 IT'S KATE BAASTE. 2101 01:08:46,774 --> 01:08:50,604 >> KATE. HI. 2102 01:08:50,604 --> 01:08:51,214 HOW ARE YOU? 2103 01:08:51,214 --> 01:08:53,651 >> GOOD. I, I WAS JUST CALLING 2104 01:08:53,651 --> 01:08:55,392 TO LET YOU KNOW THAT PREVIN GOT 2105 01:08:55,392 --> 01:08:56,654 AWARDED ONE OF THE LOBBY 2106 01:08:56,654 --> 01:08:59,135 COMMISSIONS AT GREENPOINT, AND 2107 01:08:59,135 --> 01:09:00,919 I JUST WANTED TO SAY THANK YOU. 2108 01:09:00,919 --> 01:09:02,964 >> YEAH. THEY CALLED US 2109 01:09:02,964 --> 01:09:03,356 ON MONDAY. 2110 01:09:03,356 --> 01:09:04,923 THAT'S, THAT'S GREAT. 2111 01:09:04,923 --> 01:09:07,055 >> WELL, UH, I GOT YOU A COUPLE 2112 01:09:07,055 --> 01:09:08,492 OF TICKETS FOR RED FISH 2113 01:09:08,492 --> 01:09:09,145 BLUE FISH. 2114 01:09:09,145 --> 01:09:10,450 KIT SAYS THEY'RE REALLY GREAT, 2115 01:09:10,450 --> 01:09:13,018 AND I GUESS I'LL JUST DROP THEM 2116 01:09:13,018 --> 01:09:14,106 BY YOUR OFFICE AFTER WORK? 2117 01:09:14,106 --> 01:09:16,021 >> WAIT, YOU'RE IN TOWN? 2118 01:09:16,021 --> 01:09:17,849 >> YEAH. 2119 01:09:17,849 --> 01:09:20,547 >> OH, UM... 2120 01:09:20,547 --> 01:09:22,288 YOU KNOW, OR, UM... 2121 01:09:22,288 --> 01:09:24,116 OR I COULD MEET YOU IN PERSON 2122 01:09:24,116 --> 01:09:26,074 AND GET THEM FROM YOU DIRECTLY. 2123 01:09:26,074 --> 01:09:29,165 AND GET THEM FROM YOU DIRECTLY. [MUSIC PLAYING SOFTLY...] 2124 01:09:29,165 --> 01:09:40,001 [MUSIC PLAYING SOFTLY...] 2125 01:09:40,001 --> 01:09:42,178 [MUSIC PLAYING SOFTLY...] [DOOR OPENS] 2126 01:09:42,178 --> 01:09:50,273 [DOOR OPENS] 2127 01:09:50,273 --> 01:09:51,099 >> HI. 2128 01:09:51,099 --> 01:09:51,752 >> HI. 2129 01:09:51,752 --> 01:09:52,623 >> HOW ARE YOU? 2130 01:09:52,623 --> 01:09:54,538 >> [LAUGHS] GOOD. 2131 01:09:54,538 --> 01:09:56,192 UH, IT'S BEEN A LONG COUPLE 2132 01:09:56,192 --> 01:09:59,369 MONTHS, BUT, UH, I'M DOING GOOD. 2133 01:09:59,369 --> 01:10:00,196 >> GET YOU SOMETHING? 2134 01:10:00,196 --> 01:10:03,199 >> YEAH, I'LL HAVE ONE OF THOSE. 2135 01:10:03,199 --> 01:10:05,288 >> AND YOU? HOW'S THE JOB? 2136 01:10:05,288 --> 01:10:07,290 THOUGHT YOU'D BE GONE BY NOW. 2137 01:10:07,290 --> 01:10:09,205 >> I DIDN'T TAKE IT. 2138 01:10:09,205 --> 01:10:09,944 I DON'T KNOW. 2139 01:10:09,944 --> 01:10:11,555 I DIDN'T WANT TO GO TO L.A. 2140 01:10:11,555 --> 01:10:13,209 I WANTED TO STAY IN NEW YORK, 2141 01:10:13,209 --> 01:10:15,646 AND I WANT TO START MY OWN FIRM, 2142 01:10:15,646 --> 01:10:17,300 SO... I'VE BEEN GOING OUT 2143 01:10:17,300 --> 01:10:20,912 ON MY OWN. 2144 01:10:20,912 --> 01:10:24,045 I WANTED TO APOLOGIZE. 2145 01:10:24,045 --> 01:10:24,829 >> FOR...? 2146 01:10:24,829 --> 01:10:26,222 >> MM... 2147 01:10:26,222 --> 01:10:31,575 FOR LEAVING YOU, UM, SO ABRUPTLY 2148 01:10:31,575 --> 01:10:32,402 AT THE CONSTRUCTION SITE, 2149 01:10:32,402 --> 01:10:36,362 BUT LAURYN WALKED UP AND THEN... 2150 01:10:36,362 --> 01:10:40,540 SO... I'M SORRY. 2151 01:10:40,540 --> 01:10:44,501 AND HERE ARE YOUR TICKETS. 2152 01:10:44,501 --> 01:10:46,590 AND HERE ARE YOUR TICKETS. >> THANKS. 2153 01:10:46,590 --> 01:10:52,770 >> THANKS. 2154 01:10:52,770 --> 01:10:54,902 >> THANKS. >> [SIGHS] 2155 01:10:54,902 --> 01:11:00,865 >> [SIGHS] 2156 01:11:00,865 --> 01:11:02,214 >> WELL, I DIDN'T SIGN 2157 01:11:02,214 --> 01:11:03,433 WITH WAHLSTEIN. 2158 01:11:03,433 --> 01:11:05,826 I WALKED AWAY. 2159 01:11:05,826 --> 01:11:07,741 TWO YEARS OF WORKING TOGETHER 2160 01:11:07,741 --> 01:11:10,701 AND NEGOTIATING A DEAL, 2161 01:11:10,701 --> 01:11:13,660 AND I JUST WALKED AWAY. 2162 01:11:13,660 --> 01:11:15,271 WITH A SINGLE ACT, I MANAGED TO 2163 01:11:15,271 --> 01:11:20,798 MAKE A MESS OF... EVERYTHING. 2164 01:11:20,798 --> 01:11:23,235 THE THING IS, THOUGH, THE... 2165 01:11:23,235 --> 01:11:24,715 THE MESS FEELS BETTER THAN 2166 01:11:24,715 --> 01:11:26,847 THE MESS FEELS BETTER THAN LIFE DID BEFORE. 2167 01:11:26,847 --> 01:11:29,676 LIFE DID BEFORE. 2168 01:11:29,676 --> 01:11:30,547 >> [CLEARS THROAT] 2169 01:11:30,547 --> 01:11:31,243 YOU KNOW THOSE BIRDS 2170 01:11:31,243 --> 01:11:33,201 I SHOWED YOU BY THE B.Q.E.? 2171 01:11:33,201 --> 01:11:33,593 >> YEAH. 2172 01:11:33,593 --> 01:11:35,856 >> YOU KNOW THEY'RE PIGEONS? 2173 01:11:35,856 --> 01:11:37,031 >> MM-HMM. 2174 01:11:37,031 --> 01:11:38,163 >> YOU DID? I DIDN'T. 2175 01:11:38,163 --> 01:11:39,817 >> [LAUGHS] REALLY? 2176 01:11:39,817 --> 01:11:41,209 >> NO. [CLEARS THROAT] 2177 01:11:41,209 --> 01:11:42,210 WHEN I FIRST SAW THEM, 2178 01:11:42,210 --> 01:11:45,170 I THOUGHT... THEY WERE SPARROWS 2179 01:11:45,170 --> 01:11:46,302 OR SOMETHING, BECAUSE THEY 2180 01:11:46,302 --> 01:11:47,825 WERE SO PRETTY. 2181 01:11:47,825 --> 01:11:50,001 AND THEN ONE DAY I REALIZED IT. 2182 01:11:50,001 --> 01:11:51,219 THEY ARE JUST DIRTY, 2183 01:11:51,219 --> 01:11:53,570 MESSY, ORDINARY, MUNDANE 2184 01:11:53,570 --> 01:11:55,311 STREET PIGEONS. 2185 01:11:55,311 --> 01:11:56,486 AND IT MADE PERFECT SENSE. 2186 01:11:56,486 --> 01:11:58,749 IT'S NOT THE TYPE OF BIRD. 2187 01:11:58,749 --> 01:12:01,491 IT'S NOT THE TYPE OF BIRD. THAT'S WHAT'S SO BEAUTIFUL. 2188 01:12:01,491 --> 01:12:06,409 THAT'S WHAT'S SO BEAUTIFUL. 2189 01:12:06,409 --> 01:12:08,062 >> DO YOU HAVE ANY PLANS 2190 01:12:08,062 --> 01:12:08,976 TONIGHT? 2191 01:12:08,976 --> 01:12:11,588 TONIGHT? [♪...] 2192 01:12:11,588 --> 01:12:14,982 [♪...] 2193 01:12:14,982 --> 01:12:17,420 [♪...] [NO DIALOGUE...] 2194 01:12:17,420 --> 01:12:28,387 [NO DIALOGUE...] 2195 01:12:28,387 --> 01:12:34,611 >> Man: ♪ I'M ALWAYS THINKING 2196 01:12:34,611 --> 01:12:40,356 OF SOMEONE NEW ♪ 2197 01:12:40,356 --> 01:12:46,623 ♪ I'M NEVER SITTING 2198 01:12:46,623 --> 01:12:51,410 O.K. WITH YOU ♪ 2199 01:12:51,410 --> 01:12:57,460 ♪ THERE'S ALWAYS SOMETHING 2200 01:12:57,460 --> 01:13:03,248 ELSE ON MY MIND ♪ 2201 01:13:03,248 --> 01:13:06,425 ♪ THERE'S ALWAYS SOMETHING 2202 01:13:06,425 --> 01:13:09,297 ♪ THERE'S ALWAYS SOMETHING I CAN'T FIND ♪ 2203 01:13:09,297 --> 01:13:15,303 I CAN'T FIND ♪ 2204 01:13:15,303 --> 01:13:16,392 ♪ YOU THINK ABOUT 2205 01:13:16,392 --> 01:13:20,700 ANYTHING YOU CAN ♪ 2206 01:13:20,700 --> 01:13:26,358 ♪ I THINK ABOUT YOU 2207 01:13:26,358 --> 01:13:30,318 ♪ I'LL THINK ABOUT ANYTHING, 2208 01:13:30,318 --> 01:13:32,930 IT'S TRUE... ♪ 2209 01:13:32,930 --> 01:13:35,062 IT'S TRUE... ♪ [♪...] 2210 01:13:35,062 --> 01:13:48,641 [♪...] 2211 01:13:48,641 --> 01:13:54,386 ♪ I'M ALMOST PERFECT 2212 01:13:54,386 --> 01:14:00,392 SOME OF THE TIME ♪ 2213 01:14:00,392 --> 01:14:06,006 ♪ I'M ALSO SINKING 2214 01:14:06,006 --> 01:14:11,490 SOME OF THE TIME ♪ 2215 01:14:11,490 --> 01:14:16,495 ♪ I'M ALMOST READY, 2216 01:14:16,495 --> 01:14:23,197 YEAH, IT'S ALMOST TRUE, 2217 01:14:23,197 --> 01:14:27,463 FOR ALMOST ANYONE 2218 01:14:27,463 --> 01:14:29,682 FOR ALMOST ANYONE BUT YOU ♪ 2219 01:14:29,682 --> 01:14:35,035 BUT YOU ♪ 2220 01:14:35,035 --> 01:14:36,515 ♪ YOU THINK ABOUT 2221 01:14:36,515 --> 01:14:40,737 ANYTHING YOU CAN ♪ 2222 01:14:40,737 --> 01:14:46,394 ♪ I THINK ABOUT YOU 2223 01:14:46,394 --> 01:14:50,355 ♪ I'LL THINK ABOUT EVERYTHING, 2224 01:14:50,355 --> 01:14:56,404 IT'S TRUE... ♪ 2225 01:14:56,404 --> 01:15:02,149 ♪ TRUE... 2226 01:15:02,149 --> 01:15:04,674 ♪ TRUE... 2227 01:15:04,674 --> 01:15:07,328 ♪ TRUE... [♪...] 2228 01:15:07,328 --> 01:15:25,738 [♪...] 2229 01:15:25,738 --> 01:15:31,701 ♪ I'M ALWAYS SINKING 2230 01:15:31,701 --> 01:15:37,533 BENEATH THE SAND ♪ 2231 01:15:37,533 --> 01:15:41,145 ♪ YOU'RE HOLDING NOTHING 2232 01:15:41,145 --> 01:15:43,539 ♪ YOU'RE HOLDING NOTHING IN YOUR HAND ♪ 2233 01:15:43,539 --> 01:15:49,457 IN YOUR HAND ♪ 2234 01:15:49,457 --> 01:15:50,546 ♪ YOU THINK ABOUT 2235 01:15:50,546 --> 01:15:54,506 ANYTHING YOU CAN ♪ 2236 01:15:54,506 --> 01:16:00,207 ♪ I THINK ABOUT YOU 2237 01:16:00,207 --> 01:16:04,560 ♪ BUT I'LL THINK ABOUT ANYTHING, 2238 01:16:04,560 --> 01:16:10,653 IT'S TRUE... ♪ 2239 01:16:10,653 --> 01:16:16,702 ♪ TRUE... 2240 01:16:16,702 --> 01:16:22,490 ♪ TRUE... 2241 01:16:22,490 --> 01:16:22,969 ♪ TRUE... 2242 01:16:22,969 --> 01:16:25,232 >> ♪ BAH, BAH-BAH, BAH, BAH, 2243 01:16:25,232 --> 01:16:27,583 BAH, BAH, BAH-BAH... ♪ 2244 01:16:27,583 --> 01:16:28,235 >> ♪ TRUE... 2245 01:16:28,235 --> 01:16:30,498 >> ♪ BAH, BAH-BAH, BAH, BAH... 2246 01:16:30,498 --> 01:16:30,934 >> ♪ TRUE... 2247 01:16:30,934 --> 01:16:33,414 >> ♪ BAH, BAH-BAH, BAH, BAH... 2248 01:16:33,414 --> 01:16:33,850 >> ♪ TRUE... 2249 01:16:33,850 --> 01:16:35,765 >> ♪ BAH, BAH-BAH, BAH, BAH, 2250 01:16:35,765 --> 01:16:39,420 BAH, BAH-BAH, BAH, BAH... ♪ 2251 01:16:39,420 --> 01:16:40,378 >> ♪ TRUE... 2252 01:16:40,378 --> 01:16:42,119 >> ♪ BAH, BAH-BAH, BAH, BAH... 2253 01:16:42,119 --> 01:16:43,599 >> ♪ TRUE... 2254 01:16:43,599 --> 01:16:45,949 >> ♪ BAH, BAH-BAH, BAH, BAH... 2255 01:16:45,949 --> 01:16:48,647 >> ♪ TRUE... 2256 01:16:48,647 --> 01:16:50,606 >> ♪ BAH, BAH-BAH, BAH, BAH... 2257 01:16:50,606 --> 01:16:51,650 >> ♪ TRUE... 2258 01:16:51,650 --> 01:16:53,478 >> ♪ BAH, BAH-BAH, BAH, BAH, 2259 01:16:53,478 --> 01:16:56,481 BAH, BAH-BAH, BAH, BAH... ♪ 2260 01:16:56,481 --> 01:16:57,221 >> ♪ TRUE... 2261 01:16:57,221 --> 01:16:59,005 >> ♪ BAH, BAH-BAH, BAH, BAH, 2262 01:16:59,005 --> 01:17:02,139 BAH, BAH, BAH-BAH, BAH... ♪ 2263 01:17:02,139 --> 01:17:02,618 >> ♪ TRUE... 2264 01:17:02,618 --> 01:17:04,620 >> ♪ BAH, BAH-BAH, BAH, BAH, 2265 01:17:04,620 --> 01:17:08,493 BAH, BAH-BAH, BAH, BAH, BAH ♪ 2266 01:17:08,493 --> 01:17:09,320 >> ♪ TRUE... 2267 01:17:09,320 --> 01:17:12,149 >> ♪ BAH, BAH-BAH, BAH, BAH, 2268 01:17:12,149 --> 01:17:13,672 BAH, BAH, BAH, BAH... ♪ 2269 01:17:13,672 --> 01:17:14,499 >> ♪ TRUE... 2270 01:17:14,499 --> 01:17:16,544 >> ♪ BAH, BAH-BAH, BAH, BAH, 2271 01:17:16,544 --> 01:17:18,808 BAH, BAH, BAH-BAH, BAH, 2272 01:17:18,808 --> 01:17:21,071 BAH, BAH, BAH-BAH, BAH, BAH, BAH-BAH, BAH, BAH... ♪